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Temples and Churches as Radio Frequency Receivers
- Thread starter Frostychud
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Shabbtai.Tsvi
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Yes, something like that. Thanks for digging it out.
To me that is a fascinating graphic because it gives additional meaning to amplitude. It turns amplitude into radius. Imagined as a drill bit or bore, it shows amplitude as bore diameter (actually 1/2 the bore diameter but the relationship with diameter is linear and obvious).
Frequency becomes the thread- or screw-pitch.
Assuming in both cases that there is an 'edge', a defined moment where the increase in field (the phase change, I guess) ceases and begins to reduce again.
It doesn't obviously shine a light on what is really happening as the thing seemingly transitions from a (seemingly) electric field phenomenon to a (seemingly) magnetic field phenomenon. Nor on the notion of there being two cores - one electric and one magnetic - spiraling around a common 'core' or rotating plane between each them as they move forward.
But even so its implications for amplitude are interesting. Because, normally, amplitude of an electromagnetic wave is treated as a consequence of power and receive/detector sensitivity. It is measurable but the measured amplitude depends on two factors (1. power and 2. measuring instrument sensitivity). This diagram shows amplitude as being a precisely defined dimension. If you see what I mean.
Are there more graphics where this one came from?
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Continuing with no transition from the previous post...
If we assume (1) that the appearance of the Hunting Falcon/Ball Plasmoid was a regrettable but necessary consequence of creating temples to channel and “summon” the anomalous zone which fed the community both physically and metaphysically, and (2) that the Hunting Falcon would inevitably eat the livers of whomever it “saw”, wouldn’t it make sense to…chain someone to the central pillar to “distract” or “pacify” the Hunting Falcon when it rose from the Earth and stop it from wreaking indiscriminate havoc on the community? In other words, by picking a sacrificial victim, be it human or animal, was an even greater danger averted? (Wasn’t Prometheus chained to a rock where an eagle ate his liver every day?) And of course, wouldn’t it make sense, once the ball plasmoid phenomenon began to wane, for desperate people to increase the rhythm of sacrifice in an attempt to bring God back (not the plasmoid per se, but the zone of fertility itself), until the whole thing degenerated into a hideous bloody cargo cult? Isn’t this exactly what happened to the Mayas and the Aztecs? The Earth changed, the anomalous zones stopped appearing, fertility dropped, disease ravaged the community, crops failed, and morality degenerated. The rhythm of sacrifices increased, but it didn’t work, and the community ended up fleeing the formerly active anomalous zone and regressing to savagery in the jungle. The ball plasmoid, a consequence of the appearance of the anomalous zone, was mistakenly worshiped as its cause. Mutatis mutandis, the sacrificial ritual, which also included dance, music, theater, etc., came to be seen as the cause that attracted the ball plasmoid that attracted the fertility, when the original reality was the exact contrary: the fertile anomalous zone generated the ball plasmoid which necessitated the sacrificial rituals…which is exactly what we observe in more recent cargo cults, a “magical” inversion of cause and effect.
Here we might also see the organic connection between the two faces of paganism, the “good” nature-honoring face and the “bad” sacrificial face. The two were organically linked and indivisible. To be sacrificed to the living God and thereby save the community was originally an honor reserved for royalty…perhaps the sacrificial victim somehow even merged with God…
This model solves another weird mystery: the origin of temple prostitution. It makes perfect sense for the Temple to be a site of sexual activity during the active Anomalous Zone periods (associated with certain seasonal celestial conjunctions), since it was at the center of the energetic phenomenon. I can imagine the scene: the shining, translucent, plasma Hunting Falcon is devouring an ecstatic sacrificial victim chained to the central stone phallus/pillar as congregants and hierophants, tripping balls on aetheric energy, seeing psychedelic visions of the timeless implicate order, swarm as close to the center as they can like insects to a flame to screw their brains out in a frenzy of raw life energy. I can imagine the victim choosing to die in order to merge with God, a great honor. I can imagine humans and animals copulating with each other, as well as animals with other animals, which will produce chimerical life forms nine months later. (These rituals would persist as Saturnalia and Bacchanalia, all the way up to today’s Carnival.)
In “Away in a Manger - Part Two”, Usselo shows a selection of bizarre stone “hogback tombs” from Britain decorated with scary carnivorous beasts like bears and reptiles, and then suggests that victims were chained there to be fed as sacrifices to really-existing carnivorous monsters.
Away In A Manger - Part Two | IHASFEMR
Hypothesis: after the disappearance of the anomalous zones and the plasmoid balls, the still-surviving giant chimerical monsters which had been born in the “old times” were seen as remnants/children of God and fed/worshiped in the same way that the plasmoid ball was once appeased, by chaining victims to a rock…
Doesn’t this explain all the weird Biblical injunctions against sodomy and bestiality, which at some point had degenerated into a sick cargo cult ritual? Doesn’t this explain why in pre-monotheistic religions chimeras were worshiped as the offspring of God? Doesn’t it explain why in India, the country whose religion today most resembles the ancient ball plasmoid religion, mutant humans and animals are worshiped as avatars to this day?
Mutant goat is 'worshipped as an avatar of god' in India
Eugene McCarthy would say that this mutant goat is the result of intercourse between a man and a female goat. The anomalous zones may be dead, but there is still enough aether energy trickling into our domain for things like this to occasionally happen. Indeed, without aether energy, life would no longer exist at all.
Notice the mutant two-headed cow, which was probably born as the result of anomalous energy fields caused by the passage of a comet. It would appear that comets somehow affect the energy field in a catastrophic way, creating negative anomalous zones, causing plagues and hideous mutations. To change themes a little bit, I wonder if the Comet Nigra and Black Death of the 1340’s has some connection with the Avignon Papacy, which Jef Demolder, following Kammeier, claims launched Christianity as well as the retroactive falsification of all history before then. Nodding to the original theme of this thread, from which I have seriously deviated here, it would seem to me at this point that temples and churches went from being ball plasmoid generators to indoctrination centers, butcheries, and radio stations. Will Scarlet and Felix Noille see the 10th century collapse as the crucial catastrophe that separates real history from forged history. Jef Demolder situates this event around the time of the Black Plague. Others situate it even closer in time to us. When did the ball plasmoid disappear? Did it disappear in different places and at different times?
In the following post, Sekito summarizes an argument by MM Postnikov that Vesuvius was worshiped as a god in the ancient world: MM Postnikov - Critical study of the chronology of the ancient world (English - machine translated)
Now, it has been more or less proven here that Pompeii was buried in 1631, not 79 AD. One of the weird things about Pompeii is how sex-oriented it was, with phallus images, orgy mosaics, and brothels everywhere. Well, if we consider that volcanoes are incredible places of power whose eruptions are caused by violent streams of energy shooting from below ground, it would make sense that the elite of the time would flock to the feet of Vesuvius to fornicate. Again, I have no idea if the “magic” was still working in 1631 AD. I guess by then it had just become a simple cargo-cult sex tourism destination for degenerate aristocrats. Sekito quotes Postnikov as suggesting that the area around Vesuvius, meaning Naples, was the original holy city, and that honor was only usurped by Rome later. Naples is historically the most populous city in Italy, which is itself kind of a mystery, and one can still today see how incredibly rich it once must have been.
In Hitler was a British Agent, Greg Hallett reports that Hitler’s father was conceived in an Illuminati ritual that involved three separate masked Rothschilds terrorizing and then finally raping Hitler’s grandmother on a special occult date (so their sperm would combine, I suppose), with the goal of luring a demonic entity into her womb, one that later could be remote-controlled as a golem. It sounds far-fetched, but the theory is logically consistent with what we have seen here so far…
This makes me wonder again about morality and its connection with the ancient gods. There is this idea present in many ancient religions that God punishes the immoral and rewards the moral. This remains opaque to me. Is there truly a universal Moral Law, as Kant believed, one linked with the stars themselves? Kant's precursor Spinoza makes the connection clear. His Ethics is explicitly geometrical, and indeed written in the style of a mathematical proof: there is a geometry of growth and joy, which he calls conatus. This geometry mediates between God and man. When the implicate order becomes explicate, are those who have strayed too far from the geometrical moral order somehow punished? At the same time this feels wrong. There are predators and parasites on Earth today because the Law of Entropy under which we currently suffer demands it. It seems unusual to blame remoras and tapeworms for embracing a strategy that is dictated by the energetic profile of their environment. And anyone who has a little experience in life has probably witnessed a few examples of bad leading to good and vice versa. I would even go as far as to argue that in a basically godless world, in which almost all forms of direct psychic communication and connection are disabled, we humans have a rare and valuable opportunity to experience solitude, to learn individual rather than group lessons, to collect knowledge of a different sort, to savor difference, lack, separation, and failure on our circuitous path back to primordial unity, and perhaps even to explore deception and parasitism in the process. (The elaboration of such an ethics was the project of the brilliant postwar philosopher Gilles Deleuze.) And don’t all communities that desperately attempt today to maintain the old traditions and fantasies of unity, in the absence of the original psychic/morphic field that once sustained them, have a whiff of fascism, by which I mean, a kitsch/ersatz version of community whose invisible organizing principle is no longer an aether-mediated solidarity, but rather repression, neurosis, sadomasochism, mutual surveillance, boredom, sterile routine, alcoholism, domestic misery, etc.? If what Yyprst is suggesting is true, the whole point of community back in the day was the cyclical opportunity to get high on the anomalous zone together...
This foray into morality may seem like an unnecessary digression from the original topic of the thread, but I don’t think so. Temples and cathedrals are the most polysemic and complex artifacts that have come down to us from the old world. Morality clearly played a non-trivial role in whatever it was that these buildings “did”.
Here, Usselo poses an important question: why would the scalar field “prefer” the tomato to the mold that would grow on it otherwise? This reminds me of a paradoxical Zen proverb which Suzuki comes back to again and again: the Zen practitioner loves weeds and flowers equally, but prefers flowers (I paraphrase). One of the more radical ideas Velikovsky advances in “Worlds in Collision” is that vermin such as locusts and fleas literally fell to the Earth from Venus after its close pass in the heavens. If I remember correctly, esoteric Judaism claims that animals only started “biting” each other after the Flood. I would like to offer another speculative hypothesis. What if the genetic “geometry” of parasites was instantly “downloaded” from the scalar field at the precise moment that the electromagnetic profile of Earth changed, perhaps due to a celestial upheaval? Perhaps this explains all the weird accounts out there of insects and frogs suddenly raining from the sky. Regarding the scalar field’s “preference” for tomatoes over mold, I have a possible explanation. Here it is worth giving a more precise definition of Spinoza’s conatus:
In the philosophy of Baruch Spinoza, conatus (/koʊˈneɪtəs/; wikt:conatus; Latin for "effort; endeavor; impulse, inclination, tendency; undertaking; striving") is an innate inclination of a thing to continue to exist and enhance itself. This "thing" may be mind, matter, or a combination of both, and is often associated with God's will in a pantheist view of nature. The conatus may refer to the instinctive "will to live" of living organisms or to various metaphysical theories of motion and inertia.
Conatus is intimately linked with a movement towards greater complexity. Take a library for example. There are two ways to extract energy from it. I can sit down, slowly read the books one by one, and apply the knowledge I find inside to the world around me to increase order. Or I can burn the books one by one to keep myself warm for a few nights. The first process is “conatic”, the second is entropic. This is what parasites do: they “burn libraries” by attacking and dismantling organisms more complex than themselves to extract simple heat. Hypothesis: as the aether strengthens and weakens, different genetic “blueprints”, each adapted to different ecosystems, and of which there must be an infinity, are downloaded from the morphic field into material reality. Sheldrake’s chreode theory offers an explanation on a nuts and bolts cybernetic level of how this might happen. When energy is added to the morphic/scalar field, as in Meyl’s experiments, perhaps the sudden excess is spontaneously channeled towards growth. Or to use an example from microeconomics, a person who makes a subsistence wage has no choice but to “burn” his monthly salary on food and rent, whereas a person who makes more than he spends can channel the surplus towards some “geometrical” enterprise that will in the long run function as a crystal resonator channeling money and energy upwards rather than downwards.
This makes me think of something else. Studies show that beautiful people, that is to say, people whose facial geometry is symmetrical and more closely approximates the Golden Ratio, are perceived as being more moral. Well, this makes sense. The fundamental principle of the universe is resonance. Structures resonate with geometrically similar structures. At the deepest level these structures are immaterial and located in the scalar/morphic field. If morality is also a property of this field, it would make sense that more geometrically perfect bodies and faces would function as better “conatus antennae”. There is one small problem, however. Look at Hollywood. Look at TikTok. Are beautiful people really more moral? I don’t think so. Once again, this contradiction vanishes if we postulate that the aetheric field that once allowed bodies to resonate with ideal forms no longer functions so well. Beautiful people would therefore be an empty artifact of a bygone Golden Era. One might even argue that since beautiful, symmetrical people are perceived as being more moral, they are precisely the people who today can most easily get away with parasitism and deceit. In other words, in an aetherically weak world in which symmetry no longer resonates with the Moral Morphic Field any more than asymmetry, beauty is the ideal camouflage for a predator. A classic example of the coincidentia oppositorum of dialectical philosophy. And when the celestial wheel turns again, and energy levels rise, and the system begins to move away from entropy and towards waxing order, the parasitic forms will once again fade into the shadows, only to return when the wheel turns again. I suppose that this is the origin of the Kabbalistic/Masonic Ordo ab Chao: the two eternal forces, solve et coagula, that eternally succeed each other. Where the Masons and Kabbalists go wrong is in believing they can artificially control the process. (Or can they...?)
The history of classical music seems to confirm this. Let’s take five composers: Bach (1685-1750), Mozart (1756-1791), Beethoven (1770-1827), Wagner (1813-1883), and Schoenberg (1874-1951). With the exception of a six-year gap between Bach and Mozart, we have an unbroken chain. Hypothesis: these genius composers were all downloading forms and structures from the aether, and we can reconstruct the “shape” of the aetheric field over time by studying their music. (Perhaps we can even extend the analysis to philosophers with roughly the same timeline. Bach=Spinoza, Mozart=Kant, Beethoven=Hegel, Wagner=Nietzsche, Schoenberg=Heidegger.) In Bach’s music we have pure fractal geometry with very little individual subjectivity. When we listen to Bach we have the impression of leaving ego behind and experiencing the eternal structure of existence directly. With Mozart we lose some of the complexity of Bach, but we retain the “golden ratio” architecture. We also begin to see the stirrings of individual subjectivity, albeit somewhat politely. With Beethoven, the modern individual finally emerges in a recognizable form: we have rage, anxiety, joy, frustration, sadness, Eros. With Wagner we attain a peak of emotional lability. The classical principles of harmony and symmetry are pushed to their breaking point, and the form of subjectivity that emerges from his music is ecstatic, manic-depressive and nostalgic. It also offers us a glimpse of the disintegration to come. With Schoenberg, we find ourselves in a completely disorganized and deconstructed world, in which symmetry no longer functions, in which beauty and ugliness are morally equivalent. A lot of critics dismiss modern and “postmodern” music as hideous garbage, but I think they’re missing something. Yes, much of this music is ugly, but it reveals something deep and true about the nature of the world we live in today. We can’t go back to the old world, not until the aether allows it, in any case. Our bodies were conceived for a different world. This world is for rats and cockroaches.
THE ARK
Yyprst offers the following tantalizing speculation in one of his articles about the ball plasmoid:
It would appear that someone in Egypt figured out how to trap the plasmoid ball (and perhaps himself along with it) in a gold-covered box, keep it “alive” artificially by funneling atmospheric electrical energy as well as sacrificial bioenergy to it, and use it as a weapon and power source. Again I am speculating, but is it possible that Yahweh was the “last ball plasmoid standing”? In other posts I speculate that the Phoenicians conquered Egypt with usury and trade and ran it as a colony, illustrated by the Old Testament story of Joseph (the “first Epstein” according to Jim Duyer). The endpoint of the usury cycle is the moment when all hard assets are stripped from a conquered territory and expatriated. It happened recently in Greece when the country defaulted on its debts to the EU and had no choice but to allow foreign creditors to come in and take possession of all national infrastructure such as the energy grid, the ports, etc. Well, if we imagine that the Phoenicians ran the Egyptian economy into the ground in a similar way and then skedaddled with all the riches, wouldn’t it make sense that the single most precious asset to steal would be the highest fruit of Egyptian science, namely a god itself, trapped in a box? Once the Hebrews/Phoenicians had their stolen “God in a box”, they engaged in a ruthless campaign of eliminating all the surrounding altar “god generators”, large and small, that ensured the perennity and economic/spiritual viability of the many communities that had formed around naturally occurring anomalous zones over history. Once their god generators were lost, they became dependent on trade with the "first NWO" to survive. Energetically, centralization = parasitism, and the Beast System described in Revelation can be logically derived from close observation of the heavens. This would explain why sacrifice was only allowed at the Jerusalem Temple: Yahweh was physically located there and there alone, and he tolerated no other gods being fed. All this must have taken place before whatever celestial upheaval ended the Ball Plasmoid era. The Jersualem Temple has been described as a site of 24/7 industrial animal sacrifice. Yahweh must have been completely drunk on death energy, and very powerful. Did he become evil over time as his power grew? Did the Phoenicians, who embodied parasitism from the beginning, make him evil? Did different ball plasmoids have different personalities? Did they have any volition at all, or were their “personalities” always simple projections of the priest classes who had figured out, in Egypt, how to operate the tech? I imagine it like a bullfight. And maybe bullfighting even emerged as a re-enactment of the taming of the Hunting Falcon. Who knows what kind of destructive power the temple priests in Jerusalem wielded. Maybe they were able to conjure Death Star style energy discharges, using sacrificial bioenergy as a power source, that effectively were able to nuke rivals into oblivion over great distances. There are a lot of melted stone buildings out there…
When the electromagnetic profile of Earth changed, Yahweh stopped working along with all the other old gods, but the psychology and religion remained…if my hypothesis is correct, Yahweh was NOT the first god of the Phoenicians. They were always atheists, living outside of the anomalous zones, at war with the aether. If they “worshiped” anything, it was profit, commerce, and themselves. After all, wasn’t it their command of trade and usury that allowed them to steal and control the most powerful weapon on Earth, a god? Didn’t their mastery of money and the phonetic alphabet allow them to invade and subjugate Egypt, the most scientifically and technologically advanced nation in the world? What good was all that technology against usury and lies? They existed before Yahweh and they continued to exist after Yahweh. The priests controlled Yahweh from the beginning. Only the dumb, illiterate masses ever worshiped him…
By the way, if you want to make your own mini-plasmoid Yahweh in the microwave, and burn your house down as a bonus, check out the following videos:
View: https://youtu.be/CCkst55j9Go
View: https://youtu.be/lHLXVL8zpgM
The plasmoid ball, contained in glass, survives for as long as it is fed a constant stream of microwave energy. We are already halfway to an ark with these videos…
Usselo writes:
Usselo once again points out something important here. The four-pillar swastika that emerges from the spinning yin-yang symbol is an optical illusion. However, if we are simply looking for an origin of the symbology, an optical illusion is enough. People represented what they saw. This would explain why the number of swirls or pillars is variable in the symbols. We have double swirl symbols (yin/yang), triple symbols (triskelion), quadruple symbols (swastika), going all the way up to twelve-spoke symbols like the Schwarze Sonne. You are also correct that the magnetic field producing the “four corners with central pillar” temple shape in the ferrofluid (sadly invisible in the video) appears to be a more stable phenomenon. Here I encounter the limits of my scientific knowledge and can only guess. My very basic understanding of magnetic fields is that they are spinning at very high speeds, and that if this speed is constant, it could theoretically form what look like stable pillars. In other words, the pillars are “sucked upwards” and maintained in place by an invisible aetheric vortex around them. I would be very curious to know if we could get three-point, etc. structures under different circumstances, or if the four-point mandala structure somehow reflects the shape the field “wants” to take.
