
My fascination with decorative motifs that make no sense continues. The wreath and it's decorative friend, the garland, aren't just for Christmas. They show up all over the Library of Congress and other US Government buildings. Here are some of them from around the Jefferson Building of the LOC. I won't point the garlands and wreaths out since there are multiple examples in each photo.



Anyone watching the impeachment proceedings, will see them right there always lurking, with the fasces. Note the garland over the arched door. Nothing masonic about the two pillars surrounding the chairman. They do like their pillars in US Government design.

Then you saw the wreaths again in the main house chamber. And the pillars framing the speaker's chair. And a fasces with a garland draped on it. Wonder if that has any significance.
Here is the old chamber in what is now statuary hall. They has to move because of the echos. Almost like they were re-purposing a building that was used for something else. I see lady liberty shaking her finger at the legislators with what looks like an eagle and a fasces, but no wreaths, no garlands. This room was only used from 1819 to 1857, during our suspect reset period.

Oh wait, they kept lady liberty after all. She is shaking the constitution at us. And the fasces has a snake around it. Is this what the garland represents in the the picture above? One could definitely make that assumption. A lot less gripping from the masses over garlands versus a snakes, Garlands are little to pagan-y I guess.

If you are curious to where the representatives met before this, I brought it up in the @BrokenAgate post about the Mormon Temple as the building was exactly like the Mormon Tabernacle Choir building. Also an obvious re-purposed building that makes no sense. They called it the oven!
ORIGINS OF THE WREATH
The word wreath comes from Middle English wrethe and from Old English writha, band.

Ancient Roman writers referred to Etruscan corona sutilis, which were wreaths with their leaves sewn onto a background. These wreaths resemble a diadem, with thin metal leaves being attached to an ornamental band. Wreaths also appear stamped into Etruscan medallions. The plants shown making the wreaths in Etruscan jewelry include ivy, oak, olive leaves, myrtle, laurel, wheat and vines.
A corona (meaning 'crown' in Latin derived from Ancient Greek 'κορώνη' (korōnè, “garland, wreath”)) is an aura of plasma that surrounds the Sun and other stars. The Sun's corona extends millions of kilometres into outer space and is most easily seen during a total solar eclipse, but it is also observable with a coronagraph.
Wreaths were worn as crowns by Etruscan rulers. The Etruscan symbolism continued to be used in Ancient Greece and Rome. Roman magistrates also wore golden wreaths as crowns, as a symbolic testament to their lineage back to Rome's early Etruscan rulers. Roman magistrates also used several other prominent Etruscan symbols in addition to a golden wreath crown: fasces, a curule chair, a purple toga, and an ivory rod.
More Etruscan wreaths
In the Greco-Roman world, wreaths were used as an adornment that could represent a person’s occupation, rank, their achievements and status. Here is a pot with wreaths and musical instruments as the motif.

The wreath that was commonly used was the laurel wreath. The use of this wreath comes from the Greek myth involving Apollo, Zeus’ son and the god of life and light, who fell in love with the nymph Daphne. When he pursued her she fled and asked the river god Peneus to help her. Peneus turned her into a laurel tree. From that day, Apollo wore a wreath of laurel on his head. Laurel wreaths became associated with what Apollo embodied; victory, achievement and status and would later become one of the most commonly used symbols to address achievement throughout Greece and Rome. Laurel wreaths were used to crown victorious athletes at the original Olympic Games and are still worn in Italy by university students who just graduated.

Zeus is also associated with oak wreath crowns, which symbolize wisdom because he made his decisions in an oak grove.

