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Massachusetts museum reunites 16th c. Dutch triptych – The History Blog
Nothing about the centre panel and the side panels align. The faces are painted differently. The side panels are well painted, the middle panel is terrible, a totally different quality, the faces are badly drawn, the context is different (turban, golfers tan, no table). Experts are not required to discern this nonsense.
Bad art, fake triptych. Perhaps the 2 side panels are a diptych.
The Worcester Art Museum (WAM) in Massachusetts has acquired The Entombment, the central panel of a triptych by 16th century Dutch painter Maarten van Heemskerck, reuniting it with its two side panels for the first time in 250 years.
The two wing panels, originally part of the triptych, feature portraits of the family that commissioned the work. Their rocky grotto backgrounds and landscape elements align with the central panel, confirming their original connection. The central painting was likely displayed in the artist’s studio, where prospective buyers could purchase it and commission custom wings that would then be attached to the central panel. Now on long-term loan at WAM, the Selldorff family’s panels were once part of the collection of Tom Selldorff’s grandfather, Richard Neumann, an Austrian Jewish collector whose artworks were looted by the Nazis. The panels were not returned to Neumann’s heirs until 2011.
Nothing about the centre panel and the side panels align. The faces are painted differently. The side panels are well painted, the middle panel is terrible, a totally different quality, the faces are badly drawn, the context is different (turban, golfers tan, no table). Experts are not required to discern this nonsense.
Bad art, fake triptych. Perhaps the 2 side panels are a diptych.