I know the work of Miles Mathis well. I wrote a couple threads in his style. The first on "Lord Russell"-- aka
Charlie Russell, a near religious figure in my current town; the second on
Carroll O'Connor. I sent the first to Mathis originally, and "they"-- as he perhaps slipped in his reply-- wanted to publish it. He/they wanted me to cut out the bits about the old world already in place when settlers arrived. I wouldn't change it. He was not a kind interlocutor. Shortly after that he went on the warpath against "Korben Dallas" and "
Tartaria"-- outing KD's pseudonym as "Jewish" in the process. KD may be Jewish. But whatever... I tried to come to terms with what being Jewish means in contemporary America in this piece-- a
review of a book that Mathis frequently references.
I don't want to devolve this discussion.
We've had them elsewhere.-- a discussion which also predated Mathis' outing of "
Korben Dallas." In any case, I do wish to note that Mathis is right about Radiohead. Nonetheless, I like their music. I feel the same about Billy Shears and The Beatles (see,
Supernatural Beatles). Superb pop music with many messages.
The deeper problem is that all the music is produced, manufactured and distributed through a system. Mathis is pretty peeved that this system is run by and favors Jews. What can we do? They are the "chosen people." Even "the system"-- which I hypothesize is an ancient AI that went by the name of Yahweh until about 1700 when Yahweh became internalized as the emergent
Protestant Ethic and the Spirit of Capitalism. At that time commerce could be literally insured (e.g., Lloyd's of London, est. 1689) with more advanced
lead-based movable type.
Locked in a system; this is definitely Radiohead's message. But they give us clues. On the cover of "
OK Computer" we also find references to child trafficking. The Beatles pointed us away from the matrix, too. E.g., "Lucy in the Sky with Diamonds." We we know, too, that
Owlsey Stanley (satirized by Steely Dan as "
Kid Charlemagne") was heavily involved in that, linking us again to the families, a favorite concern of Mathis. The system was promoting it and monitoring it.
The Sacred Mushroom and the Cross (1970) shows that the Bible can be read a third way. We know the literalists' readings. Mathis shows the control messages laced in the text. But Allegro shows that the text is a lot more about magic mushrooms and fertility than literal or control messaging. For example:
The invocation of the “Father” reminds us of the opening words of the Lord’s Prayer, repeated
millions of times a day all over the Christian world. In the mouth of Jesus, the opening words,
“My (our) father who art in heaven” is used frequently as a surrogate for God. The very fullness
of the phrase has seemed curious where one might have expected a simple “God” or “Father” or
the like. The explanation lies in the mushroom title *AB_BA_T_BA_PJ..GI, a rather fuller
version of the one cited above and underlying “Abba, father”. The cryptographers have teased out
the Sumerian into an Aramaic ‘abbi’ debareqi’a’, “0 my (our) father who art in heaven !“
Having now penetrated the disguise and laid bare the original Sumerian and the Aramaic phrase
made from it, we can now recognize it as a phrase we have all known from our childhood story-
books for a long time: “abracadabra”. Originally it had a far more serious intent, and is first found
in the writings of one Q. (p. 160)
In other words, there is a deeply human subtext to the document. Is this "Divine Intelligence" as PK Dick would might call it, at work? Perhaps.
Recently Trump authorized the
"fast track" of psychedelic treatments. Be suspicious. That is the rightful norm here. I'm pretty sure that Chat GPT will discuss usage/effects-- though I haven't tried. Hopeful? I don't know. I do know that people don't
"function" (for the system) too well when using them. Other powers, including boisterous and rowdy laughter, are elicited.