I ran into this very interesting bit of information while doing some other research.
So Constant-Désiré Despradelle was a French-born architect and professor of architecture at Massachusetts Institute of Technology who, through his teaching, influenced a generation of
Beaux-Arts style architects and helped to popularize this style throughout North America. He actually attended
Ecole des Beaux-Arts which we have discussed here before:
The reason I bring him up here (from wiki):
"Despradelle's most famous project was the unrealized "Beacon of Progress" (also simply called "the Beacon"). The Beacon was a towering monument intended for the site in Chicago, Illinois of the
Columbian Exposition of 1893. Despradelle designed the Beacon to represent the founding of America, and so it consisted of thirteen obelisks which he said represented the original thirteen colonies. The group of obelisks merged to form a single spire soaring 1,500 feet (approximately 457 metres) above Chicago. This is similar to the height of the
Sears Tower, built in the city in 1973.
The Beacon would also represent the future with its benefits to be drawn from "technological leaps forward" in the approaching century. At the apex was to be a brilliant beacon of light with a figurative sculpture called
Spirit of Progress to embody what Despradelle called the upward-looking Christian in America. The figure would face Lake Michigan as a monument to the genius of the people and to the dominant feature of their life.
Despradelle continued to refine his design after the Exposition was over, and although the Beacon was never built, the strength of his final 1900 drawings "drew a great deal of attention and had a lasting impact" in the
Francophone world. Those drawings retained by the French government from domestically-hosted exhibitions were included in the 1908
Franco-British Exhibition in London, a "tribute to [this] teacher of so many upcoming architects, but also recognition and understanding of Despradelle's creative vision.""
Looking for more info on this 'unrealized' project, I found
this article from
Chicago Tribune July 15, 1900 that included the following pictures:
Which is why I decided to post this.
Once again I find myself staring at a picture scratching my head and wondering if I'm looking at an illustration or a photograph. Anybody have any ideas??