IDOLS AND BLOOD
I promised we would come back to DNA and witchcraft. First I want to talk about blood. Usselo, in IHASFEMR you link to the Livejournal blog of someone named Selenadia selenadia who suggests that ancient people used stone urns and sarcophagi to “brew” frothy (ionized) blood which was then consumed during religious rituals, leading to genetic “ghoulization” of the blood-drinkers. It is a very creepy theory and the blog is full of images of hollow statues and sarcophagi with drill holes that are still stained with whatever nasty biofluid leaked out. I remember reading this blog and being intrigued, but not completely convinced. I am starting to think there is more here than I originally suspected. It would seem like blood demonstrates all kinds of “magic” properties when it interacts with the (scalar?) energies of the anomalous zones. We are all familiar with the fairy-tale image of witches sitting around a cauldron in which the body parts of different animals as well as sperm, menstrual blood, etc. are mixed. Well, today if you do that, you just get a disgusting, stinking biosludge with no magical properties. But what happens if you do it in the anomalous zone? Remember, these magic spells only work during certain celestial alignments, which points us in that direction. Was this how genetic engineering was done in the ball plasmoid era? Was it that simple? I have a friend who recently hurt her eye. At the hospital they stuck a pig embryo, or something like that, on the injury. They literally just stuffed it under her eyelid and told her not to touch it for a week. All it took for the magic pig stem cells to interact with her own eye cells and heal her wound was being placed against the lesion. Did the scalar field somehow potentiate all of these ingredients and lead to the actual gestation of monstrous entities in these stone urns and sarcophagi? Basically artificial eggs? Is there a connection with all the stone baptistries that were built at one point, as Usselo points out somewhere? Selenadia shows that most of these ancient stone idols were hollow and probably filled with something. Is this how idols functioned? Were idols made of clay mixed with the charged/brewed/ionized/scalarized/whatever “frothy blood” of ancestors, kings, pharaohs? Were stone idols filled with this blood? Did these idols “come to life” when the anomalous zone was activated, allowing people to communicate with their dead ancestors and hear the voices of kings? This would give us a clue as to why the Hebrews were so hell-bent on destroying all idols in addition to all altars: they were still, at that point, inhabited with the “souls” of dead kings and ancestors, perhaps even gods. I can imagine the statues “waking up” in the presence of the recurring scalar field the way fluorescent bulbs light up when passed close to a wireless power source. Maybe this is also why the ancient Hebrews were prohibited from consuming blood: because they risked being possessed or genetically modified if they did so. That is why we have Halal and kosher butcheries: so the priest can make sure the blood is all drained out and the meat can be consumed with no danger of ghoulization or influence from a rival god. Maybe this is also where the prohibition on masturbation and the banishment of menstruating women to a quarantine tent comes from: to prevent witchcraft.
Praveen Mohan has a couple of astounding videos that argue convincingly that genetic engineering was practiced in Indian temples. The detail that really blew me away was the ancient practice of filling a sealed vial with blood squeezed out of the umbilical cord of the mother when a baby was born. The blood was mixed with some kind of “special powder” (...whose formula has been lost, at least to regular people) and the vial was sealed and tied around the baby’s waist with a cord, where he would leave it for the rest of his life, never taking it off under any circumstances. Later in life, when the person got hurt or sick, the vial was opened and the contents, now dry, were ingested. Some Hindus still do this, but I suspect nothing happens these days. As it turns out, umbilical blood is full of stem cells specific to the individual, and it would appear that the ancient Indians somehow knew this, and knew how to preserve the healing power of stem cells for future use.
View: https://youtu.be/thGz-4ve3eA
View: https://youtu.be/cH7C37W22V0
More to come.
If we assume (1) that the appearance of the Hunting Falcon/Ball Plasmoid was a regrettable but necessary consequence of creating temples to channel and “summon” the anomalous zone which fed the community both physically and metaphysically, and (2) that the Hunting Falcon would inevitably eat the livers of whomever it “saw”, wouldn’t it make sense to…chain someone to the central pillar to “distract” or “pacify” the Hunting Falcon when it rose from the Earth and stop it from wreaking indiscriminate havoc on the community? In other words, by picking a sacrificial victim, be it human or animal, was an even greater danger averted? (Wasn’t Prometheus chained to a rock where an eagle ate his liver every day?) And of course, wouldn’t it make sense, once the ball plasmoid phenomenon began to wane, for desperate people to increase the rhythm of sacrifice in an attempt to bring God back (not the plasmoid per se, but the zone of fertility itself), until the whole thing degenerated into a hideous bloody cargo cult? Isn’t this exactly what happened to the Mayas and the Aztecs? The Earth changed, the anomalous zones stopped appearing, fertility dropped, disease ravaged the community, crops failed, and morality degenerated. The rhythm of sacrifices increased, but it didn’t work, and the community ended up fleeing the formerly active anomalous zone and regressing to savagery in the jungle. The ball plasmoid, a consequence of the appearance of the anomalous zone, was mistakenly worshiped as its cause. Mutatis mutandis, the sacrificial ritual, which also included dance, music, theater, etc., came to be seen as the cause that attracted the ball plasmoid that attracted the fertility, when the original reality was the exact contrary: the fertile anomalous zone generated the ball plasmoid which necessitated the sacrificial rituals…which is exactly what we observe in more recent cargo cults, a “magical” inversion of cause and effect.
Here we might also see the organic connection between the two faces of paganism, the “good” nature-honoring face and the “bad” sacrificial face. The two were organically linked and indivisible. To be sacrificed to the living God and thereby save the community was originally an honor reserved for royalty…perhaps the sacrificial victim somehow even merged with God…
This model solves another weird mystery: the origin of temple prostitution. It makes perfect sense for the Temple to be a site of sexual activity during the active Anomalous Zone periods (associated with certain seasonal celestial conjunctions), since it was at the center of the energetic phenomenon. I can imagine the scene: the shining, translucent, plasma Hunting Falcon is devouring an ecstatic sacrificial victim chained to the central stone phallus/pillar as congregants and hierophants, tripping balls on aetheric energy, seeing psychedelic visions of the timeless implicate order, swarm as close to the center as they can like insects to a flame to screw their brains out in a frenzy of raw life energy. I can imagine the victim choosing to die in order to merge with God, a great honor. I can imagine humans and animals copulating with each other, as well as animals with other animals, which will produce chimerical life forms nine months later. (These rituals would persist as Saturnalia and Bacchanalia, all the way up to today’s Carnival.)
In “Away in a Manger - Part Two”, Usselo shows a selection of bizarre stone “hogback tombs” from Britain decorated with scary carnivorous beasts like bears and reptiles, and then suggests that victims were chained there to be fed as sacrifices to really-existing carnivorous monsters.
Away In A Manger - Part Two | IHASFEMR
Doesn’t this explain all the weird Biblical injunctions against sodomy and bestiality, which at some point had degenerated into a sick cargo cult ritual? Doesn’t this explain why in pre-monotheistic religions chimeras were worshiped as the offspring of God? Doesn’t it explain why in India, the country whose religion today most resembles the ancient ball plasmoid religion, mutant humans and animals are worshiped as avatars to this day?
Mutant goat is 'worshipped as an avatar of god' in India
Eugene McCarthy would say that this mutant goat is the result of intercourse between a man and a female goat. The anomalous zones may be dead, but there is still enough aether energy trickling into our domain for things like this to occasionally happen. Indeed, without aether energy, life would no longer exist at all.
Notice the mutant two-headed cow, which was probably born as the result of anomalous energy fields caused by the passage of a comet. It would appear that comets somehow affect the energy field in a catastrophic way, creating negative anomalous zones, causing plagues and hideous mutations. To change themes a little bit, I wonder if the Comet Nigra and Black Death of the 1340’s has some connection with the Avignon Papacy, which Jef Demolder, following Kammeier, claims launched Christianity as well as the retroactive falsification of all history before then. Nodding to the original theme of this thread, from which I have seriously deviated here, it would seem to me at this point that temples and churches went from being ball plasmoid generators to indoctrination centers, butcheries, and radio stations. Will Scarlet and Felix Noille see the 10th century collapse as the crucial catastrophe that separates real history from forged history. Jef Demolder situates this event around the time of the Black Plague. Others situate it even closer in time to us. When did the ball plasmoid disappear? Did it disappear in different places and at different times?
In the following post, Sekito summarizes an argument by MM Postnikov that Vesuvius was worshiped as a god in the ancient world: MM Postnikov - Critical study of the chronology of the ancient world (English - machine translated)
Now, it has been more or less proven here that Pompeii was buried in 1631, not 79 AD. One of the weird things about Pompeii is how sex-oriented it was, with phallus images, orgy mosaics, and brothels everywhere. Well, if we consider that volcanoes are incredible places of power whose eruptions are caused by violent streams of energy shooting from below ground, it would make sense that the elite of the time would flock to the feet of Vesuvius to fornicate. Again, I have no idea if the “magic” was still working in 1631 AD. I guess by then it had just become a simple cargo-cult sex tourism destination for degenerate aristocrats. Sekito quotes Postnikov as suggesting that the area around Vesuvius, meaning Naples, was the original holy city, and that honor was only usurped by Rome later. Naples is historically the most populous city in Italy, which is itself kind of a mystery, and one can still today see how incredibly rich it once must have been.
In Hitler was a British Agent, Greg Hallett reports that Hitler’s father was conceived in an Illuminati ritual that involved three separate masked Rothschilds terrorizing and then finally raping Hitler’s grandmother on a special occult date (so their sperm would combine, I suppose), with the goal of luring a demonic entity into her womb, one that later could be remote-controlled as a golem. It sounds far-fetched, but the theory is logically consistent with what we have seen here so far…
This makes me wonder again about morality and its connection with the ancient gods. There is this idea present in many ancient religions that God punishes the immoral and rewards the moral. This remains opaque to me. Is there truly a universal Moral Law, as Kant believed, one linked with the stars themselves? Kant's precursor Spinoza makes the connection clear. His Ethics is explicitly geometrical, and indeed written in the style of a mathematical proof: there is a geometry of growth and joy, which he calls conatus. This geometry mediates between God and man. When the implicate order becomes explicate, are those who have strayed too far from the geometrical moral order somehow punished? At the same time this feels wrong. There are predators and parasites on Earth today because the Law of Entropy under which we currently suffer demands it. It seems unusual to blame remoras and tapeworms for embracing a strategy that is dictated by the energetic profile of their environment. And anyone who has a little experience in life has probably witnessed a few examples of bad leading to good and vice versa. I would even go as far as to argue that in a basically godless world, in which almost all forms of direct psychic communication and connection are disabled, we humans have a rare and valuable opportunity to experience solitude, to learn individual rather than group lessons, to collect knowledge of a different sort, to savor difference, lack, separation, and failure on our circuitous path back to primordial unity, and perhaps even to explore deception and parasitism in the process. (The elaboration of such an ethics was the project of the brilliant postwar philosopher Gilles Deleuze.) And don’t all communities that desperately attempt today to maintain the old traditions and fantasies of unity, in the absence of the original psychic/morphic field that once sustained them, have a whiff of fascism, by which I mean, a kitsch/ersatz version of community whose invisible organizing principle is no longer an aether-mediated solidarity, but rather repression, neurosis, sadomasochism, mutual surveillance, boredom, sterile routine, alcoholism, domestic misery, etc.? If what Yyprst is suggesting is true, the whole point of community back in the day was the cyclical opportunity to get high on the anomalous zone together...
This foray into morality may seem like an unnecessary digression from the original topic of the thread, but I don’t think so. Temples and cathedrals are the most polysemic and complex artifacts that have come down to us from the old world. Morality clearly played a non-trivial role in whatever it was that these buildings “did”.
Here, Usselo poses an important question: why would the scalar field “prefer” the tomato to the mold that would grow on it otherwise? This reminds me of a paradoxical Zen proverb which Suzuki comes back to again and again: the Zen practitioner loves weeds and flowers equally, but prefers flowers (I paraphrase). One of the more radical ideas Velikovsky advances in “Worlds in Collision” is that vermin such as locusts and fleas literally fell to the Earth from Venus after its close pass in the heavens. If I remember correctly, esoteric Judaism claims that animals only started “biting” each other after the Flood. I would like to offer another speculative hypothesis. What if the genetic “geometry” of parasites was instantly “downloaded” from the scalar field at the precise moment that the electromagnetic profile of Earth changed, perhaps due to a celestial upheaval? Perhaps this explains all the weird accounts out there of insects and frogs suddenly raining from the sky. Regarding the scalar field’s “preference” for tomatoes over mold, I have a possible explanation. Here it is worth giving a more precise definition of Spinoza’s conatus:
In the philosophy of Baruch Spinoza, conatus (/koʊˈneɪtəs/; wikt:conatus; Latin for "effort; endeavor; impulse, inclination, tendency; undertaking; striving") is an innate inclination of a thing to continue to exist and enhance itself. This "thing" may be mind, matter, or a combination of both, and is often associated with God's will in a pantheist view of nature. The conatus may refer to the instinctive "will to live" of living organisms or to various metaphysical theories of motion and inertia.
Conatus is intimately linked with a movement towards greater complexity. Take a library for example. There are two ways to extract energy from it. I can sit down, slowly read the books one by one, and apply the knowledge I find inside to the world around me to increase order. Or I can burn the books one by one to keep myself warm for a few nights. The first process is “conatic”, the second is entropic. This is what parasites do: they “burn libraries” by attacking and dismantling organisms more complex than themselves to extract simple heat. Hypothesis: as the aether strengthens and weakens, different genetic “blueprints”, each adapted to different ecosystems, and of which there must be an infinity, are downloaded from the morphic field into material reality. Sheldrake’s chreode theory offers an explanation on a nuts and bolts cybernetic level of how this might happen. When energy is added to the morphic/scalar field, as in Meyl’s experiments, perhaps the sudden excess is spontaneously channeled towards growth. Or to use an example from microeconomics, a person who makes a subsistence wage has no choice but to “burn” his monthly salary on food and rent, whereas a person who makes more than he spends can channel the surplus towards some “geometrical” enterprise that will in the long run function as a crystal resonator channeling money and energy upwards rather than downwards.
This makes me think of something else. Studies show that beautiful people, that is to say, people whose facial geometry is symmetrical and more closely approximates the Golden Ratio, are perceived as being more moral. Well, this makes sense. The fundamental principle of the universe is resonance. Structures resonate with geometrically similar structures. At the deepest level these structures are immaterial and located in the scalar/morphic field. If morality is also a property of this field, it would make sense that more geometrically perfect bodies and faces would function as better “conatus antennae”. There is one small problem, however. Look at Hollywood. Look at TikTok. Are beautiful people really more moral? I don’t think so. Once again, this contradiction vanishes if we postulate that the aetheric field that once allowed bodies to resonate with ideal forms no longer functions so well. Beautiful people would therefore be an empty artifact of a bygone Golden Era. One might even argue that since beautiful, symmetrical people are perceived as being more moral, they are precisely the people who today can most easily get away with parasitism and deceit. In other words, in an aetherically weak world in which symmetry no longer resonates with the Moral Morphic Field any more than asymmetry, beauty is the ideal camouflage for a predator. A classic example of the coincidentia oppositorum of dialectical philosophy. And when the celestial wheel turns again, and energy levels rise, and the system begins to move away from entropy and towards waxing order, the parasitic forms will once again fade into the shadows, only to return when the wheel turns again. I suppose that this is the origin of the Kabbalistic/Masonic Ordo ab Chao: the two eternal forces, solve et coagula, that eternally succeed each other. Where the Masons and Kabbalists go wrong is in believing they can artificially control the process. (Or can they...?)
The history of classical music seems to confirm this. Let’s take five composers: Bach (1685-1750), Mozart (1756-1791), Beethoven (1770-1827), Wagner (1813-1883), and Schoenberg (1874-1951). With the exception of a six-year gap between Bach and Mozart, we have an unbroken chain. Hypothesis: these genius composers were all downloading forms and structures from the aether, and we can reconstruct the “shape” of the aetheric field over time by studying their music. (Perhaps we can even extend the analysis to philosophers with roughly the same timeline. Bach=Spinoza, Mozart=Kant, Beethoven=Hegel, Wagner=Nietzsche, Schoenberg=Heidegger.) In Bach’s music we have pure fractal geometry with very little individual subjectivity. When we listen to Bach we have the impression of leaving ego behind and experiencing the eternal structure of existence directly. With Mozart we lose some of the complexity of Bach, but we retain the “golden ratio” architecture. We also begin to see the stirrings of individual subjectivity, albeit somewhat politely. With Beethoven, the modern individual finally emerges in a recognizable form: we have rage, anxiety, joy, frustration, sadness, Eros. With Wagner we attain a peak of emotional lability. The classical principles of harmony and symmetry are pushed to their breaking point, and the form of subjectivity that emerges from his music is ecstatic, manic-depressive and nostalgic. It also offers us a glimpse of the disintegration to come. With Schoenberg, we find ourselves in a completely disorganized and deconstructed world, in which symmetry no longer functions, in which beauty and ugliness are morally equivalent. A lot of critics dismiss modern and “postmodern” music as hideous garbage, but I think they’re missing something. Yes, much of this music is ugly, but it reveals something deep and true about the nature of the world we live in today. We can’t go back to the old world, not until the aether allows it, in any case. Our bodies were conceived for a different world. This world is for rats and cockroaches.