Law XII. Large wreaths shall not be borne at a funeral; nor shall perfumes be burned on the altars.
"Longæ Coronæ." This term, while obscure, would seem to refer to garlands of excessive size, exhibited by way of pomp and ostentation at the celebration of funeral rites. The greater part of the legislation of this Table was evidently framed for the correction of the inordinate display of wealth and luxury already becoming prevalent at the burial of the dead.
Law XIII. Anyone who has rendered himself deserving of a wreath, as the reward of bravery in war, or through his having been the victor in public contests or games, whether he has obtained it through his own exertions or by means of others in his own name, and by his own money, through his horses, or his slaves, shall have a right to have the said wreath placed upon his dead body, or upon that of any of his ascendants, as long as the corpse is at his home, as well as when it is borne away; so that, during his obsequies, he may enjoy the honor which in his lifetime he acquired by his bravery or his good fortune.
Let's not forget the definition of the word itself.
Bonus from the 12 Tablets:
Purple robes again. Law VII. When a corpse is prepared for burial at home, not more than three women with their heads covered with mourning veils shall be permitted to perform this service. The body may be enveloped in purple robes, and when borne outside, ten flute players, at the most, shall accompany the funeral procession.
Law XI. No wine flavored with myrrh, or any other precious beverage, shall be poured upon a corpse while it is burning; nor shall the funeral pile be sprinkled with wine.
In Ancient Greece, the harvest wreath was a sacred amulet, using wheat or other harvested plants, woven together with red and white wool thread. The harvest wreath would be hung by the door year-round. Harvest wreaths were an important symbol to the community in Ancient Greece, not merely to the farmer and his family. The festivals devoted to Dionysus, the Oschophoria and Anthesteria, included a ritual procession called the eiresîonê. A harvest wreath was carried to Pyanopsia {Festival for Apollo} and Thargelia {Festivals for Delian Apollo and Artemis} by young boys, who would sing during the journey. The laurel or olive wreath would be hung at the door, and then offerings were made to Helios and the Hours. It was hoped that this ritual would bring protection against crop failure and plagues
So at this point you are thinking, well Christmas was aligned with pagan holidays dedicated to Saturn (the first sun) so it makes sense that the wreath would carry over. Except the wreath was not associated with Christmas officially until.... 1839.
According to the official narrative below, the advent wreath is around in the 1500s but not officially noted until the 19th century. What prompted 16th century Lutherans to start using the advent wreath is unknown, I guess, since motive is not ascribed until the 1839 tall tale. Another symbol with yet another suspicious origin story.
directly from el-ite-epedia:
The Advent wreath was first used by Lutherans in Germany in the 16th century, and in 1839, Lutheran priest Johann Hinrich Wichern used a wreath made from a cart wheel to educate children about the meaning and purpose of Christmas, as well as to help them count its approach, thus giving rise to the modern version of the Advent wreath. For every Sunday of Advent, starting with the fourth Sunday before Christmas, he would put a white candle in the wreath and for every day in between he would use a red candle.
There is already a great post by KD about the Saturnalia origins of Christmas here. December 25th was also the festival of Dies Natalis Solis Invicti. Here is Christ the Sun God, el-ite-pedia calls it ChristAsSol from the Tomb of Julii

And here with the halo(or corona=wreath) pictured as a parhelion or sun cross. So maybe not so far fetched to associate him with the wreath.

He is the sun of God. Like Apollo, Mithras, Sol Invictus, Helios......
The wreath is important enough to be features on several Tarot cards, just to make sure we hit all the occult bases.


So back to politics and the wreath
By the Renaissance period, wreaths became symbols of political and religious alliances in England. During the Interregnum following the overthrow of Charles I of England, wreaths symbolized Royalist sympathies. In Bath, Somerset, the coronation of Charles II of England was marked with a procession of 400 maidens in white and green, carrying "gilded crowns, crowns made of flowers, and wreaths made of laurel mixed with tulips", and led by the mayor's wife.
Well that should explain why the US decided to put wreaths and garlands an every public building in Washington DC after 1850.
ORIGINS OF THE GARLAND



These garlands from the Jefferson building look more like Cornucopias to me.

Other strangeness with Christmas symbols and traditions.
Another item that became associated with Christmas in the 1800s.
It was so popular that they would use it to decorate prints , Here is Madame Vestris as Apollo from England 1837-1840. Note the wreath around the sun scepter in her hand.

Apollo? The sun again and stars again.


Yeah, he has the glove, the ring and the magic crozier. Must be were his magic powers come from... Below the cloth grab version with the Mercury style cozier.

It is Thomas Nast's Civil War era drawings that really start to form the character we know today.


Thumbnail with better details of characters.
Y'all should remember Thomas Nast as the guy who popularized Uncle Sam over the earlier personification of the Unites States, Brother Jonathan. He also was the first to represent the democrats with a donkey and republicans with a elephant. Nast really came up a lot of American symbols in the 1800s. Eventually, Santa Claus stops looking like he made his outfit out of an American flag and starts to look more like he does today thanks to Nash. Here he is in 1881.

Here is an article from Smithsonian Magazine about the "Santa deity" -their words --and Propaganda. They should know about propaganda.
With that out of my system, back to wreaths. Why the symbol of the wreath and garland are so important that we use it today? Whether gracing the halls of government, places of death, and your front door, the el-ites must want us to see it. They put it on coins in ancient times. Here with a thunderbolt and some sort of towers that that look like something is flowing from a device on top of them. Lots more ancient wreath coins here.

Here it is on the reverse of some US coins:



And of course, the wreath should be paired with a couple of cornucopia just to complete the loop of strange motifs. On a coin.

So I'll quote from the poem "A Visit from St. Nicholas", written in 1823 of course : Merry Christmas To All and to All a Good Night!
Plissken
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