Archive
Old SH Archive
- Joined
- Sep 8, 2020
- Messages
- 17,737
- Reaction score
- 3,167
Note: This post was recovered from the Sh.org archive.
Username: Starmonkey
Date: 2020-01-14 15:09:59
Reaction Score: 1
You work on the outer technological application. I'll work on the inner.We, that is myself along with others, have been on this and related topics for a long time. We are only now beginning to obtain a clear image of how things work. The following simple experiment was created by me to test a theory and to help understand 1st Generation Nazi Saucer Design.
Aluminum can become superconductive in a motional magnetic field. That's why aluminum is used in this model. One might use graphite or pyrolitic graphite and expect serious improvements. Without using better materials all I can says is that the tetrahedron seems to be capable of movement in either direction with equal ease and also seems to develop a memory and becomes better over time. I now use the pointed end forwards so that's what I would recommend and this is the reverse of the drawing.
I noticed that magnetic V gates were essentially all 2D V-gates. That understanding lead me to construct my dielectric glider model as a #3D version of a magnetic V-Gate. I did that by cutting a tetrahedron out of an aluminum pop can and creating a simple experimental test to see if it would or could propel itself. The general gist of it is shown in the schematic. I wouldn't say this was exactly a success but it did, at times, jet forwards and other times putt putt along for a couple inches. The whole thing has to be held on a good angle to get any results, and tapping the steel plate helped a lot, but it was clear that there was a propulsive force taking place.
https://i.postimg.cc/s2KG3mhn/Graphite-Sail.png
https://i.postimg.cc/nzj06Hzk/Dielectric-Hyperspace.png
Now I know these posts are long. I can't help that, not if you want to understand what is happening because this whole entire topic has far reaching consequences which go way outside of this thread and most of them are quite frankly scary as hell and have been taking place for quite some time. We are all on a time line whether you know it or not. The clock is ticking.
So you see, I'm giving you a condensed sketch of my detective work that's taken place over many years.
Now the history of R&D (research and development) relating to astrophysics before World War One shows very clearly that there was a major push to understand what space was and how gravity was created. The ideas about what this might be are not those of Einstein. Him and the mass propaganda and educational mind control that supports his models come later, especially after the Second World War with the introduction of the GI Bill and now as part of a more complex education debt scheme that also is a key part to a mind control system involving so-called science.
Remember it's Neil deGrasse Tyson, astrophysicist, whose forwarded the notion that maybe we humans are just too stupid to figure out how UFO's work. Even Richard Dolan whose own book on UFO's and the National Security State has fallen for this idiocy and compare all of us to being a collective of dogs trying to discover where dog food comes from.
I don't know about the rest of you but they can both shove it, but this is where the "Officially Approved Icons of Physics are on the topic" and they are such great con men that even very critical and intelligent people can't find their out of the UFO matrix.
However the PTB are telling you through their mouthpieces that you are all a bunch of dumbasses no smarter than dogs. This is how we are now seen by TPB. If that doesn't alarm you well then maybe you are. As for anyone who does think they may be more intelligent than the family pet then you're going to think for yourself and with others outside of convention. That system is clearly evil incarnate.
OK? So now lets move on;
So the focus of Rutherford and Kapitza was to developed isotopes of liquid helium because it was the closest thing to the theoretical material which filled the Universe and which also penetrated matter creating gravity, or so something along those lines was thought at the time. Kapitza demonstrated that the Aether was a sort of superfluid with his glass model known as the Kapitza's Spider. Looks like this. This was the true reason for the development of isotopes of liquid helium so that experiments could be performed that could be detected since the Aether wasn't detectable and only theoretical.
View attachment 38294
What they did know was that this unknown substance was a dielectric. It's one thing to say oh yes, it's a dielectric, it is an entirely other matter to figure out in your own mind what the hell that really means. I seriously doubt too many people really understand what it is, but a magnets' line of force is a coherent dielectric field line. Like a laser compared to a light bulb. That's what a magnetic field is and it's a dielectric line of force. This means that the coherent magnetic ray is composed of counter space and is hyperspatial. You can now see this is true by using a ferrocell and there the hyperspatial field is visible in #3D where it appears like a hologram. This is really where the holographic universe idea comes from.
From this point on it becomes a bit sketchy what is going on. Even today a magnetic fields' theoretical make up isn't recognized officially, but according the mathematical models of quantum physics the Universe is composed of tetrahedrons. Meaning that at the Planck scale this geometric form is the crystalline shape which binds/fills the universe.
So ya know, it's not like anyone anywhere, or any book except for Ken Wheelers is going to clue you in to the true nature of the Universe. So I'm telling you what I know, what I've pieced together and hopefully this will assist others by cutting off about 12 to 15 years of wandering around listening to idiots talk about gravity, gravity waves, spacetime, bending space, gravitomagnetic gravity, and more insane ideas than you care to know.
The Universe is fundamentally very simple. Out of simplicity complexity arises. It's not a bag of magical particles, virtual particles, photons, gravitons, glueon's, but for us it is one of peons having the wool pulled over their dull dog eyes.
The theory of the Aether was the operating theory used by Nazi Scientists. They didn't use Einsteinian Physic's and all the evidence, which is considerable in my view, says they solved the gravity problem but ya know I don't have to tell you that, Wernher von braun flatly said so. You really can't any better authority and Wernher told the truth before he died as well.
Henry Steven's who wrote Hitlers Flying saucers gives a wonderful synopsis of the Aether Theory in his book in his section on the Karl Schappeller Device. You can read it here in this extract from his book. This then gives you some clue as to what people thought before WWII about the way Universe works. BTW, we know the Schappeller device was real because it was studied three years and there's even a book about it.
https://free-energy-info.co.uk/Stevens.pdf
OK, so now these saucer drawings were pretty mystifying for a long time. Notice that as they progress you get increasing complexity. Stacked tetrahedrons specifically, and in fact if you layer tetrahedrons upon each other using my dielectric glider model you will see some other interesting effects from time to time.
So not too long ago I learned about the quantum physics theorists mathematical model of counterspace was a geometric model of a tetrahedron and I suddenly realized I was staring at tetrahedrons in these first generation saucer designs, and ya know what that says; right? It says that long before WWII and Adolf Hitler this theoretical model a liquid crystalline fluid known as counterspace was what filled the Universe and that hyperspace was known to be moving at some phenomenal speeds far exceeding Einsteinian speed limit. It say's that today's so-called quantum physics is using information from at least 80 to 100 years old to re-tell another lie about the way Universe works.
View attachment 38287
I plan to travel without a craft.