THE ARK
Yyprst offers the following tantalizing speculation in one of his articles about the ball plasmoid:
It would appear that someone in Egypt figured out how to trap the plasmoid ball (and perhaps himself along with it) in a gold-covered box, keep it “alive” artificially by funneling atmospheric electrical energy as well as sacrificial bioenergy to it, and use it as a weapon and power source. Again I am speculating, but is it possible that Yahweh was the “last ball plasmoid standing”? In other posts I speculate that the Phoenicians conquered Egypt with usury and trade and ran it as a colony, illustrated by the Old Testament story of Joseph (the “first Epstein” according to Jim Duyer). The endpoint of the usury cycle is the moment when all hard assets are stripped from a conquered territory and expatriated. It happened recently in Greece when the country defaulted on its debts to the EU and had no choice but to allow foreign creditors to come in and take possession of all national infrastructure such as the energy grid, the ports, etc. Well, if we imagine that the Phoenicians ran the Egyptian economy into the ground in a similar way and then skedaddled with all the riches, wouldn’t it make sense that the single most precious asset to steal would be the highest fruit of Egyptian science, namely a god itself, trapped in a box? Once the Hebrews/Phoenicians had their stolen “God in a box”, they engaged in a ruthless campaign of eliminating all the surrounding altar “god generators”, large and small, that ensured the perennity and economic/spiritual viability of the many communities that had formed around naturally occurring anomalous zones over history. Once their god generators were lost, they became dependent on trade with the "first NWO" to survive. Energetically, centralization = parasitism, and the Beast System described in Revelation can be logically derived from close observation of the heavens. This would explain why sacrifice was only allowed at the Jerusalem Temple: Yahweh was physically located there and there alone, and he tolerated no other gods being fed. All this must have taken place before whatever celestial upheaval ended the Ball Plasmoid era. The Jersualem Temple has been described as a site of 24/7 industrial animal sacrifice. Yahweh must have been completely drunk on death energy, and very powerful. Did he become evil over time as his power grew? Did the Phoenicians, who embodied parasitism from the beginning, make him evil? Did different ball plasmoids have different personalities? Did they have any volition at all, or were their “personalities” always simple projections of the priest classes who had figured out, in Egypt, how to operate the tech? I imagine it like a bullfight. And maybe bullfighting even emerged as a re-enactment of the taming of the Hunting Falcon. Who knows what kind of destructive power the temple priests in Jerusalem wielded. Maybe they were able to conjure Death Star style energy discharges, using sacrificial bioenergy as a power source, that effectively were able to nuke rivals into oblivion over great distances. There are a lot of melted stone buildings out there…
When the electromagnetic profile of Earth changed, Yahweh stopped working along with all the other old gods, but the psychology and religion remained…if my hypothesis is correct, Yahweh was NOT the first god of the Phoenicians. They were always atheists, living outside of the anomalous zones, at war with the aether. If they “worshiped” anything, it was profit, commerce, and themselves. After all, wasn’t it their command of trade and usury that allowed them to steal and control the most powerful weapon on Earth, a god? Didn’t their mastery of money and the phonetic alphabet allow them to invade and subjugate Egypt, the most scientifically and technologically advanced nation in the world? What good was all that technology against usury and lies? They existed before Yahweh and they continued to exist after Yahweh. The priests controlled Yahweh from the beginning. Only the dumb, illiterate masses ever worshiped him…
By the way, if you want to make your own mini-plasmoid Yahweh in the microwave, and burn your house down as a bonus, check out the following videos:
View: https://youtu.be/CCkst55j9Go
View: https://youtu.be/lHLXVL8zpgM
The plasmoid ball, contained in glass, survives for as long as it is fed a constant stream of microwave energy. We are already halfway to an ark with these videos…
Usselo writes:
Usselo once again points out something important here. The four-pillar swastika that emerges from the spinning yin-yang symbol is an optical illusion. However, if we are simply looking for an origin of the symbology, an optical illusion is enough. People represented what they saw. This would explain why the number of swirls or pillars is variable in the symbols. We have double swirl symbols (yin/yang), triple symbols (triskelion), quadruple symbols (swastika), going all the way up to twelve-spoke symbols like the Schwarze Sonne. You are also correct that the magnetic field producing the “four corners with central pillar” temple shape in the ferrofluid (sadly invisible in the video) appears to be a more stable phenomenon. Here I encounter the limits of my scientific knowledge and can only guess. My very basic understanding of magnetic fields is that they are spinning at very high speeds, and that if this speed is constant, it could theoretically form what look like stable pillars. In other words, the pillars are “sucked upwards” and maintained in place by an invisible aetheric vortex around them. I would be very curious to know if we could get three-point, etc. structures under different circumstances, or if the four-point mandala structure somehow reflects the shape the field “wants” to take.
IDOLS AND BLOOD
I promised we would come back to DNA and witchcraft. First I want to talk about blood. Usselo, in IHASFEMR you link to the Livejournal blog of someone named Selenadia selenadia who suggests that ancient people used stone urns and sarcophagi to “brew” frothy (ionized) blood which was then consumed during religious rituals, leading to genetic “ghoulization” of the blood-drinkers. It is a very creepy theory and the blog is full of images of hollow statues and sarcophagi with drill holes that are still stained with whatever nasty biofluid leaked out. I remember reading this blog and being intrigued, but not completely convinced. I am starting to think there is more here than I originally suspected. It would seem like blood demonstrates all kinds of “magic” properties when it interacts with the (scalar?) energies of the anomalous zones. We are all familiar with the fairy-tale image of witches sitting around a cauldron in which the body parts of different animals as well as sperm, menstrual blood, etc. are mixed. Well, today if you do that, you just get a disgusting, stinking biosludge with no magical properties. But what happens if you do it in the anomalous zone? Remember, these magic spells only work during certain celestial alignments, which points us in that direction. Was this how genetic engineering was done in the ball plasmoid era? Was it that simple? I have a friend who recently hurt her eye. At the hospital they stuck a pig embryo, or something like that, on the injury. They literally just stuffed it under her eyelid and told her not to touch it for a week. All it took for the magic pig stem cells to interact with her own eye cells and heal her wound was being placed against the lesion. Did the scalar field somehow potentiate all of these ingredients and lead to the actual gestation of monstrous entities in these stone urns and sarcophagi? Basically artificial eggs? Is there a connection with all the stone baptistries that were built at one point, as Usselo points out somewhere? Selenadia shows that most of these ancient stone idols were hollow and probably filled with something. Is this how idols functioned? Were idols made of clay mixed with the charged/brewed/ionized/scalarized/whatever “frothy blood” of ancestors, kings, pharaohs? Were stone idols filled with this blood? Did these idols “come to life” when the anomalous zone was activated, allowing people to communicate with their dead ancestors and hear the voices of kings? This would give us a clue as to why the Hebrews were so hell-bent on destroying all idols in addition to all altars: they were still, at that point, inhabited with the “souls” of dead kings and ancestors, perhaps even gods. I can imagine the statues “waking up” in the presence of the recurring scalar field the way fluorescent bulbs light up when passed close to a wireless power source. Maybe this is also why the ancient Hebrews were prohibited from consuming blood: because they risked being possessed or genetically modified if they did so. That is why we have Halal and kosher butcheries: so the priest can make sure the blood is all drained out and the meat can be consumed with no danger of ghoulization or influence from a rival god. Maybe this is also where the prohibition on masturbation and the banishment of menstruating women to a quarantine tent comes from: to prevent witchcraft.
Praveen Mohan has a couple of astounding videos that argue convincingly that genetic engineering was practiced in Indian temples. The detail that really blew me away was the ancient practice of filling a sealed vial with blood squeezed out of the umbilical cord of the mother when a baby was born. The blood was mixed with some kind of “special powder” (...whose formula has been lost, at least to regular people) and the vial was sealed and tied around the baby’s waist with a cord, where he would leave it for the rest of his life, never taking it off under any circumstances. Later in life, when the person got hurt or sick, the vial was opened and the contents, now dry, were ingested. Some Hindus still do this, but I suspect nothing happens these days. As it turns out, umbilical blood is full of stem cells specific to the individual, and it would appear that the ancient Indians somehow knew this, and knew how to preserve the healing power of stem cells for future use.
View: https://youtu.be/thGz-4ve3eA
View: https://youtu.be/cH7C37W22V0
More to come.
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I know quite a bit about ormes (orbitally rearranged monoatomic elements) as I knew David Hudson and was one of the original funders of his project in the early 90s. I ate the stuff and can say for certain that it permanently changed my life as a result. Made me telepathic for quite a long time. (it is still going but I don't hear people's thoughts like words in my head anymore). Anyway, you don't need a pyramid to make it. Just dead sea salts, or gold, and an acid and a base. It's a pH transformation. I can post the recipe if you are interested. Though I do not recommend eating transformed gold. Rhodium from dead sea salt stays in the aqueous tissues and fades faster. It will cause less personal issues. I can understand how it would make someone into a receiver, as that is what it did to me. Great article, I'm still reading but I figured I'd throw that out there in case you had any specific questions about it.
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I am VERY interested in the recipe as well as any personal experiences you might wish to share. My biggest question would be: did you become more attuned to "divine" frequencies, or on the contrary to simple terrestrial ones? What was the nature of the signals you picked up? Was David Hudson honest? It seems to me he was, but it's so hard to tell when there are so many deceivers out there. The user Observer started a breakaway thread about precisely this topic here: The DeepMeditationTherapy Molecule (ProducedEndogenouslyRealityFrequencyEntheogenCommunicationTuner) Maybe that would be the best place to describe the formula and your experiences. I really look forward to reading whatever you might share as I am extremely curious about this topic.
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Oh yes. Attuned to divine frequencies is exactly it. This whole article is kind of tripping me out honestly. The first 3 months after the first time I took it I could hear voices. The second set of three months I could see ghostly entities all around. The third set of three months I was getting wisdom downloads that were adjusting me to be in a "right" state at all times. Remaining in balance. And just like a pregnancy, the final three months were like a reflection period. At the end of the year I felt like I was one level above where I started, but in the same position. Almost like traveling up a corkscrew. I took it for three years. You don't take it the whole time, you just kick off the process for the first month or two and the process progresses on its own if you don't lose your shit first. I always had an open mind and was wanting to discover "the secrets of the universe" so in a way I was a perfect candidate for the process.
At first I felt an outside presence, like the magnet experience you referenced. I was convinced it was aliens at first. It was always arguing for honorable actions, proper balance that sort of thing, and it strangely made me feel homesick for a home I never knew. So it made me a better person. Years later as the connection faded, I refound it by completely ignoring external stimuli and going inside myself for any intuition and answers. It was then I began to wonder if it wasn't me all along, but just projected to an external map. Now I suspect everything is internal and all perception is us mapping internal things to the external world.
Still, I "found God" that way. Not in the religious sense so much as an actual location sense. Inside and backwards down through my ancestors. Go back far enough and anyone can hit what feels to me like a super intelligence that is like me but perfected. It seems like past karma was the blockage. Once I did enough personal work and change it got closer and more accessible.
One thing I still notice, is that even though I don't hear thoughts like someone is speaking anymore, I find myself answering questions before someone has spoken. Or getting something for someone before they ask for it. So the connection is still active, it's just become subtle. It kind of freaks some people out. When it was strong and external I did a fair amount of testing of it, and I found that you can't reach in and hear someone's thoughts or anything. It's only energy they are projecting outwards in the first place. My first example was when I was walking to class in college. I heard footsteps of someone jogging behind me and heard "pardon me" like someone said it. I stepped to the side, right as the guy actually said, "excuse me". It was the same voice but different words. I realized that pardon me is how I would have phased it. So it translated as well, but had to be sent in the first place. So I would hear road rage on the freeway, or blasts of this or that. I can often understand animals that started when my cat gave me a lecture about almost stepping on her and how I had to be more careful. (tripped me out) But it was only useful or efficient when someone was trying to communicate at me in the first place. Which speaks towards your receiver theory pretty well, as distance doesn't matter to this form of communication, though I had to learn to be neutral and in an actively meditative state to actually grasp what I was being hit with as time went on. Internal silence was necessary. Initially it wouldn't stop and I almost went nuts. My friends certainly thought taking an untested treatment in the form of a powdered metal was a stupid and reckless thing to do.
Intuitive insight has become a sort of talent of mine as a result, and is usually the form that I participate most with on this site. I'll dig up the recipe when I get to my work computer next.
Dave Hudson also patented the process and that is easily available online, but he changed his process as did others over time, so it only represents his first method that he was using to replace rhodium in catalytic converters. Because his patent mentioned superconductivity, he got swarmed by the system and eventually had a series of heart attacks and unexplained disasters at his plant in Arizona and quit. I retained contact with his chemist which is how I know the recipe and ended up getting a variety of substances to test on myself.
One other thing about the wind. I can still feel a current that feels like a wind almost in certain locations at certain times. I think they are telluric currents, because I can feel the same thing around certain electronics at high amperage. I can feel computer processes at times as well which is useful for debugging and software testing. Plus a dowsing rod will usually react where I felt something on my property. I ended up hating cities and needing to get away from too many toxic people, so I ended up moving to the middle of nowhere.
I'll sit and remember a bit and see if I can come up with more.
Here is a pretty good write up on ormes preparation. There's a load of info at the top. Scroll down for the technique. They mention annealing in the first part of the article, though besides a bunsen burner or a hot plate I don't think very high temperatures are used, just enough to dry the substance iirc. I took ormes prepared by the original chemist. I do have a slightly simplified recipe that uses dead sea minerals instead of a piece of gold, though it's mostly the same technique. I'll post when I can get to my office comp.
David originally discovered it while heap leeching gold onto carbon to extract gold from defunct mines. His idea was to lose money on paper to gain actual gold. In the process his gold was a white powder that defied attempts to scan it with equipment. Being a superconductor this makes sense. Any energy sent to it will be returned in a way that the equipment isnt calibrated for. This may also explain how it becomes 54% of its own weight when measured. So ultimately this is a chemical process, or at least was rediscovered through a strictly chemical process.
David Hudson: ORMEs Patent
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Sounds a little like the 'shunt' scenes from Society.
Decoding 17th century trials for witchcraft in Britain you see what appear to be older predator/prey relationships in the process of being broken down. Alongside that you see accounts of magic technology - familiars (presumably genetically-spliced chimera, including modern humans IMO), hag stones and presumably self-heating, temperature-regulated cauldrons. Questions that arise include how much of that technology was still functioning? And how much of it were witches using for its original purposes? I get the sense that manufacture of the technology - as opposed to use of it - was largely a lost skill by then ('then' being, say, 1645).
While reading these accounts this weekend in the light of your post, it struck me that witches' familiars sound like a much more managed 'shunt' than the chimera-producing, aether-powered fertility zones of pre-Vesuvius pagan times.
Accusations of witches creating familiars suggest the process of creating chimeras had become better understood and a controllable process by that time. And that this knowledge was removed from human view during the 17th century. This suggests it was a very old understanding which had partly survived alongside the more-random sounding chimera-production parties. Though they themselves may have simply been the early geneticists' version of brain-storming sessions:
Gene-storm party at Pompeii this Saturday.
Fun for all the familiars!
Fun for all the familiars!
You can see where the seemingly odd practices of collecting stamps, game cards, and Furbys come from. They're substitute hobbies for a species whose chromosome mixing ambitions have been restricted to limited experiments available only at the end of extensive, expensive high-risk courtship rituals.
Perhaps our creators are quite happy for us - and other familiars - to do things that can have crazy outcomes... after we have learned to do those things so well that we can reliably pre-determine their outcomes AND know how to remedy our mistakes.
Putting it another way, as the parents of humanity might say:
Or:
Firstly, you need to know what you are doing. Source: Les Dawson - Plays the Piano Off Key & Sings 'Feelings'
The same principle would likely apply to humans' procreation and management of their own society.
It's fascinating that you get similar effects from wax with burning wicks and a simple metal spiral - materials and shapes that are so different.Great videos.
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I am almost finished with another long post, but before I upload it, I would like to drop in this interlude about Hollywood that I had to cut out of my last post because it was too long.
A lot of us here suspect Hollywood directors of being secret society initiates who reveal a huge amount of information in encrypted form. Steven Spielberg, David Lynch and John Carpenter immediately come to mind, along with my personal favorite John Boorman, who directed such classics as Deliverance, Excalibur, and Zardoz, all of which are massive stolen history information dumps, and great movies to boot. But no one reveals more than Stanley Kubrick. This guy must have been a serious initiate. (Miles Mathis would point to the name Stanley as a dead giveaway.) A Clockwork Orange and Full Metal Jacket are about MKULTRA; Eyes Wide Shut is about the occult mafia that runs the world; Paths of Glory and Dr. Strangelove show us that all wars are planned and run by psychopathic idiots; 2001 is predictive programming to get people to accept the moon landing as real. I suspect that every single one of his movies is structured around some initiatic secret. Of all the movies in Kubrick’s filmography, The Shining always seemed the shallowest to me. I couldn’t figure out what it was really about. But now, after digging into the Ball Plasmoid theory, it suddenly strikes me that both The Shining and 2001 are about anomalous zones. I now think that HAL in 2001 is Yahweh. (The Tabernacle in Boorman’s Zardoz would also be something like Yahweh.) The whole film is about the mysterious interaction between a technological artifact for trapping consciousness (a computer, which symbolizes the Ark) and an anomalous zone in space that causes the computer as well as the humans who approach it to “malfunction”. What does Bowman glimpse at the end of the film if not the implicate order, the holographic sea of aether from which everything originates and to which everything returns? The “main character” of The Shining is an ancient hotel in the middle of nowhere in the American West which some here have suggested is a nod to the dug-out buildings left behind by the previous civilization. The building is located on an Indian burial ground, in other words, on top of a former anomalous zone. There is a huge hedge labyrinth outside the hotel, and Yyprst tells us that mazes have their origin in the patterns left on the ground by swirls of energy in the anomalous zone. He also claims that ancient peoples buried their kings in mounds and caves in such places in order that they might merge with God after death and resurrect. The hotel therefore functions as a big Ark. Jack Torrance is possessed by an entity from the past named Grady who has become trapped in the hotel. Torrance and his clairvoyant son catch regular glimpses of portals into another dimension in which past, present, and future are simultaneous and confused. Are Grady and Jack Torrance priests who have been sucked into the Ark? The Ball Plasmoid theory also sheds new light on Eyes Wide Shut. Here we see the descendants of the Phoenician priesthood who stole their knowledge from Egypt. These people may seem evil to us, but perhaps they simply understand the nature of reality on a deeper level than we do. They know how to summon and contain the ball plasmoid via the circle ritual which precedes the orgy and makes it possible. They know that sacrifice is a necessary part of this ritual, one that only initiates are prepared to accept and understand. These are the people that possess the knowledge to create and direct HAL, Jack Torrance, Alex Delarge, and the brainwashed soldiers of Full Metal Jacket and Paths of Glory, biological and technological empty vessels for powerful entities from another dimension.
Another Hollywood movie that now seems less silly to me than it once did is Ghostbusters. We have: a sudden Earth transformation that causes spirits to rise from the Earth at random places of power like the New York Public Library. (In Ghostbusters 2 this is the result of an underground river of supernatural energy. Remember, Yyprst says that anomalous zones appear over underground rivers.) The phenomenon is centered around a tall stone temple tower…whose pyramidal roof is made of a mysterious metal alloy unknown to modern science…which establishes a connection between a sky energy vortex and a ground source…
…where an evil hermaphrodite God is attempting to manifest at a precise moment of celestial alignment…flanked by two monsters and two pillars…in a glowing timeless and spaceless portal to another dimension…in front of a luminous triangle…where psychic and material reality become confused…to which a man and a woman possessed by mysterious sexual energy are drawn…whose copulation in this energy field will lead to the birth of a divine monster. There are four good guys…like the four points of the sun cross…who surround the ball-shaped plasma ghost in a symmetrical formation and use their special “proton packs”...which kind of look like the ankh/was/djed rods wielded by Egyptian priests…which emit a spiraling double helix energy stream…to hold the plasma blob in place and stop it from rampaging indiscriminately…these spirits are then trapped in special “arks”, where they can presumably be controlled...
And is that the Kabbalistic Tree of Life on the ceiling? The fourth Ghostbuster hasn’t been hired yet in this image…letting my imagination loose, is this a reference to the fact that a four-point vortex generator (the swastika) developed as a technological improvement over an earlier three-point version (the triskelion)? Is there base-three DNA out there?
Are these directors and writers all initiates, or are these images and themes just stored so deeply in the collective unconscious that they spontaneously emerge in the form of art?
A lot of us here suspect Hollywood directors of being secret society initiates who reveal a huge amount of information in encrypted form. Steven Spielberg, David Lynch and John Carpenter immediately come to mind, along with my personal favorite John Boorman, who directed such classics as Deliverance, Excalibur, and Zardoz, all of which are massive stolen history information dumps, and great movies to boot. But no one reveals more than Stanley Kubrick. This guy must have been a serious initiate. (Miles Mathis would point to the name Stanley as a dead giveaway.) A Clockwork Orange and Full Metal Jacket are about MKULTRA; Eyes Wide Shut is about the occult mafia that runs the world; Paths of Glory and Dr. Strangelove show us that all wars are planned and run by psychopathic idiots; 2001 is predictive programming to get people to accept the moon landing as real. I suspect that every single one of his movies is structured around some initiatic secret. Of all the movies in Kubrick’s filmography, The Shining always seemed the shallowest to me. I couldn’t figure out what it was really about. But now, after digging into the Ball Plasmoid theory, it suddenly strikes me that both The Shining and 2001 are about anomalous zones. I now think that HAL in 2001 is Yahweh. (The Tabernacle in Boorman’s Zardoz would also be something like Yahweh.) The whole film is about the mysterious interaction between a technological artifact for trapping consciousness (a computer, which symbolizes the Ark) and an anomalous zone in space that causes the computer as well as the humans who approach it to “malfunction”. What does Bowman glimpse at the end of the film if not the implicate order, the holographic sea of aether from which everything originates and to which everything returns? The “main character” of The Shining is an ancient hotel in the middle of nowhere in the American West which some here have suggested is a nod to the dug-out buildings left behind by the previous civilization. The building is located on an Indian burial ground, in other words, on top of a former anomalous zone. There is a huge hedge labyrinth outside the hotel, and Yyprst tells us that mazes have their origin in the patterns left on the ground by swirls of energy in the anomalous zone. He also claims that ancient peoples buried their kings in mounds and caves in such places in order that they might merge with God after death and resurrect. The hotel therefore functions as a big Ark. Jack Torrance is possessed by an entity from the past named Grady who has become trapped in the hotel. Torrance and his clairvoyant son catch regular glimpses of portals into another dimension in which past, present, and future are simultaneous and confused. Are Grady and Jack Torrance priests who have been sucked into the Ark? The Ball Plasmoid theory also sheds new light on Eyes Wide Shut. Here we see the descendants of the Phoenician priesthood who stole their knowledge from Egypt. These people may seem evil to us, but perhaps they simply understand the nature of reality on a deeper level than we do. They know how to summon and contain the ball plasmoid via the circle ritual which precedes the orgy and makes it possible. They know that sacrifice is a necessary part of this ritual, one that only initiates are prepared to accept and understand. These are the people that possess the knowledge to create and direct HAL, Jack Torrance, Alex Delarge, and the brainwashed soldiers of Full Metal Jacket and Paths of Glory, biological and technological empty vessels for powerful entities from another dimension.
Another Hollywood movie that now seems less silly to me than it once did is Ghostbusters. We have: a sudden Earth transformation that causes spirits to rise from the Earth at random places of power like the New York Public Library. (In Ghostbusters 2 this is the result of an underground river of supernatural energy. Remember, Yyprst says that anomalous zones appear over underground rivers.) The phenomenon is centered around a tall stone temple tower…whose pyramidal roof is made of a mysterious metal alloy unknown to modern science…which establishes a connection between a sky energy vortex and a ground source…
And is that the Kabbalistic Tree of Life on the ceiling? The fourth Ghostbuster hasn’t been hired yet in this image…letting my imagination loose, is this a reference to the fact that a four-point vortex generator (the swastika) developed as a technological improvement over an earlier three-point version (the triskelion)? Is there base-three DNA out there?
Are these directors and writers all initiates, or are these images and themes just stored so deeply in the collective unconscious that they spontaneously emerge in the form of art?
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The story behind Stephen King writing the Shining was that he was one of the only guests staying in the hotel right before they closed for the winter. If indeed this area rests on an anomalous zone I could see a scenario where the effects are exponential in relative isolation, compared to a busy summer season. This hotel is famous for its healing properties for those who suffered from Tuberculosis - as they claim the dry air and elevation contribute to a healthy set of lungs though I could certainly see where these types of zones have other, more aetheric healing properties. I have researched other such hotels with similar "healing" properties located on anomalous zones.
As per usual, it is difficult to find any sort of "construction" photos, even though it has a relatively late date in the reset history, claiming to have been construction in 1909. Only one I was able to find was an unattributed photo on facebook.
Naturally this looks nothing like a construction photo, and more like a structure that was discovered in ruins and abandoned, ripe for a "reset".
I toured this hotel in 2017, and it included popping down to the "basement" level. The story behind the tunnel system underneath the hotel is that Stanley wanted to have a certain air of professionalism amongst its staff to where he didn't want staff exiting out the same doors as the guests, hence the "tunnel system".
An alternative set of eyes would see this site as a very old and important site built around this plasmoid ball phenomena found in the Rockies. It is no wonder that someone like King could be influenced by such an anomaly, whether explicitly or subconsiously.
It should be mentioned that Kubrick's version of The Shining has no direct connection to the real Stanley hotel - the exterior shots of the hotel in the film is another hotel in Oregon, and the interior shots were all built on a sound stage in London due to Kubrick's aversion to plane travel. There was a 3 part mini-series in the 90s of The Shining where they did, in fact, film onsite at the Stanley Hotel in Estes Park, CO.
Another piece of media to note that heavily bases its themes off this anomalous zone activity would be the classic TV program Twin Peaks.
Twin Peaks heavily features the idea of a White Lodge and Black Lodge, an anomalous zone of the mind only accessible through mirrors in a strange town hidden away in the forests of Oregon. The Lodges were known to the local Nez Perce indians as the home of the spirits who resided there. Of course the primary way the zones are accessed is through a hotel built right on top of the zone. It is revealed in later episodes that this phenomenon was noticed by the military who built a secret base nearby to study the anomalous lodges. This idea of a liminal space of the mind that exists between worlds seems to have its origins in Theosophy, but certainly rings true with much of the information that @Frostychud has shared here.
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Today I would like to present three books which I recently read in connection with this thread. The first is The Ankh: African Origins of Electromagnetism by Nur Ankh Amen, the second is Schwaller de Lubicz’s Symbols and the Symbolic, and the third is Lord Bulwer-Lytton’s The Coming Race. I will start with the last of the three. The Coming Race is an 1871 book about a technologically advanced underground race that attains a kind of sterile utopia after mastering the use of Vril energy, which suspiciously resembles the kind of scalar energy discussed in so many different threads here. The German Vril Society, to which a number of esoteric Nazis belonged, took its name from this book. Some people think it’s a true story passed off as fiction, but after reading the book, I can say with assurance that it is a fantasy. Short version, my guess is that Bulwer-Lytton was a secret society initiate like H.G. Wells and so many other British aristocrats of that time period. They had figured out that the Egyptians and others had access to some kind of magic energy source and technology, they understood that it was somehow linked with willpower, they understood that for any of the ancient religions or texts to make any sense at all some kind of lost functional magic was a necessary postulate, but they didn’t actually know how to recreate it or use it. I think Bulwer-Lytton wrote the book for other initiates, as a kind of brainstorming exercise to see if it would be possible to imagine how such a technology might have functioned and what its civilizational effects on people might have been. The parts in which he speculates about Vril are highly interesting, but the rest of the book is pretty lame.
Here are a few excerpts concerning Vril that might give us a clue as to how it was manipulated:
Now, let me be clear. There is always the possibility that this is pure science fiction. But I don’t think so. The fact that so many powerful people took this stuff seriously tells me that Vril was based on something real, again, something that had been reconstructed from a study of ancient Egypt. Clearly the “Force” from Star Wars is based on Vril. The more I read, the more I get the impression that, like The Shining, like Deliverance, like Ghostbusters, Star Wars is yet another stolen history information dump. I suppose that the Light Saber is based on the Vril Staff, which itself must be a reconstruction of the ankh/djed/was staff that appears in the hands of Egyptian priests in all of those murals and bas-reliefs. Again, the more I research, the clearer it becomes to me that there is absolutely no way to understand anything about the ancient world without reconstructing the physics and technology of the time. I studied philosophy and psychoanalysis in university and as a general rule the teachers made no real attempt to understand the pre-modern mind. We read the Greeks, then jumped straight to Descartes in the 17th century, with maybe a nod to Augustine (5th century) and Aquinas (13th century). Jef Demolder shows us that Augustine is a medieval forgery. Who knows who “Aquinas” really was. It now seems blindingly obvious to me that only a few centuries passed between the Greeks and Descartes. But the point I am making here is that we never really talked about what came before the Greeks. Everything outside of the narrow modern tradition was dismissed as “magical thinking” and downgraded to the status of ethnological curiosity. Eventually we all just stopped noticing that we had repressed most of humanity.
Anyway, after shaking off my university brainwash, it now appears clear to me that the real reason we ignored ancient psychology and philosophy, or rather treated them as curiosities that had no bearing on the modern mind, is because they were the consequence of a radically different history, physics and technology. The only way to reconstruct the ancient mind, therefore, is by reconstructing ancient history and ancient science. Which is what we are trying to do here. The secret societies of Europe were way ahead of the academic scientists, philosophers and psychologists. By keeping what they learned in Egypt to themselves, and making sure only the uninitiated were promoted in universities, a castrated “junior varsity” academic knowledge base was created. The varsity team met behind closed doors. Since blind spots were baked in from the beginning, these disciplines developed their own self-repressing, self-policing feedback mechanisms, just as a slave can be counted on to behave himself once he has gone through the trauma of “seasoning” (torture). Whenever university scientists or historians stumble onto the hidden stuff, which must happen quite often, since many of these people are not stupid at all, I suppose they are either initiated or drummed out of the institutions, depending on their psychological profile.
So, what exactly is Egyptian science, anyway? The second book I want to talk about today, The Ankh: African Origins of Electromagnetism', purports to tell us. One of the fun parts of being a paranoid conspiracy theorist and not a university researcher is that you get to read books like this, which is to say, books written by “amateurs” with a combination of valuable insights, embarrassing grammatical errors, and outright crackpottery. The author, “Nur Ankh Amen”, is one of these American blacks who believe that Ancient Egypt was black and that the white devil stole all of his science and technology from the black man. Nur Ankh Amen’s given name is probably something like Fred Jackson and he probably learned this stuff in prison, where he had nothing to do but read books for the first time in his life. Conspiracy theory is big in prisons. Jason Breshears would be the white version of Nur Ankh Amen. Breshears produces some good stuff too. Let me be clear, I basically accept the author’s thesis that Western science of the 18th and 19th centuries was mostly reverse-engineered from schemas stolen from ancient Indian, Egyptian, Chinese, etc. sources by agents of the Dutch and British East India Companies. I disagree with his race-based interpretation, which slips into ideology when he begins to claim that melanin is a semiconductor that allows the human skin to demodulate the aether field and operate ancient technology, and that whites were bred to be incapable of accessing spiritual energies. (Or is there something to this theory? The existence of different skin colors is indeed a mystery.) That said, the author is no more delusional than the Russian Livejournal bloggers I read, most of whom flirt with mystical pan-Slavicism, occasionally going as far as to make similar claims that genetically, Slavs are some kind of aether supermen. In the case of the Russian bloggers, my guess is that the Russian intelligence services use them to disclose real secrets in an attempt to undermine the current Western unipolar order, which is why Russian alternative history is so far ahead of anything in English: these guys are not humble bloggers, they’re paid ringers. By slipping jingoistic state propaganda in with the good stuff, the intelligence agencies kill two birds with one stone. I suspect that Praveen Mohan is also being fed information by the Indian intelligence agencies, which must be acutely aware of just how much was stolen from them, and which now see an opportunity to get back at the weakening West. The guy has hundreds of videos and they are almost all slam dunks. Most of the comments on his YouTube videos seem to be from Hindu extremists. Who knows, maybe “Nur Ankh Amen” is also on the payroll of a BRICS intelligence agency. Maybe there are even elements within the Eygptian secret services who are sick of Zawi Hawass and Uncle Sam. Or maybe he just stumbled across his ideas honestly. Or maybe he is a complete crackpot. I will present his claims and let you be the judge. Personally, I found the book to be full of pertinent information, much of which I had not encountered before, and would recommend it to anybody interested in the subject. He goes into a lot of detail about electronic circuits and provides diagrams of Egyptian artifacts that seem legitimate, but which exceed my current ability to decipher. If there are any electrical engineers here who have taken a look at this book, I would be curious to get a knowledgeable opinion.
His basic idea is that the Ankh is an oscillator that captures energy from the aether and radiates it outwards. Note, this energy is NOT electromagnetism as we know it but rather scalar energy, which is to say, energy that has a “living” or perhaps even “moral” component.
As this thread develops, everything seems to point to the existence of an integrated form of energy that links matter with mind. According to the author, there was one big ankh located on an Ark in the temple which functioned as a transmitter, and all the small ankhs we see people carrying around are coupled oscillators that pick up the signal and can then be used to activate all kinds of other tech. "Communication was not necessarily in words, like radio, it was a spiritual communion or revelation which was impressed upon the mind resulting in a prophetic experience [sic]." The author claims, for example, that the famous Senk symbol was actually a light bulb:
By placing a handheld oscillating ankh, which draws its energy from the central ankh transmitter in the temple, next to the Senk, it would light up. The basic theory is simple enough and seems plausible. A recent trip to the archaeological museum in Heraklion, Crete would also seem to confirm the idea. Instead of ankhs, the Minoans used metal ceremonial axes known as Labrys. I found the following couple of exhibits startling:
Here we see a stone altar, with two “horns”, and a glass reproduction of the missing labrys in the middle. I suppose that this thing was located somewhere where energy could be drawn from the ground. All you had to do was make a smaller labrys of the same shape for it to pick up a signal and function as a portable power source. And indeed, the museum exhibit in Crete was full of hundreds of little ceremonial axes of all dimensions, some pocket-sized. According to official archaeology, these were “votive offerings”. Nothing to see here folks, just another mysterious “religious symbol” from one more group of wacky ancient idiots who were so quaint and folkloric as to worship miniature models of weapons that were actually completely impractical in battle.
After telling us that the labrys is a “religious symbol” that was worshiped by the ancient Minoans, with only a vague explanation as to why, we get this from Wikipedia:
I mean, this is all too ridiculously obvious. The word for “lightning” in Greek actually comes from this thing. I almost feel stupid pointing this stuff out. Check out the following image painted on a “ceremonial sarcophagus”:
Look closely at the left. Priestesses are pouring liquid into a ceremonial bowl between two labrys mounted on pillars. On top of each labrys we see…a golden bird, exactly the same thing we see in Egypt, Japan, and probably a bunch of other places. Is the bird here a symbol of the atmospheric energy that powered all the handheld labrys? Or perhaps the symbol of a voice? Or both? And what is in the buckets? Is it water, or is it blood from the animals that are being offered to the statue on the right? Was the original function of temple priestesses to constantly keep this thing “watered”? I should add that almost every single piece of pottery, indeed almost every single artifact in the Minoan exhibit was decorated with beautiful swirl patterns like this:
The labrys itself is decorated with swirls:
This is why it is important to go to the museum in person and look at this stuff for yourself if possible. After seeing artifact after artifact like this, it became clear to me that these swirl patterns must have been visible everywhere, all the time. This idea never would have occurred to me just from looking at isolated images on the Internet. But seeing them all together made it obvious. There must have been so much energy coming out of the Earth then that everything was surrounded by glowing Kirlian plasma swirls all the time. I mean, these designs are on everything. The horns of the altar must have just collected the naturally abundant energy at a particularly powerful source and channeled it to the labrys in the middle which imprinted a “shape” onto it. Electrolytic fluid must have made the signal stronger. Hence the origin of the weird universal practice of libation. All you then had to do was copy the shape of the transmitter and presto, you’ve got a handheld scalar power source that can be used for all sorts of purposes. Maybe they set these things in front of idols because they made the idols speak. One of the interesting pieces of information in the Wikipedia article is that the labrys was exclusively associated with female goddesses. Were the ball plasmoids summoned by the labrys somehow female? Quiahuitl, didn’t you say that Meyl calls scalar energy “female” and electromagnetism “male”?
Egyptian art seems not to feature so much swirly imagery. Is this a clue that the Minoan civilization came before Egypt? Had the Earth already calmed down by the time the Egyptians were figuring out how to use these energies? Is that why they had to improve their knowledge and technology, to make up for an already weakening field?
Here are a couple more labrys representations with, surprise surprise, what appear to be glowing balls hovering above them:
So, how did they figure out the labrys shape? My guess is that they just observed the shapes that the plasma swirls took spontaneously and copied them in stone, clay and metal. This is probably also the origin of the ubiquitous double eagle symbol. To their surprise, these copies began to “work”, especially when placed where the original plasma shapes appeared. I can imagine someone observing that a glowing labrys shape spontaneously rises between two natural rocks placed apart at a certain distance. I can then imagine the person shaping his own rock altar to reproduce the phenomenon. I can then imagine the person making a stone or metal copy of the plasma labrys and once again, being astounded when the shape actually channels more energy around it. Think of the voice. When you speak to someone, the voice travels through the air a short distance. The earliest telephones were just wires that channeled the voice a little further. That’s essentially all these labrys shapes did: they strengthened currents that were already present. Likewise with the Egyptian ankh. By combing the ankh with Djed batteries and Was staffs, the “living” scalar energy could be channeled and used in all kinds of ways…which brings us back to the Vril staff of Bulwer-Lytton discussed earlier, and maybe even to the proton packs of the Ghostbusters (discussed in my previous post). Did the priests repel and corral the hungry ball plasmoids with these staffs?
I had another experience in Crete worth mentioning here. I ate a THC gummy and went to the beach with my girlfriend. This particular beach had a semicircular shape with a couple of small rock coves. As the wind swept along the rocks, it formed spontaneous vortices in the coves which left more or less circular deposits of dead leaves on the ground. Indeed, the shape of the vortex currents could even be seen by observing the leaves spinning in the air. My girlfriend and I sat in a calm rock alcove that for whatever reason was spared from the wind phenomenon. As I sat there enjoying the effects of the THC (nod to Observer) and thinking about all the Minoan art I had recently seen as well as the different natural phenomena that were visible around me, the wind suddenly hit at the perfect speed and angle to create a vortex inside our little cove. Sand got in our faces and our books were blown over. A few seconds later, the wind changed direction again and it was over. This gave me a couple of ideas. First, it made it easier to understand how magnetrons function. Alcoves of differing size and shape capture and amplify wind depending on its speed and direction. The aether wind must function the same way. Indeed, the “regular” wind is probably just an effect of this aether wind. AthroposRex mentions being able to feel the aether wind after taking ORMES minerals. He also suggests that this wind had “spiritual” qualities that subtly influenced his mind. If this aether wind were actually visible to the naked eye at some point, it wouldn’t have been too hard for the people observing it to figure out how it worked.
I learned from the Ankh book that the mathematician Joseph Fourier accompanied Napoleon to Egypt. Now, Fourier is the man responsible for what are known as “Fourier Transforms”. These are mathematical formulae which allow any periodic phenomenon to be represented as a sum of sine and cosine waves. Without going into too much detail, Fourier transforms allow us to translate organic “pulses” into trigonometry equations and visible wave diagrams such as those on an EKG or seismograph. Remember, Quiahuitl told us that Meyl sees scalar waves as a “living” or “female” type of radiation that always invisibly accompanies the measurable “male” form of radiation, which is electromagnetism. Meyl apparently believes that knowledge of this form of energy was actively suppressed from the late 19th century on. Well, maybe it started earlier, with Fourier. Check out what I found here:
Brain Waves, Sine Waves and the Fourier Transform - Sapien Labs | Neuroscience | Human Brain Diversity Project
In this article, the argument is made that in fact, the reduction of brainwaves to mathematical formulae via the Fourier Transform leaves something out!
The spatiotemporal patterns of neurons themselves can produce aggregate complex patterns, which can nonetheless be decomposed into sinusoids. However, such a decomposition may be purely numerical and not physiological. (...) An approach that implicitly assumes an underlying sinusoidal physiology may overlook crucial aspects of the signal structure.
Of all the portraits of Fourier out there, Wikipedia chooses to show us this one:
Look at that big fat hidden hand, which I suspect here means: “I am hiding information from you”. Hypothesis: Fourier accompanied Napoleon to Egypt, figured out that all those painted snakes were representations of electrical currents, and perhaps discovered the relationship between scalar and non-scalar functions. The equations that governed the non-scalar, quantifiable face of the phenomenon were made public, whereas the more mysterious, and interesting “living” form of radiation was saved for the initiates to ponder over in closed meetings of the Cairo Institute, which he ran.
Isn’t this exactly the same scientific feat that another famous member of the Egypt expedition accomplished? I am talking about Champollion, who famously “discovered” that hieroglyphic writing was actually “nothing but” a phonetic writing system. What did Champollion do if not artificially sever the evocative qualities of hieroglyphic writing from its literal qualities? I am not saying that Champollion or Fourier were in error, simply that they both ignored (or concealed) the heart of the phenomenon they purported to decipher. Compare Champollion’s literalism to what Schwaller de Lubicz says about hieroglyphic writing: “The ordinary consideration of the Egyptian symbol reduces it to a primary arbitrary, utilitarian, and singular meaning, whereas in reality it is a synthesis which requires great erudition for its analysis and a special culture for the esoteric knowledge that it implies – which does not exclude the necessity of being “simple” or knowing how to “simply look” at the symbol.”
Now let’s take a look at Champollion:
LOL.
The next spooky scientist with a possible Egypt connection is Alessandro Volta, who invented the first battery, the voltaic pile, in 1799, which is to say, the year following Napoleon’s expedition to Egypt. The voltaic pile bears a striking resemblance to the Egyptian djed pillar. Now, Volta did not accompany Napoleon to Egypt. However, on his Wikipedia page, we read the following:
Volta also drew admiration from Napoleon Bonaparte for his invention, and was invited to the Institute of France to demonstrate his invention to the members of the institute. Volta enjoyed a certain amount of closeness with the emperor throughout his life and he was conferred numerous honours by him.
So Volta was a close personal associate of Napoleon. Is it too far-fetched to imagine that he was simply allowed to take credit for something discovered during the expedition? I mean, France is just across the Mediterranean from Egypt. We also read the following:
Volta proved that electricity could be generated chemically and debunked the prevalent theory that electricity was generated solely by living beings.
Wow. So Volta too was possibly part of the conspiracy to conceal the “living” form of scalar energy and pass off “dead” measurable electromagnetism as the only form of radiant energy out there. Now let’s look at Mr. Volta:
No comment.
Let me be clear, this is all still pretty circumstantial, and far from proof. But the similarities here are startling: Fourier, Champollion, and Volta were all connected with Napoleon. Two of them went with him to Egypt. All three of them proudly display the hidden hand. All three are known today for scientific discoveries that reduced a “living” technological phenomenon to something dead and quantifiable. If I am not mistaken, there are no numbers accompanying the Egyptian technical diagrams. This is beginning to make sense. The kind of forces the Egyptians were experimenting with could not be represented mathematically, only metaphorically. As soon as you attempt to capture the aether in mathematical language, you lose something. Here we come back to Schwaller de Lubicz. I suggest in another post that the passage from hieroglyphic language to phonetic language allowed language to be instrumentalized even as it entailed the loss of a certain holistic form of communication. Wouldn’t it make sense if the same logic was true of algebra as well? What are Fourier Transforms if not the translation of a living geometric phenomenon, which is to say a phenomenon possessing an irreducible (scalar) quiddity, linked with what Plato called khora, into algebraic (vector) language? Now read the following passage from Schwaller de Lubicz:
Compare this to Plato:
Note, the Timaeus is the same dialogue in which Plato talks about Egypt and Atlantis as well as astronomy.
Is this why esoteric thought is full of “sacred geometry” but not “sacred algebra”? Geometry is alive. Algebra is dead. What is the calculus if not the mortification of living curves through their reduction to the sum of a bunch of dead straight lines? One of Miles Mathis’ more surprising scientific claims is that Pi is equal to four in a living kinematic situation. In other words, in a situation in which an actual body follows an actual curve, in other words, in which there is a time dimension, the length of the latter somehow mysteriously exceeds the value that the calculus attributes to it. There used to be a video on YouTube demonstrating this, but it has been taken down. How many times have we seen the same amputation take place? From Tesla to Einstein, from Egyptian hieroglyphs to Fourier Transforms and Champollion phonetics, from Maxwell’s twelve original equations written in quaternions to his “cleaned up” four equations written in classical notation, from Plato’s conception of the khora as living (and explicitly female) substance mediating between the world of forms and the world of matter to Aristotle’s reduction of khora to simple topos…in every case, whenever someone gets too close to the aether, it is suppressed.
I highly recommend Symbols and the Symbolic. Joseph Farrell thinks that Schwaller de Lubicz was Fulcanelli. The main subject of the book is the nature of hieroglyphic language and its relationship to Egyptian science. Schwaller de Lubicz tells us that hieroglyphic language has, precisely, a hieratic function. Where phonetic language reduces the thing being represented to a discrete bit of information that can be manipulated, hieroglyphic writing calls up a series of holistic representations that mobilize the entire mind and body. Such images act directly on the body and allow the observer to “merge” and engage with the subtle forces being evoked. In other words, hieroglyphic writing is scalar writing, whereas phonetic writing is vector writing.
Also, inevitably, writing, which links the two states or forms of intelligence, is symbolic, since the figured symbol – all the more correct for being selected from natural forms – alone makes possible the link between exotericism and esotericism, a link that comes into play in every act of comprehension. He sounds exactly like Plato here. I think this is an important point. The Egyptians used images taken from nature, animals in particular, not because they were dumb animists, but because the animal is a living symbol that can never be completely reduced to a univocal literal meaning, in the same way that scalar phenomena can never be reduced to vector equations. Let me add that in my work as a psychoanalyst, dream symbols have exactly the function that Schwaller de Lubicz ascribes to them here. They simultaneously represent multiple (conflicting) desires, multiple memories, and multiple anxieties, while also pointing to a mysterious “beyond” in which these superficial distinctions are reconciled in a way that can never be rendered using explicit, literal language. Symbols awaken a subtle vital response that mobilizes the entire organism, whereas literal language only affects the left hemisphere of the brain. Everything Schwaller de Lubicz says is also compatible with the arguments presented by the neuroscientist Iain McGilchrist in his (excellent) study on the brain, The Master and his Emissary. The left hemisphere reduces what it perceives to discrete bits of information, whereas the right hemisphere resonates with external reality in a way that neuroscience still does not understand.
Here are a few excerpts concerning Vril that might give us a clue as to how it was manipulated:
Now, let me be clear. There is always the possibility that this is pure science fiction. But I don’t think so. The fact that so many powerful people took this stuff seriously tells me that Vril was based on something real, again, something that had been reconstructed from a study of ancient Egypt. Clearly the “Force” from Star Wars is based on Vril. The more I read, the more I get the impression that, like The Shining, like Deliverance, like Ghostbusters, Star Wars is yet another stolen history information dump. I suppose that the Light Saber is based on the Vril Staff, which itself must be a reconstruction of the ankh/djed/was staff that appears in the hands of Egyptian priests in all of those murals and bas-reliefs. Again, the more I research, the clearer it becomes to me that there is absolutely no way to understand anything about the ancient world without reconstructing the physics and technology of the time. I studied philosophy and psychoanalysis in university and as a general rule the teachers made no real attempt to understand the pre-modern mind. We read the Greeks, then jumped straight to Descartes in the 17th century, with maybe a nod to Augustine (5th century) and Aquinas (13th century). Jef Demolder shows us that Augustine is a medieval forgery. Who knows who “Aquinas” really was. It now seems blindingly obvious to me that only a few centuries passed between the Greeks and Descartes. But the point I am making here is that we never really talked about what came before the Greeks. Everything outside of the narrow modern tradition was dismissed as “magical thinking” and downgraded to the status of ethnological curiosity. Eventually we all just stopped noticing that we had repressed most of humanity.
Anyway, after shaking off my university brainwash, it now appears clear to me that the real reason we ignored ancient psychology and philosophy, or rather treated them as curiosities that had no bearing on the modern mind, is because they were the consequence of a radically different history, physics and technology. The only way to reconstruct the ancient mind, therefore, is by reconstructing ancient history and ancient science. Which is what we are trying to do here. The secret societies of Europe were way ahead of the academic scientists, philosophers and psychologists. By keeping what they learned in Egypt to themselves, and making sure only the uninitiated were promoted in universities, a castrated “junior varsity” academic knowledge base was created. The varsity team met behind closed doors. Since blind spots were baked in from the beginning, these disciplines developed their own self-repressing, self-policing feedback mechanisms, just as a slave can be counted on to behave himself once he has gone through the trauma of “seasoning” (torture). Whenever university scientists or historians stumble onto the hidden stuff, which must happen quite often, since many of these people are not stupid at all, I suppose they are either initiated or drummed out of the institutions, depending on their psychological profile.
So, what exactly is Egyptian science, anyway? The second book I want to talk about today, The Ankh: African Origins of Electromagnetism', purports to tell us. One of the fun parts of being a paranoid conspiracy theorist and not a university researcher is that you get to read books like this, which is to say, books written by “amateurs” with a combination of valuable insights, embarrassing grammatical errors, and outright crackpottery. The author, “Nur Ankh Amen”, is one of these American blacks who believe that Ancient Egypt was black and that the white devil stole all of his science and technology from the black man. Nur Ankh Amen’s given name is probably something like Fred Jackson and he probably learned this stuff in prison, where he had nothing to do but read books for the first time in his life. Conspiracy theory is big in prisons. Jason Breshears would be the white version of Nur Ankh Amen. Breshears produces some good stuff too. Let me be clear, I basically accept the author’s thesis that Western science of the 18th and 19th centuries was mostly reverse-engineered from schemas stolen from ancient Indian, Egyptian, Chinese, etc. sources by agents of the Dutch and British East India Companies. I disagree with his race-based interpretation, which slips into ideology when he begins to claim that melanin is a semiconductor that allows the human skin to demodulate the aether field and operate ancient technology, and that whites were bred to be incapable of accessing spiritual energies. (Or is there something to this theory? The existence of different skin colors is indeed a mystery.) That said, the author is no more delusional than the Russian Livejournal bloggers I read, most of whom flirt with mystical pan-Slavicism, occasionally going as far as to make similar claims that genetically, Slavs are some kind of aether supermen. In the case of the Russian bloggers, my guess is that the Russian intelligence services use them to disclose real secrets in an attempt to undermine the current Western unipolar order, which is why Russian alternative history is so far ahead of anything in English: these guys are not humble bloggers, they’re paid ringers. By slipping jingoistic state propaganda in with the good stuff, the intelligence agencies kill two birds with one stone. I suspect that Praveen Mohan is also being fed information by the Indian intelligence agencies, which must be acutely aware of just how much was stolen from them, and which now see an opportunity to get back at the weakening West. The guy has hundreds of videos and they are almost all slam dunks. Most of the comments on his YouTube videos seem to be from Hindu extremists. Who knows, maybe “Nur Ankh Amen” is also on the payroll of a BRICS intelligence agency. Maybe there are even elements within the Eygptian secret services who are sick of Zawi Hawass and Uncle Sam. Or maybe he just stumbled across his ideas honestly. Or maybe he is a complete crackpot. I will present his claims and let you be the judge. Personally, I found the book to be full of pertinent information, much of which I had not encountered before, and would recommend it to anybody interested in the subject. He goes into a lot of detail about electronic circuits and provides diagrams of Egyptian artifacts that seem legitimate, but which exceed my current ability to decipher. If there are any electrical engineers here who have taken a look at this book, I would be curious to get a knowledgeable opinion.
His basic idea is that the Ankh is an oscillator that captures energy from the aether and radiates it outwards. Note, this energy is NOT electromagnetism as we know it but rather scalar energy, which is to say, energy that has a “living” or perhaps even “moral” component.
As this thread develops, everything seems to point to the existence of an integrated form of energy that links matter with mind. According to the author, there was one big ankh located on an Ark in the temple which functioned as a transmitter, and all the small ankhs we see people carrying around are coupled oscillators that pick up the signal and can then be used to activate all kinds of other tech. "Communication was not necessarily in words, like radio, it was a spiritual communion or revelation which was impressed upon the mind resulting in a prophetic experience [sic]." The author claims, for example, that the famous Senk symbol was actually a light bulb:
By placing a handheld oscillating ankh, which draws its energy from the central ankh transmitter in the temple, next to the Senk, it would light up. The basic theory is simple enough and seems plausible. A recent trip to the archaeological museum in Heraklion, Crete would also seem to confirm the idea. Instead of ankhs, the Minoans used metal ceremonial axes known as Labrys. I found the following couple of exhibits startling:
Here we see a stone altar, with two “horns”, and a glass reproduction of the missing labrys in the middle. I suppose that this thing was located somewhere where energy could be drawn from the ground. All you had to do was make a smaller labrys of the same shape for it to pick up a signal and function as a portable power source. And indeed, the museum exhibit in Crete was full of hundreds of little ceremonial axes of all dimensions, some pocket-sized. According to official archaeology, these were “votive offerings”. Nothing to see here folks, just another mysterious “religious symbol” from one more group of wacky ancient idiots who were so quaint and folkloric as to worship miniature models of weapons that were actually completely impractical in battle.
After telling us that the labrys is a “religious symbol” that was worshiped by the ancient Minoans, with only a vague explanation as to why, we get this from Wikipedia:
Look closely at the left. Priestesses are pouring liquid into a ceremonial bowl between two labrys mounted on pillars. On top of each labrys we see…a golden bird, exactly the same thing we see in Egypt, Japan, and probably a bunch of other places. Is the bird here a symbol of the atmospheric energy that powered all the handheld labrys? Or perhaps the symbol of a voice? Or both? And what is in the buckets? Is it water, or is it blood from the animals that are being offered to the statue on the right? Was the original function of temple priestesses to constantly keep this thing “watered”? I should add that almost every single piece of pottery, indeed almost every single artifact in the Minoan exhibit was decorated with beautiful swirl patterns like this:
The labrys itself is decorated with swirls:
This is why it is important to go to the museum in person and look at this stuff for yourself if possible. After seeing artifact after artifact like this, it became clear to me that these swirl patterns must have been visible everywhere, all the time. This idea never would have occurred to me just from looking at isolated images on the Internet. But seeing them all together made it obvious. There must have been so much energy coming out of the Earth then that everything was surrounded by glowing Kirlian plasma swirls all the time. I mean, these designs are on everything. The horns of the altar must have just collected the naturally abundant energy at a particularly powerful source and channeled it to the labrys in the middle which imprinted a “shape” onto it. Electrolytic fluid must have made the signal stronger. Hence the origin of the weird universal practice of libation. All you then had to do was copy the shape of the transmitter and presto, you’ve got a handheld scalar power source that can be used for all sorts of purposes. Maybe they set these things in front of idols because they made the idols speak. One of the interesting pieces of information in the Wikipedia article is that the labrys was exclusively associated with female goddesses. Were the ball plasmoids summoned by the labrys somehow female? Quiahuitl, didn’t you say that Meyl calls scalar energy “female” and electromagnetism “male”?
Egyptian art seems not to feature so much swirly imagery. Is this a clue that the Minoan civilization came before Egypt? Had the Earth already calmed down by the time the Egyptians were figuring out how to use these energies? Is that why they had to improve their knowledge and technology, to make up for an already weakening field?
Here are a couple more labrys representations with, surprise surprise, what appear to be glowing balls hovering above them:
I had another experience in Crete worth mentioning here. I ate a THC gummy and went to the beach with my girlfriend. This particular beach had a semicircular shape with a couple of small rock coves. As the wind swept along the rocks, it formed spontaneous vortices in the coves which left more or less circular deposits of dead leaves on the ground. Indeed, the shape of the vortex currents could even be seen by observing the leaves spinning in the air. My girlfriend and I sat in a calm rock alcove that for whatever reason was spared from the wind phenomenon. As I sat there enjoying the effects of the THC (nod to Observer) and thinking about all the Minoan art I had recently seen as well as the different natural phenomena that were visible around me, the wind suddenly hit at the perfect speed and angle to create a vortex inside our little cove. Sand got in our faces and our books were blown over. A few seconds later, the wind changed direction again and it was over. This gave me a couple of ideas. First, it made it easier to understand how magnetrons function. Alcoves of differing size and shape capture and amplify wind depending on its speed and direction. The aether wind must function the same way. Indeed, the “regular” wind is probably just an effect of this aether wind. AthroposRex mentions being able to feel the aether wind after taking ORMES minerals. He also suggests that this wind had “spiritual” qualities that subtly influenced his mind. If this aether wind were actually visible to the naked eye at some point, it wouldn’t have been too hard for the people observing it to figure out how it worked.
I learned from the Ankh book that the mathematician Joseph Fourier accompanied Napoleon to Egypt. Now, Fourier is the man responsible for what are known as “Fourier Transforms”. These are mathematical formulae which allow any periodic phenomenon to be represented as a sum of sine and cosine waves. Without going into too much detail, Fourier transforms allow us to translate organic “pulses” into trigonometry equations and visible wave diagrams such as those on an EKG or seismograph. Remember, Quiahuitl told us that Meyl sees scalar waves as a “living” or “female” type of radiation that always invisibly accompanies the measurable “male” form of radiation, which is electromagnetism. Meyl apparently believes that knowledge of this form of energy was actively suppressed from the late 19th century on. Well, maybe it started earlier, with Fourier. Check out what I found here:
Brain Waves, Sine Waves and the Fourier Transform - Sapien Labs | Neuroscience | Human Brain Diversity Project
In this article, the argument is made that in fact, the reduction of brainwaves to mathematical formulae via the Fourier Transform leaves something out!
The spatiotemporal patterns of neurons themselves can produce aggregate complex patterns, which can nonetheless be decomposed into sinusoids. However, such a decomposition may be purely numerical and not physiological. (...) An approach that implicitly assumes an underlying sinusoidal physiology may overlook crucial aspects of the signal structure.
Of all the portraits of Fourier out there, Wikipedia chooses to show us this one:
Look at that big fat hidden hand, which I suspect here means: “I am hiding information from you”. Hypothesis: Fourier accompanied Napoleon to Egypt, figured out that all those painted snakes were representations of electrical currents, and perhaps discovered the relationship between scalar and non-scalar functions. The equations that governed the non-scalar, quantifiable face of the phenomenon were made public, whereas the more mysterious, and interesting “living” form of radiation was saved for the initiates to ponder over in closed meetings of the Cairo Institute, which he ran.
Isn’t this exactly the same scientific feat that another famous member of the Egypt expedition accomplished? I am talking about Champollion, who famously “discovered” that hieroglyphic writing was actually “nothing but” a phonetic writing system. What did Champollion do if not artificially sever the evocative qualities of hieroglyphic writing from its literal qualities? I am not saying that Champollion or Fourier were in error, simply that they both ignored (or concealed) the heart of the phenomenon they purported to decipher. Compare Champollion’s literalism to what Schwaller de Lubicz says about hieroglyphic writing: “The ordinary consideration of the Egyptian symbol reduces it to a primary arbitrary, utilitarian, and singular meaning, whereas in reality it is a synthesis which requires great erudition for its analysis and a special culture for the esoteric knowledge that it implies – which does not exclude the necessity of being “simple” or knowing how to “simply look” at the symbol.”
Now let’s take a look at Champollion:
LOL.
The next spooky scientist with a possible Egypt connection is Alessandro Volta, who invented the first battery, the voltaic pile, in 1799, which is to say, the year following Napoleon’s expedition to Egypt. The voltaic pile bears a striking resemblance to the Egyptian djed pillar. Now, Volta did not accompany Napoleon to Egypt. However, on his Wikipedia page, we read the following:
Volta also drew admiration from Napoleon Bonaparte for his invention, and was invited to the Institute of France to demonstrate his invention to the members of the institute. Volta enjoyed a certain amount of closeness with the emperor throughout his life and he was conferred numerous honours by him.
So Volta was a close personal associate of Napoleon. Is it too far-fetched to imagine that he was simply allowed to take credit for something discovered during the expedition? I mean, France is just across the Mediterranean from Egypt. We also read the following:
Volta proved that electricity could be generated chemically and debunked the prevalent theory that electricity was generated solely by living beings.
Wow. So Volta too was possibly part of the conspiracy to conceal the “living” form of scalar energy and pass off “dead” measurable electromagnetism as the only form of radiant energy out there. Now let’s look at Mr. Volta:
No comment.
Let me be clear, this is all still pretty circumstantial, and far from proof. But the similarities here are startling: Fourier, Champollion, and Volta were all connected with Napoleon. Two of them went with him to Egypt. All three of them proudly display the hidden hand. All three are known today for scientific discoveries that reduced a “living” technological phenomenon to something dead and quantifiable. If I am not mistaken, there are no numbers accompanying the Egyptian technical diagrams. This is beginning to make sense. The kind of forces the Egyptians were experimenting with could not be represented mathematically, only metaphorically. As soon as you attempt to capture the aether in mathematical language, you lose something. Here we come back to Schwaller de Lubicz. I suggest in another post that the passage from hieroglyphic language to phonetic language allowed language to be instrumentalized even as it entailed the loss of a certain holistic form of communication. Wouldn’t it make sense if the same logic was true of algebra as well? What are Fourier Transforms if not the translation of a living geometric phenomenon, which is to say a phenomenon possessing an irreducible (scalar) quiddity, linked with what Plato called khora, into algebraic (vector) language? Now read the following passage from Schwaller de Lubicz:
Compare this to Plato:
Note, the Timaeus is the same dialogue in which Plato talks about Egypt and Atlantis as well as astronomy.
Is this why esoteric thought is full of “sacred geometry” but not “sacred algebra”? Geometry is alive. Algebra is dead. What is the calculus if not the mortification of living curves through their reduction to the sum of a bunch of dead straight lines? One of Miles Mathis’ more surprising scientific claims is that Pi is equal to four in a living kinematic situation. In other words, in a situation in which an actual body follows an actual curve, in other words, in which there is a time dimension, the length of the latter somehow mysteriously exceeds the value that the calculus attributes to it. There used to be a video on YouTube demonstrating this, but it has been taken down. How many times have we seen the same amputation take place? From Tesla to Einstein, from Egyptian hieroglyphs to Fourier Transforms and Champollion phonetics, from Maxwell’s twelve original equations written in quaternions to his “cleaned up” four equations written in classical notation, from Plato’s conception of the khora as living (and explicitly female) substance mediating between the world of forms and the world of matter to Aristotle’s reduction of khora to simple topos…in every case, whenever someone gets too close to the aether, it is suppressed.
I highly recommend Symbols and the Symbolic. Joseph Farrell thinks that Schwaller de Lubicz was Fulcanelli. The main subject of the book is the nature of hieroglyphic language and its relationship to Egyptian science. Schwaller de Lubicz tells us that hieroglyphic language has, precisely, a hieratic function. Where phonetic language reduces the thing being represented to a discrete bit of information that can be manipulated, hieroglyphic writing calls up a series of holistic representations that mobilize the entire mind and body. Such images act directly on the body and allow the observer to “merge” and engage with the subtle forces being evoked. In other words, hieroglyphic writing is scalar writing, whereas phonetic writing is vector writing.
Also, inevitably, writing, which links the two states or forms of intelligence, is symbolic, since the figured symbol – all the more correct for being selected from natural forms – alone makes possible the link between exotericism and esotericism, a link that comes into play in every act of comprehension. He sounds exactly like Plato here. I think this is an important point. The Egyptians used images taken from nature, animals in particular, not because they were dumb animists, but because the animal is a living symbol that can never be completely reduced to a univocal literal meaning, in the same way that scalar phenomena can never be reduced to vector equations. Let me add that in my work as a psychoanalyst, dream symbols have exactly the function that Schwaller de Lubicz ascribes to them here. They simultaneously represent multiple (conflicting) desires, multiple memories, and multiple anxieties, while also pointing to a mysterious “beyond” in which these superficial distinctions are reconciled in a way that can never be rendered using explicit, literal language. Symbols awaken a subtle vital response that mobilizes the entire organism, whereas literal language only affects the left hemisphere of the brain. Everything Schwaller de Lubicz says is also compatible with the arguments presented by the neuroscientist Iain McGilchrist in his (excellent) study on the brain, The Master and his Emissary. The left hemisphere reduces what it perceives to discrete bits of information, whereas the right hemisphere resonates with external reality in a way that neuroscience still does not understand.
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My attempt to animate phonetic languages:
It is all Greek to me:
And an augmented reality version, which inserts a text as an object, that could be viewed/read from any angle. With a better 3D rendering, this would stand in for a living Logos in the eyes of the uninitiated.
It is all Greek to me:
And an augmented reality version, which inserts a text as an object, that could be viewed/read from any angle. With a better 3D rendering, this would stand in for a living Logos in the eyes of the uninitiated.
An odd but interesting hypothesis. Thanks for this information. I will say that there are a few similarities between radio broadcasting areas and Churches.
Both are considered "safe", as in "a refuge from hostility". Radio stations in the military (I was a Cryptographer and Radioman for the US Navy) are guarded, and entrance is not granted to anyone carrying firearms. One cannot simply wander in as you please.
And the inner section, the Crypto room, is even more tightly guarded, and very quiet as well. It's kept that way intentionally. Texts are examined very carefully in both, as well.
We see the same thing in the ancient idea of sanctuary being granted in Churches, and the innermost parts being silent. And their examination of texts in, to us strange languages - almost like they were encrypted.
Both, as well, are dedicated to the broadcasting of ideas, and the reception of other ideas via the ether.
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Today’s update is a little uninspired but I want to get everything down before I forget it because there are a few nuggets in there.
I hesitated to include that stuff about The Shining, but now I am glad that I did, because it led to this contribution from Trismegistus. The fact that the original hotel is named the Stanley Hotel only makes it spookier. Regarding Twin Peaks, one of my favorites, you may not have caught it but I bring it up in one of my earlier posts in connection with this theory.
I watched a couple more movies as “research”: the first two Indiana Jones flicks. I noticed a few interesting things. First, when Indiana Jones asks his friend what is so special about the Ark, he responds that it is a “radio to God”. Later in the conversation he describes it as a weapon. Second, when the box containing the Ark of the Covenant begins to burn, the fire starts at the center of the swastika. Third, when the French guy wearing the Ephod opens the Ark, what he finds inside is…sand. Or is it? A few posts up, I discussed the ORMES powder that David Hudson accidentally discovered in the late 1970’s. Laurence Gardner theorizes that the new form of matter discovered by Hudson was one and the same as the white powder discovered in massive quantities on Mount Horeb, where it was fabricated by the Levite priests. He suggests that the “pot of manna” in the Ark was actually a pot of superconductive white monatomic gold powder that caused the Ark to levitate. But how did Spielberg know this in 1981, before Hudson’s results were publicized? Clearly the “sand” inside the Ark is more than just sand, because the device still functions. What happens when they open the box? First, all the machinery in the vicinity shorts out. Next, there is a sudden fog. The French “high priest” looks into the Ark and sees a blue plasma ball forming in the center of a swirling cloud. A group of floating, translucent sheet-like “ghosts” come out of the Ark and fly around at random for a few moments, levitating soldiers and pushing them around. When we see one of them up close she is a beautiful woman…then she becomes a hideous witch. At this point, the music turns scary, the plasma ghosts disappear, and Yahweh Himself rises up from the Ark in the form of…an orange plasma ball. The ball hovers directly over the mercy seat, and then shoots rays of energy that arc through the men just below the sternum, which is to say, exactly where the liver is located. Yahweh then melts and explodes the heads of the main bad guys. After that, a swirling column of vortex energy forms between the Ark and the sky, and then everything goes back to normal.
View: https://youtu.be/0APF3SO9tqE
Let me add that cinematically this scene is incredibly effective. If we accept the hypothesis that Spielberg and Lucas are indeed the Bulwer-Lytton type initiates they appear to be, it is possible that what we see here is actually an accurate representation of how the Ark functioned. Maybe that too is a scientific objective of these movies: reconstructing historical events. I don't share Mega Group pedo-honcho Spielberg's Jewish revenge fantasies, but I love this scene because it shows us just how arrogant we can be in the face of forces we really don't control or understand.
There are clues in the Temple of Doom as well. The Indian palace is built over a swirling underground vortex from which Kali emerges. Inside the anomalous vortex field a man’s heart can be ripped out and he remains alive. Cult inductees are forced to drink some kind of magical blood that puts them in the “Sleep of Kali”, a zombie state. Finally we have the Sankara Stones, which glow and bring fertility when brought together. All of these details resonate with elements we’ve seen over the course of this thread. Keep in mind that George Lucas wrote these stories, just like he wrote Star Wars.
The next thing I want to talk about is Simeon Hein’s 2022 book, Dark Matter Monsters, which speculates about the connection between anomalous zones, ball lightning, and cryptids, which is to say, mysterious creatures like Bigfoot. The author makes a few interesting connections. The book was not as deeply researched as I was hoping but there are still enough valuable insights to make it worth reading. I didn’t realize it, but sightings of Bigfoot and other cryptids are often accompanied by unusual atmospheric conditions. Machinery shorts out in their presence and memory wipes often occur. Ball lightning also frequently occurs around cryptids. Cryptids can sometimes communicate psychically with “victims”. The author’s theory is that these creatures have somehow incorporated anomalous states of matter into their physiology. He uses the electric eel as an example of an animal that has “learned” how to channel and use electricity as a weapon without doing so consciously. The book is basically ⅓ fluff, ⅓ stories of cryptid sightings, and ⅓ summaries of cold fusion theories. The last part was the most interesting.
Here are a few excerpts:
So what is “coherent matter”?
He makes the logical argument, which I have also made in this thread, that cold fusion is happening all around us all the time and that all life-forms are always drawing some form of energy from what he calls “dark matter” and what most people here generally refer to as the aether. He suggests that certain particles called Relic Neutrinos are the right size and travel at the right speed to mediate between the material world and the entangled quantum world, making quantum effects at classical scales possible. In other words, the relic neutrinos form a kind of invisible “khora” that connects everything. It seems like every scientist has a different name for the same thing, and they are all just looking at one larger phenomenon from multiple angles.
He goes on to lay it out pretty clearly.
And:
We talked about hair earlier, remember, and here Hein argues it has an electrostatic function.
The most interesting scientist Hein brings up is Takaaki Matsumoto:
Matsumoto goes on to say that ball lightning, which is a pure form of this phenomenon, occurs naturally and spontaneously in places where certain forces are present…bringing us very neatly back to the Ball Plasmoid theory of Yyprst, but with the caveat that the Hunting Falcon is not made of plasma, which is of course hot, but instead a cold version of the phenomenon with even spookier properties. And indeed the orb, the “ghosts”, and even the fire in Raiders of the Lost Ark are not hot.
Hein goes on to mention the names of Charles Barkla, Martin Fleischmann, and Alexander Shishkin as scientists who worked on some version of the phenomenon, if anyone wants to chase those references down. Here’s another:
Here are a few more interesting passages:
“Ball lightning’s temporary magnetization aspect is fascinating as it suggests that matter is being reorganized at a quantum level by exposure to these energetic orbs.” P. 119
“Ball lightning is formed by high-energy events such as lightning, volcanoes, tornados, earthquakes, and meteors.” P. 121
“Takaaki Matsumoto even went so far as to suggest that EVERY ball lightning cluster contains a micro black hole, a singularity.” p 122
“Most ball lightning tends to be one foot and a half in diameter or less.” P. 129. This is the exact size of the Yahweh plasmoid we see in Raiders of the Lost Ark.
“Clearly, there’s a lot of energy around areas of ball lightning and it seems that cryptids have picked up on this energy to “ride the rails” for free so to speak. It’s possible that the extra energy provided by ball lightning allows them to phase in and out of specific geographical areas. Plus you could add in the energy they might be getting from cosmic active neutrinos mentioned in earlier chapters and they would clearly be in a different space than we are. (...) These [anomalous] areas could be seen as “portals” in the sense that there are highly concentrated geological energetic processes going on just like in Yellowstone, though in that case it’s due to a caldera below the surface providing continuous volcanic activity.” P 130
Here I am going to jump in and speculate. It would appear that these animals have material bodies, and like to materialize, but lack the energy to do so regularly, so remain in some kind of “other dimension” most of the time. When the anomalous zones appear, however, they are able to use the energy discharges to materialize, at which point they apparently want to enjoy the rare opportunity of having bodies. What I find interesting is the fact that they seem to take the same shape every time. It makes perfect sense that just as there might be “divine” versions of people, which is to say humans that have somehow found a way to insert coherent matter structures into their biology, there ought also to be “divine” animals that use this biotechnology. Cryptids are to animals what gods are to men. Does that mean that the human gods are waiting in some alternate dimension for the energetic profile of the Earth to rise so they can have bodies again? Or is it possible that they all died when the energy levels dropped and that the cryptids we see are the last remnants of these high-coherent matter species? Is it possible that all those coherent matter organs in the “gods” became a biological liability when the Earth changed and the aether levels dropped, leading them to genetically engineer versions of themselves with reduced levels of coherent matter receptors in an attempt to survive (us)? Perhaps our job as humans is simply to survive in low-energy yugas and keep certain valuable strands of DNA walking around “on the hoof” until the aether levels rise and the original creatures can return to claim them. During the “Ark era”, these divinities could occasionally still be lured into boxes and bargained with. I can imagine that the ball lightning gods were happy to have human priest intermediaries around to keep them fed with energy. I am currently halfway through Joseph Farrell’s excellent “Gods, Genes, and Giants” (about which much more later) and he brings up some interesting research by Chrstian O’Brien. He calculated that given the dimensions of the Tabernacle, Yahweh must have been between 8 and 11 feet tall in material form. This would explain a couple of things. First of all, as we have seen here, Yahweh is clearly some kind of energy ball entity. At the same time, he appears to have a body, as the more “old school” researchers like Sitchin, Bramley, Sklyarov, etc. insist. Well, what if both are true? Maybe Yahweh liked walking around in his body, but most of the time lacked the necessary energy for it, so he “slept” in the Ark in his coherent matter plasma form until his assistants could funnel enough energy to him to materialize. At night, alone, he would incarnate as the giant he originally was, perhaps the hideous reptile giant, and stroll around in his Tabernacle. This would be a nice connection with Pharaohs and their sarcophagi as well as vampires and their coffins.
“The basis of our universe is that everything is spinning, rotating in a vortex-like way. It’s called “helicity” in modern parlance and suggests that the basis of life is spiraling motion. And any creatures that incorporate this somehow in their physiology would create energy in exciting and novel ways. We humans and other animals already include this principle in the shapes of inner ears in the cochlea, our hearts’ forms, and the spiral flow of blood in arteries.” P 190 I didn’t know blood flowed in a spiral pattern. Here he includes a few photos of plasmoids photographed in laboratories. The following two are of interest as they have come up in previous posts. The first is a double helix, the second incorporates the temple design we have seen so many times, with four corners, an inner swastika, and a spiraling central pillar.
So in summary, with “Dark Matter Monsters” we get a little more information about how the anomalous zone might interact with life. We learn a little more about the nature of the ball plasmoid phenomenon (coherent matter, not plasma strictly speaking) as well as the actual biological mechanisms by which an organism might interact with the “dark matter” field.
In my next post, I will return to the Joseph Farrell book, since he himself brings together genetic manipulation and Konstantin Meyl’s original hypothesis of temples as radio transmitters.
I hesitated to include that stuff about The Shining, but now I am glad that I did, because it led to this contribution from Trismegistus. The fact that the original hotel is named the Stanley Hotel only makes it spookier. Regarding Twin Peaks, one of my favorites, you may not have caught it but I bring it up in one of my earlier posts in connection with this theory.
I watched a couple more movies as “research”: the first two Indiana Jones flicks. I noticed a few interesting things. First, when Indiana Jones asks his friend what is so special about the Ark, he responds that it is a “radio to God”. Later in the conversation he describes it as a weapon. Second, when the box containing the Ark of the Covenant begins to burn, the fire starts at the center of the swastika. Third, when the French guy wearing the Ephod opens the Ark, what he finds inside is…sand. Or is it? A few posts up, I discussed the ORMES powder that David Hudson accidentally discovered in the late 1970’s. Laurence Gardner theorizes that the new form of matter discovered by Hudson was one and the same as the white powder discovered in massive quantities on Mount Horeb, where it was fabricated by the Levite priests. He suggests that the “pot of manna” in the Ark was actually a pot of superconductive white monatomic gold powder that caused the Ark to levitate. But how did Spielberg know this in 1981, before Hudson’s results were publicized? Clearly the “sand” inside the Ark is more than just sand, because the device still functions. What happens when they open the box? First, all the machinery in the vicinity shorts out. Next, there is a sudden fog. The French “high priest” looks into the Ark and sees a blue plasma ball forming in the center of a swirling cloud. A group of floating, translucent sheet-like “ghosts” come out of the Ark and fly around at random for a few moments, levitating soldiers and pushing them around. When we see one of them up close she is a beautiful woman…then she becomes a hideous witch. At this point, the music turns scary, the plasma ghosts disappear, and Yahweh Himself rises up from the Ark in the form of…an orange plasma ball. The ball hovers directly over the mercy seat, and then shoots rays of energy that arc through the men just below the sternum, which is to say, exactly where the liver is located. Yahweh then melts and explodes the heads of the main bad guys. After that, a swirling column of vortex energy forms between the Ark and the sky, and then everything goes back to normal.
View: https://youtu.be/0APF3SO9tqE
Let me add that cinematically this scene is incredibly effective. If we accept the hypothesis that Spielberg and Lucas are indeed the Bulwer-Lytton type initiates they appear to be, it is possible that what we see here is actually an accurate representation of how the Ark functioned. Maybe that too is a scientific objective of these movies: reconstructing historical events. I don't share Mega Group pedo-honcho Spielberg's Jewish revenge fantasies, but I love this scene because it shows us just how arrogant we can be in the face of forces we really don't control or understand.
There are clues in the Temple of Doom as well. The Indian palace is built over a swirling underground vortex from which Kali emerges. Inside the anomalous vortex field a man’s heart can be ripped out and he remains alive. Cult inductees are forced to drink some kind of magical blood that puts them in the “Sleep of Kali”, a zombie state. Finally we have the Sankara Stones, which glow and bring fertility when brought together. All of these details resonate with elements we’ve seen over the course of this thread. Keep in mind that George Lucas wrote these stories, just like he wrote Star Wars.
The next thing I want to talk about is Simeon Hein’s 2022 book, Dark Matter Monsters, which speculates about the connection between anomalous zones, ball lightning, and cryptids, which is to say, mysterious creatures like Bigfoot. The author makes a few interesting connections. The book was not as deeply researched as I was hoping but there are still enough valuable insights to make it worth reading. I didn’t realize it, but sightings of Bigfoot and other cryptids are often accompanied by unusual atmospheric conditions. Machinery shorts out in their presence and memory wipes often occur. Ball lightning also frequently occurs around cryptids. Cryptids can sometimes communicate psychically with “victims”. The author’s theory is that these creatures have somehow incorporated anomalous states of matter into their physiology. He uses the electric eel as an example of an animal that has “learned” how to channel and use electricity as a weapon without doing so consciously. The book is basically ⅓ fluff, ⅓ stories of cryptid sightings, and ⅓ summaries of cold fusion theories. The last part was the most interesting.
Here are a few excerpts:
So what is “coherent matter”?
He makes the logical argument, which I have also made in this thread, that cold fusion is happening all around us all the time and that all life-forms are always drawing some form of energy from what he calls “dark matter” and what most people here generally refer to as the aether. He suggests that certain particles called Relic Neutrinos are the right size and travel at the right speed to mediate between the material world and the entangled quantum world, making quantum effects at classical scales possible. In other words, the relic neutrinos form a kind of invisible “khora” that connects everything. It seems like every scientist has a different name for the same thing, and they are all just looking at one larger phenomenon from multiple angles.
He goes on to lay it out pretty clearly.
- Contrary to what modern physics theorizes, it is possible to make matter coherent at room temperature: heat is not necessary.
- Coherent matter can interact directly with the aether, allowing organisms that incorporate this matter to “cohere” and “decohere” in ways large and small, allowing them to “glide, float, teleport, and even transmute chemical elements”. Remember, David Hudson tested sheep brains and claims that they are actually composed of around 5% heavy metals like gold and palladium, but since these metals are present in a monatomic (coherent) state, they are “invisible” to ordinary chemical analysis. In this state they “lose” 46% of their mass to some kind of alternate universe from which the mass can be retrieved, causing levitation. In other words, our brains are already using coherent matter. In the valuable testimony left by AthroposRex above, we see that consuming more of these elements can increase communication with the 46% of the monatomic elements that blink into some kind of alternate dimension. Thinking about it, this offers a possible explanation for what dreaming is. Maybe it takes a lot of energy for matter to decohere into differentiated bodies with stable structures. Perhaps when we sleep, the ORMES material in our bodies coheres and moves into the "other dimension", from which it draws energy.
- Some animals use this stuff to move in between multiple forms of matter in a way that greatly exceeds our own capacities.
We talked about hair earlier, remember, and here Hein argues it has an electrostatic function.
The most interesting scientist Hein brings up is Takaaki Matsumoto:
Matsumoto goes on to say that ball lightning, which is a pure form of this phenomenon, occurs naturally and spontaneously in places where certain forces are present…bringing us very neatly back to the Ball Plasmoid theory of Yyprst, but with the caveat that the Hunting Falcon is not made of plasma, which is of course hot, but instead a cold version of the phenomenon with even spookier properties. And indeed the orb, the “ghosts”, and even the fire in Raiders of the Lost Ark are not hot.
Hein goes on to mention the names of Charles Barkla, Martin Fleischmann, and Alexander Shishkin as scientists who worked on some version of the phenomenon, if anyone wants to chase those references down. Here’s another:
Here are a few more interesting passages:
“Ball lightning’s temporary magnetization aspect is fascinating as it suggests that matter is being reorganized at a quantum level by exposure to these energetic orbs.” P. 119
“Ball lightning is formed by high-energy events such as lightning, volcanoes, tornados, earthquakes, and meteors.” P. 121
“Takaaki Matsumoto even went so far as to suggest that EVERY ball lightning cluster contains a micro black hole, a singularity.” p 122
“Most ball lightning tends to be one foot and a half in diameter or less.” P. 129. This is the exact size of the Yahweh plasmoid we see in Raiders of the Lost Ark.
“Clearly, there’s a lot of energy around areas of ball lightning and it seems that cryptids have picked up on this energy to “ride the rails” for free so to speak. It’s possible that the extra energy provided by ball lightning allows them to phase in and out of specific geographical areas. Plus you could add in the energy they might be getting from cosmic active neutrinos mentioned in earlier chapters and they would clearly be in a different space than we are. (...) These [anomalous] areas could be seen as “portals” in the sense that there are highly concentrated geological energetic processes going on just like in Yellowstone, though in that case it’s due to a caldera below the surface providing continuous volcanic activity.” P 130
Here I am going to jump in and speculate. It would appear that these animals have material bodies, and like to materialize, but lack the energy to do so regularly, so remain in some kind of “other dimension” most of the time. When the anomalous zones appear, however, they are able to use the energy discharges to materialize, at which point they apparently want to enjoy the rare opportunity of having bodies. What I find interesting is the fact that they seem to take the same shape every time. It makes perfect sense that just as there might be “divine” versions of people, which is to say humans that have somehow found a way to insert coherent matter structures into their biology, there ought also to be “divine” animals that use this biotechnology. Cryptids are to animals what gods are to men. Does that mean that the human gods are waiting in some alternate dimension for the energetic profile of the Earth to rise so they can have bodies again? Or is it possible that they all died when the energy levels dropped and that the cryptids we see are the last remnants of these high-coherent matter species? Is it possible that all those coherent matter organs in the “gods” became a biological liability when the Earth changed and the aether levels dropped, leading them to genetically engineer versions of themselves with reduced levels of coherent matter receptors in an attempt to survive (us)? Perhaps our job as humans is simply to survive in low-energy yugas and keep certain valuable strands of DNA walking around “on the hoof” until the aether levels rise and the original creatures can return to claim them. During the “Ark era”, these divinities could occasionally still be lured into boxes and bargained with. I can imagine that the ball lightning gods were happy to have human priest intermediaries around to keep them fed with energy. I am currently halfway through Joseph Farrell’s excellent “Gods, Genes, and Giants” (about which much more later) and he brings up some interesting research by Chrstian O’Brien. He calculated that given the dimensions of the Tabernacle, Yahweh must have been between 8 and 11 feet tall in material form. This would explain a couple of things. First of all, as we have seen here, Yahweh is clearly some kind of energy ball entity. At the same time, he appears to have a body, as the more “old school” researchers like Sitchin, Bramley, Sklyarov, etc. insist. Well, what if both are true? Maybe Yahweh liked walking around in his body, but most of the time lacked the necessary energy for it, so he “slept” in the Ark in his coherent matter plasma form until his assistants could funnel enough energy to him to materialize. At night, alone, he would incarnate as the giant he originally was, perhaps the hideous reptile giant, and stroll around in his Tabernacle. This would be a nice connection with Pharaohs and their sarcophagi as well as vampires and their coffins.
“The basis of our universe is that everything is spinning, rotating in a vortex-like way. It’s called “helicity” in modern parlance and suggests that the basis of life is spiraling motion. And any creatures that incorporate this somehow in their physiology would create energy in exciting and novel ways. We humans and other animals already include this principle in the shapes of inner ears in the cochlea, our hearts’ forms, and the spiral flow of blood in arteries.” P 190 I didn’t know blood flowed in a spiral pattern. Here he includes a few photos of plasmoids photographed in laboratories. The following two are of interest as they have come up in previous posts. The first is a double helix, the second incorporates the temple design we have seen so many times, with four corners, an inner swastika, and a spiraling central pillar.
So in summary, with “Dark Matter Monsters” we get a little more information about how the anomalous zone might interact with life. We learn a little more about the nature of the ball plasmoid phenomenon (coherent matter, not plasma strictly speaking) as well as the actual biological mechanisms by which an organism might interact with the “dark matter” field.
In my next post, I will return to the Joseph Farrell book, since he himself brings together genetic manipulation and Konstantin Meyl’s original hypothesis of temples as radio transmitters.
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The first piece of information I would like to present today are the following photos from the so-called “Urnfield” culture which apparently covered Central Europe in the Bronze Age. Not to be confused with the “Tumulus” culture, the “Hallstatt” culture and the “La Tène” culture which, we are assured, were stacked up vertically in time over thousands of years, and not horizontally in space. Amazingly, these people, who inhabited a huge swath of land, do not get a proper name. They are called the “Urnfield” people because they filled urns with ashes and buried them in fields.
So, as with the Minoan artifacts we have the plasma swirls, the sun cross, as well as what appear to be technical diagrams of some sort. Was this a very early Ark? Was it filled with blood that the coherent matter ball would snack on? This is from Hungary and is dated to the “14th century BC” which I now suspect actually means no more than a thousand years ago.
These things were rolled around on wheels!
According to Wikipedia this is another “votive object”. Those ancient people sure loved machining symbolic ceremonial objects to precision tolerances. Was the ball plasmoid lured into the urn and then pulled around on these wheels just as the ark was carried with poles? Remember, you can’t touch the Ark, or you will be electrocuted. This thing is from Germany, “1000 BC”.
Like the Egyptians, the Urnfield people “worshiped” a “solar boat”. This vase is from Romania, again, “1000 BC”:
So, basically, the Egyptian religion was present in Europe and everywhere else as well, because the same plasma phenomenon was present all over the Earth. Fortified mound, ball plasmoid, libation, sacrifice, urns, fertility, reincarnation, snake symbology.
The very similar “Hallstatt culture” had “antenna swords”. That is actually what they are called on Wikipedia:
Check out that ball on the end of the back sword. Did this thing shoot energy?
Here is a “hoard” found in Germany. “Hoards are very common in the Urnfield culture. The custom is abandoned at the end of the Bronze Age. They were often deposited in rivers and wet places like swamps. As these spots were often quite inaccessible, they most probably represent gifts to the gods.” In other words, more prehistoric arts & crafts, nothing technical here at all:
Were such objects left in places of power inside the anomalous zone to capture the natural resonance of the place and transmit it to identical objects at home, following the principle that objects of the same size, shape, and composition will resonate together as antennae? What the hell is this stuff? Did your sword become lighter when you left an identical copy of it in the anomalous zone?
They also loved funny hats. “Four elaborate cone-shaped hats made from thin sheets of gold have been found in Germany and France, dated to 1400-800 BC. It is thought that they may have been worn as ceremonial hats by "king-priests" or oracles.”
Purely ceremonial, nothing to see here folks! Just some more doodads from the “Urnfield” people who don’t even get a real name.
Here’s a crescent-shaped "andiron" from Germany, complete with what appear to be hatch marks possibly indicating polarity, and lacking soot stains:
Seeing this artifact, I have a sudden idea. It seems like all of these ancient people worshiped bulls. We are given a lot of unsatisfactory explanations for this weird phenomenon. Well, maybe the ancient people discovered that the “two horn” labrys/antenna shape that channeled charge into a ball above and between the horns could easily be stylized as a bull’s head. Maybe the horns of living bulls even channeled charge into a visible glow above and between the horns, inspiring veneration:
I would now like to jump forward in time and again comment on some of Usselo’s research at IHASFEMR. At the following link, entitled “Warnings before the Reformat”, he provides a series of accounts of churches destroyed by mysterious weather phenomena in the 17th century.
Warnings Before the Reformat | IHASFEMR
the storm of 1604... occurred suddenly, destroyed chimneys, many doors, small and large roofs. People were injured by flying bricks. The copper roof of the imperial castle was destroyed. Three carriages with horses and men were lifted from a bridge into the air and thrown into the river Danube.
So the storm attacked chimneys, which is to say tall, conductive brick or stone structures, roofs, in particular metal roofs, and people crossing over water. Remember, the ball plasmoid forms over water, underground water in particular.
it [the comet of 1618] first appeared, as I said, the 18 of November, the day after the annuall memoriall of Queen Elizabeths (of ever most famous memory) most happy inauguration to the Crowne of England, the day when we began to en∣joy the liberty of the Gospel, and deli∣verance from that former most formi∣dable yoke of Romish Egyptian bon∣dage and slavery, under bloody Baby∣lonish and terrible conscience-curbing task-masters, and which so blessed li∣berty, we have now in a good and great measure enjoyed, at least, these three-score yeares.
So, in 17th century England, Rome = Egypt = Babylon. Interesting to remember. This excerpt also says that England was “freed” sixty years before the comet, which is to say in 1558.
Usselo points out that from 1638 on, mysterious storms appeared to target churches, or individuals inside them:
And as an undoubted testimony of Gods displea∣sure heerein, take first that most memo∣rable and terrible, yea never to bee for∣gotten example of Gods wrath & deep indignation manifested by thunder and lightning, against superstitious superflu∣ous and idolatrous impieties in our Churches of England, which God was pleased to manifest upon the Parish Church of Withcombe in Devonshire, (besides divers other Churches in o∣ther places, much about the same time also, which is the more remarkeable)
The next one is especially interesting:
on a sudden there was heard most fearfull & heart-damp∣ing claps of thunder, much like the roa∣ring noise or ratling reports of great Canons, and musket shot discharged; upon which, presently followed a most fearfull Fog, and almost palpable dark∣nesse all over the Church, and a most strong and almost stifling Stygian stink and loathsome smell of brimstone, to∣gether with a most boysterous and blu∣stering blast of wind and clap of thun∣der, which strucke in at the Northside of the steeple or towre, and tearing through a strong wall came into the Church through the highest window, and bare before it sheere away, a great part thereof, and with a mighty power it also strook away the Northside wall of the Church, and violently battered and shook it very much, passing on to∣ward the Pulpit, and in the way tooke with it the lime and sand from off the wall, grating the wall much and migh∣tily defacing it, it having been but late∣ly new whited and trimmed, as afore∣said. It tore away also most fiercely the side Deske from the Pulpit, colouring the pulpit it selfe of a black hew, and leaving it as moist as if it had been new∣ly washed over with inke. In which time there was also a most terrible and heart-astonishing lightning, which did both mightily affright the people, and even scald their skin with the extreame heat thereof; insomuch as the greatest part of them fell prostrate, some on their faces, and some on their knees, and some one upon another, screeking and crying out in a most pittifull and patheticall manner.
Sir Richard Rey∣nolds his Warriner had his head clo∣ven, his skull rent in three pieces, where∣of two fell in the next seat, the other fell down in the seat where he sate: his braines fell entirely whole into the next seat behinde him, his blood dasht a∣gainst the wall; some of the skin of his head, flesh and haire, to the quanti∣ty of an handfull, was carried into the Chancell, his body left in the seat, as though he had been alive, sitting asleep, and leaning on his elbow resting on the desk of his Pew, with the fore-part of his head and face whole.
So the warriner’s head exploded, which is exactly what happens in Raiders of the Lost Ark. I thought the head-exploding detail was just Hollywood camp, but maybe even this element was researched. There was also a sudden smell of sulfur and a sudden fog. In Dark Matter Monsters, Simeon Hein explains the sudden fog (which is also present in Raiders of the Lost Ark) (which also frequently accompanies Bigfoot sightings) as a condensation-effect caused by cold-fusion decoherence sucking heat out of the atmosphere. He also notes that Bigfoot sightings are often accompanied by the smell of sulfur, which is formed chemically when matter decoheres. Overall, the scene described here is shockingly reminiscent of the scene in Raiders of the Lost Ark, to the point where I wonder if Geroge Lucas actually read this passage.
1643:
In January also then next ensuing, there was very great hurt done, in and upon divers other Churches, in other parts of this Kingdome, by thunder and lightning, and mighty stormy weather, to the great and terrible astonishment of the inhabitants and beholders. As namely upon the 14th day of the afore∣sayd month, about five of the clock at night, three Churches were wasted and defaced with fearefull thunder and lightning, and most violent windes; the one was Micham in Kent, also Greenhith and Stone-Church, both in the sayd County of Kent.
1638:
On the 14th of January, A.D. 1638, this church was greatly damaged by a violent storm of wind, thunder, and lightning, insomuch that the roof and steeple were burnt, and, as tradition reports, the heat was so intense that the bells melted as they hung."
1640:
we investigate a severe storm which was accompanied by a ball lightning phenomenon in Cornwall (UK) in 1640. The “fiery Ball”, which reportedly made a “ter[r]ible sound”, entered the Antony church (probably St James church, Antony, near Plymouth), broke stones and smashed windows. It made holes in stone walls and injured about 14 people.
I also include this excerpt from a paper that he cites (thank you Usselo for doing the hard work of assembling all these valuable references):
The first half of the 17th century in Europe was a time of unprecedented plague, revolt, disease, starvation, climate change, comet and volcano activity, and above all solar weakening. Did whatever electromagnetic upheavals were occurring in the heavens cause the churches, which had been built over the sites of the ancient ball plasmoid generators of the “Urnfield” people, to start functioning again for the first time in centuries?
Very tentative working theory: after a celestial upheaval, the altars stopped working, but the old places of power still had enough juice to function as radio transmitters and brainwashing centers whose vibratory frequencies were still able to directly influence brain activity (more on that below). If we imagine that the anomalous zone was like a drug, the effect had just been reduced from ten doses of LSD to a strong dose of marijuana. If I am not mistaken, all the old circular altar complexes were outside and located on mounds, not inside temples. With the transition to classical antiquity, we now get temples built around cellae inhabited by gods and maintained by priests. Sacrificial activity, however, occurs outside the temple. This is also the layout of the Temple of Jerusalem (and Shinto shrines, as we saw above).
We might even tentatively suggest four periods:
First period (before the 10th century collapse?): circular stone altars with phallic pillars in the center. Regular seasonal ball plasmoid activity. Sacrifice and fertility rituals. “Paganism”. From the Wikipedia article about Greek temples:
The earliest Greek sanctuaries probably did not contain temple buildings, though our knowledge of these is limited since many of these were destroyed, and the subject is controversial. A typical early sanctuary seems to have consisted of a temenos, often around a sacred grove, cave or spring, and perhaps defined only by marker stones at intervals, with an altar for offerings. Many rural sanctuaries probably stayed in this style, but the more popular were gradually able to afford a building to house a cult image, especially in cities. This process was certainly under way by the 9th century BCE, and probably started earlier.
Second period (between the 10th century collapse and the 14th century collapse?): ball plasmoids are somehow trapped in Ark-idols which are then moved inside the cellae of temples. Meyl argues that temples were constructed with precise harmonic dimensions to function as radio transmitters (see the long citation below). I think we have accumulated enough clues over the last few posts to pose an alternate hypothesis. I think it is more likely that the temples were built to these dimensions to catch frequencies that nourished the god inside the cella. Different frequencies were probably pleasing to different entities. Was it at this time that biological entities figured out how to incorporate coherent matter into their physiology (or vice versa)? Did these hybrid creatures realize that the aether was weakening? Did they teach humans how to build arks/temples/sarcophagi in which they could take refuge, only to incarnate occasionally from then on? Is this the type of Ark Noah built? A box into which he and his family could cohere and wait out the Flood? Is this why it was called an "Ark" and not a "ship"? Remember, Noah was born with shining skin and eyes that actually emitted light, which is also something that is commonly reported in Bigfoot sightings, indicating that he possessed a physiology including functioning coherent matter organs. I would like to add that this perspective fills in a serious gap in Julian Jaynes’ theory of the bicameral mind. Apparently the ancient “Sumerians” et al. used to carry their god-statues around and even leave meals out for them. He cites this as evidence that the ancient people were collectively hallucinating. Well, maybe they weren’t. Maybe the early idols were early Arks in which the “gods” were able to rest in their cohered state. In this state they could still communicate psychically with the humans via the coherent matter in their own brains. When the humans put the statues back in their cellae, they were able to decohere into their physical bodies, which were probably hideous, and eat the food. Meyl remarks that the cellae were under electrical tension at all times, and dangerous. Well, it would make sense then that the humans would have to evacuate before the god could decohere. Maybe these resonant cellae were the only places the gods could safely decohere, linking their power directly with the temple. Following this logic, the hideous god-monsters we see depicted in Tibetan or Mayan art are probably accurate representations of what these entities looked like in their decohered state. This also allows us to keep some of the research of people like Bramley and Sitchin, who insist that Yahweh came down on a physical flying vessel and showed himself to Moses and the Israelites on Mount Horeb. Was the vessel in question an airborne Ark that was flown in bearing Yahweh? This also explains a few things. Yahweh does not actually show himself to the Hebrew people until they arrive at Mount Horeb. Was he flown in from Phoenicia and then transferred to the box the Hebrews had been ordered to construct via Moses, who possessed some telecommunication technology? Or was he simply “living” on Mount Horeb already with the Melchizedek priesthood that was established there?
Regarding the chronology, I am thinking here of Jef Demolder’s assertion that Christianity was invented and launched from Avignon in the 14th century, which also corresponds with the Black Plague. Suddenly the pillar of fire that appeared over the Palace of the Popes in 1348, witnessed by Guy de Chauliac, makes more sense.
Which brings us to the third period (between the 14th century collapse and the early 17th century collapse?): after some celestial upheaval, the gods disappear completely, or rather, they are forced to abandon the material realm almost completely, taking refuge in some coherent matter counterspace. The priest class somehow figures out that the old temples can now be used as radio stations. The cellae are now used as storerooms for riches and function as the first banks. Birth of the parasitic human(ish) elite. Sacrifice to the plasma gods turns into the kind of cannibalism and human harvesting Usselo describes. The entities in control are semi-human giant creatures whose DNA harkens back to the ball plasmoid period. They have less coherent matter than their ancestors. Surprisingly, this would appear to lend credence to the wacky David Icke theory that the elites of today are reptilian shape-shifters. I always assumed Icke was controlled opposition put out there to make us look stupid, but maybe I have to read one of his books now. Maybe that video of David de Rothschild’s eyes suddenly changing to serpent eyes is actually real and not some CGI prank being played on the conspiracy theorists…
Fourth period: the catastrophes of the early 17th century described above sound like isolated Great Carrington Event-type phenomena in which the centuries-dormant ball plasmoid phenomenon was suddenly and briefly reactivated in the larger context of the general deregulation and weakening of the aether. The churches, which had been built over the old altars, suddenly “worked” again, to the shock of a population who had never witnessed the full power of the ball lightning phenomenon. This would explain why churches were “targeted” in these storms: they were simply located in geoactive power areas. It is also possible that the old gods, who had their first opportunity to materialize in centuries, were not happy to see, upon waking up, that their bastard great-great-great-great-grandchildren had usurped their positions and now spoke in their names for purely selfish gain. Why not explode a few heads before being forced back into counterspatial hibernation? Afterwards, the aether becomes so weak that even the radio function stops working reliably. Judeo-Christianity as we know it today emerges as an ethical, political, and economic system adapted to a world in which aether technology no longer works. The old entities die off or are killed.
Obviously my "dating" is approximative in the extreme. I am more interested in deriving a sequence of events from the nature of the technology than I am in establishing any kind of absolute dates. The more I read, the more I get the impression that fiddling around with precise numbers is incredibly dangerous. The history of physics in the 20th century is the history of autistic German/Jewish mathematicians taking over the field and transforming it into gematria. Einstein himself said, “since the mathematicians have invaded the theory of relativity, I do not understand it myself anymore.” The irony here being that Einstein himself is the one who opened the door to this deviation, only to be outdone by people even more autistic than he was. Mathematics is a kind of religious practice in which the symbolic system itself (numbers and letters) has the strange property of generating coincidences and isomorphies that lure the practitioner into believing that he has discovered isomorphies in reality. No: it is precisely at this point, when the isomorphies begin to “speak” in response to the mathematician’s act of faith, that he has decisively left reality behind and allowed himself to be sucked into the self-referential system he has created. There is a reason that these genius mathematicians, logicians, chess players, etc. are all paranoid psychotics who have fusional relationships with mothers or mother-substitutes in their personal life. I am thinking of Kurt Gödel as well as Grigori Perelman, the latter of whom quit mathematics in 2006 (after being awarded the Fields Medal) to devote his life to crawling back into his mother’s uterus. I believe that an overly narrow focus on absolute chronology exerts a similarly corrupting fascination on the mind. The chronologist begins to hunt for correspondences and when he finds them, the purely abstract numerical edifice begins to “speak” to him. At this point he is in great danger of slipping into a kind of chronological paranoia in which everything fits together. Where numbers are concerned, everything can always be made to fit together by an autistically brilliant enough mind. This is why I prefer to look for more intuitive correspondences. I think you can probably figure out more just by standing in the presence of an ancient artifact and allowing yourself to be subtly impregnated by its aura than you can by geeking out on eclipse dates, king lists, codes hidden in the dimensions of monuments, star alignments, whatever. Which is of course not to discount the importance of these documents…
This brings me naturally to Joseph Farrell. I first read about Konstantin Meyl in Farrell’s excellent Babylon’s Banksters. Joseph Farrell is the perfect conspiracy theorist. He is a brilliant polymath with a PhD from Oxford. He is an expert in theology, mathematics, physics, music theory, history, linguistics, and finance. When he digs into a subject, he always takes it to the next level. He’s an engaging writer with a gift for pulling all sorts of data sets together. Every time I read one of his books I find myself buying at least five of the books he cites in his bibliography. Anything being discussed here has probably already been dealt with in great detail by Dr. Farrell.
There is one problem, however. He is an old-school conspiracy theorist who is more likely to expand timelines than contract them. In The Cosmic War he speculates about planets being destroyed with scalar superweapons in alien wars that took place 65 million years ago, the record of which made it down to us in the form of Sumerian legends. Hmmm. Even more bizarrely, he seems to believe the Moon Landings actually happened. To my knowledge the two subjects Farrell generally refuses to engage with are recentism and hoaxery, which are at the heart of the Stolen History project. These two insights – first, that much of history has simply been forged, indeed continues to be forged in real time, and second, that our chronology has been artificially expanded as part of the forgery operation – are precisely the discoveries that reawakened my mind a couple of years ago and made me curious about history and science again. The simple fact that my brain magically turned back on after encountering these ideas, nearly against my will, is to my mind evidence that there is truth there. Like Plato I believe that true ideas resonate directly with the intellect and false ones shut it down.
I can see why some people might accuse Farrell of being a spook. I think it’s more probable that he is occasionally a victim of his own ability to fit data sets together by hook or by crook. If the simple equations don’t balance out he is smart enough to invent complicated equations that do, just like the autistic mathematicians. Still, the good stuff in his books outweighs the bad by a ratio of at least four to one, and when he’s on, no one does it better. I would here like to include a longish excerpt from Genes, Giants, Monster and Men that includes a valuable citation from Konstantin Meyl. Please pardon the book photos; the excerpt is too long to transcribe:
Farrell makes a connection that I kind of circled around without really zeroing in on earlier in this thread: the link between temple architecture and brainwashing. He makes the very logical observation that certain geometries resonate at harmonics of brain waves that correspond to different moods: peace, aggression, ecstasy, whatever. Architecture alone would therefore theoretically be sufficient to impose a collective brainwave frequency with its attendant psychological effects on whoever might be induced to enter the building, with the sole condition that the aetheric field be strong enough to induce resonance in the building. Question: if different frequencies have different effects on human brains, what effect do they have on coherent matter ball plasmoids? Was the very geometry of the Jerusalem Temple calculated to bombard the entity inside with the aggressive frequencies that would create a war god? Was that the great technological innovation of the Ark, its dimensions? Did someone figure out that by making the box just the right size, the god inside became a weapon? Isn’t this weirdly similar to the stories of children being locked in cages and tortured in order to transform them into dissociated and mind-controlled spies, sex slaves, assassins, etc.?
One last passage:
The missing last sentence reads “a psychological operation called religion”. I copied this page for two reasons. First, it echoes Schwaller de Lubicz's claim that we are operating in a symbolic paradigm that reduces equivocal, polysemic, paranomastic symbols to linear, univocal, and implicitly quantifiable data points. This tendency is currently decimating our world and our minds, as many psychoanalysts observe. Second, the footnote is highly interesting. It would indicate that indeed it is the Semitic people who first learned how to trap the ball plasmoid and then brought the tech to the places they conquered. I would be curious to know what exactly they mean by “shrines and temples”. I will have to read the book and report back.
So, as with the Minoan artifacts we have the plasma swirls, the sun cross, as well as what appear to be technical diagrams of some sort. Was this a very early Ark? Was it filled with blood that the coherent matter ball would snack on? This is from Hungary and is dated to the “14th century BC” which I now suspect actually means no more than a thousand years ago.
These things were rolled around on wheels!
According to Wikipedia this is another “votive object”. Those ancient people sure loved machining symbolic ceremonial objects to precision tolerances. Was the ball plasmoid lured into the urn and then pulled around on these wheels just as the ark was carried with poles? Remember, you can’t touch the Ark, or you will be electrocuted. This thing is from Germany, “1000 BC”.
Like the Egyptians, the Urnfield people “worshiped” a “solar boat”. This vase is from Romania, again, “1000 BC”:
So, basically, the Egyptian religion was present in Europe and everywhere else as well, because the same plasma phenomenon was present all over the Earth. Fortified mound, ball plasmoid, libation, sacrifice, urns, fertility, reincarnation, snake symbology.
The very similar “Hallstatt culture” had “antenna swords”. That is actually what they are called on Wikipedia:
Check out that ball on the end of the back sword. Did this thing shoot energy?
Here is a “hoard” found in Germany. “Hoards are very common in the Urnfield culture. The custom is abandoned at the end of the Bronze Age. They were often deposited in rivers and wet places like swamps. As these spots were often quite inaccessible, they most probably represent gifts to the gods.” In other words, more prehistoric arts & crafts, nothing technical here at all:
Were such objects left in places of power inside the anomalous zone to capture the natural resonance of the place and transmit it to identical objects at home, following the principle that objects of the same size, shape, and composition will resonate together as antennae? What the hell is this stuff? Did your sword become lighter when you left an identical copy of it in the anomalous zone?
They also loved funny hats. “Four elaborate cone-shaped hats made from thin sheets of gold have been found in Germany and France, dated to 1400-800 BC. It is thought that they may have been worn as ceremonial hats by "king-priests" or oracles.”
Purely ceremonial, nothing to see here folks! Just some more doodads from the “Urnfield” people who don’t even get a real name.
Here’s a crescent-shaped "andiron" from Germany, complete with what appear to be hatch marks possibly indicating polarity, and lacking soot stains:
Seeing this artifact, I have a sudden idea. It seems like all of these ancient people worshiped bulls. We are given a lot of unsatisfactory explanations for this weird phenomenon. Well, maybe the ancient people discovered that the “two horn” labrys/antenna shape that channeled charge into a ball above and between the horns could easily be stylized as a bull’s head. Maybe the horns of living bulls even channeled charge into a visible glow above and between the horns, inspiring veneration:
I would now like to jump forward in time and again comment on some of Usselo’s research at IHASFEMR. At the following link, entitled “Warnings before the Reformat”, he provides a series of accounts of churches destroyed by mysterious weather phenomena in the 17th century.
Warnings Before the Reformat | IHASFEMR
the storm of 1604... occurred suddenly, destroyed chimneys, many doors, small and large roofs. People were injured by flying bricks. The copper roof of the imperial castle was destroyed. Three carriages with horses and men were lifted from a bridge into the air and thrown into the river Danube.
So the storm attacked chimneys, which is to say tall, conductive brick or stone structures, roofs, in particular metal roofs, and people crossing over water. Remember, the ball plasmoid forms over water, underground water in particular.
it [the comet of 1618] first appeared, as I said, the 18 of November, the day after the annuall memoriall of Queen Elizabeths (of ever most famous memory) most happy inauguration to the Crowne of England, the day when we began to en∣joy the liberty of the Gospel, and deli∣verance from that former most formi∣dable yoke of Romish Egyptian bon∣dage and slavery, under bloody Baby∣lonish and terrible conscience-curbing task-masters, and which so blessed li∣berty, we have now in a good and great measure enjoyed, at least, these three-score yeares.
So, in 17th century England, Rome = Egypt = Babylon. Interesting to remember. This excerpt also says that England was “freed” sixty years before the comet, which is to say in 1558.
Usselo points out that from 1638 on, mysterious storms appeared to target churches, or individuals inside them:
And as an undoubted testimony of Gods displea∣sure heerein, take first that most memo∣rable and terrible, yea never to bee for∣gotten example of Gods wrath & deep indignation manifested by thunder and lightning, against superstitious superflu∣ous and idolatrous impieties in our Churches of England, which God was pleased to manifest upon the Parish Church of Withcombe in Devonshire, (besides divers other Churches in o∣ther places, much about the same time also, which is the more remarkeable)
The next one is especially interesting:
on a sudden there was heard most fearfull & heart-damp∣ing claps of thunder, much like the roa∣ring noise or ratling reports of great Canons, and musket shot discharged; upon which, presently followed a most fearfull Fog, and almost palpable dark∣nesse all over the Church, and a most strong and almost stifling Stygian stink and loathsome smell of brimstone, to∣gether with a most boysterous and blu∣stering blast of wind and clap of thun∣der, which strucke in at the Northside of the steeple or towre, and tearing through a strong wall came into the Church through the highest window, and bare before it sheere away, a great part thereof, and with a mighty power it also strook away the Northside wall of the Church, and violently battered and shook it very much, passing on to∣ward the Pulpit, and in the way tooke with it the lime and sand from off the wall, grating the wall much and migh∣tily defacing it, it having been but late∣ly new whited and trimmed, as afore∣said. It tore away also most fiercely the side Deske from the Pulpit, colouring the pulpit it selfe of a black hew, and leaving it as moist as if it had been new∣ly washed over with inke. In which time there was also a most terrible and heart-astonishing lightning, which did both mightily affright the people, and even scald their skin with the extreame heat thereof; insomuch as the greatest part of them fell prostrate, some on their faces, and some on their knees, and some one upon another, screeking and crying out in a most pittifull and patheticall manner.
Sir Richard Rey∣nolds his Warriner had his head clo∣ven, his skull rent in three pieces, where∣of two fell in the next seat, the other fell down in the seat where he sate: his braines fell entirely whole into the next seat behinde him, his blood dasht a∣gainst the wall; some of the skin of his head, flesh and haire, to the quanti∣ty of an handfull, was carried into the Chancell, his body left in the seat, as though he had been alive, sitting asleep, and leaning on his elbow resting on the desk of his Pew, with the fore-part of his head and face whole.
So the warriner’s head exploded, which is exactly what happens in Raiders of the Lost Ark. I thought the head-exploding detail was just Hollywood camp, but maybe even this element was researched. There was also a sudden smell of sulfur and a sudden fog. In Dark Matter Monsters, Simeon Hein explains the sudden fog (which is also present in Raiders of the Lost Ark) (which also frequently accompanies Bigfoot sightings) as a condensation-effect caused by cold-fusion decoherence sucking heat out of the atmosphere. He also notes that Bigfoot sightings are often accompanied by the smell of sulfur, which is formed chemically when matter decoheres. Overall, the scene described here is shockingly reminiscent of the scene in Raiders of the Lost Ark, to the point where I wonder if Geroge Lucas actually read this passage.
1643:
In January also then next ensuing, there was very great hurt done, in and upon divers other Churches, in other parts of this Kingdome, by thunder and lightning, and mighty stormy weather, to the great and terrible astonishment of the inhabitants and beholders. As namely upon the 14th day of the afore∣sayd month, about five of the clock at night, three Churches were wasted and defaced with fearefull thunder and lightning, and most violent windes; the one was Micham in Kent, also Greenhith and Stone-Church, both in the sayd County of Kent.
1638:
On the 14th of January, A.D. 1638, this church was greatly damaged by a violent storm of wind, thunder, and lightning, insomuch that the roof and steeple were burnt, and, as tradition reports, the heat was so intense that the bells melted as they hung."
1640:
we investigate a severe storm which was accompanied by a ball lightning phenomenon in Cornwall (UK) in 1640. The “fiery Ball”, which reportedly made a “ter[r]ible sound”, entered the Antony church (probably St James church, Antony, near Plymouth), broke stones and smashed windows. It made holes in stone walls and injured about 14 people.
I also include this excerpt from a paper that he cites (thank you Usselo for doing the hard work of assembling all these valuable references):
Very tentative working theory: after a celestial upheaval, the altars stopped working, but the old places of power still had enough juice to function as radio transmitters and brainwashing centers whose vibratory frequencies were still able to directly influence brain activity (more on that below). If we imagine that the anomalous zone was like a drug, the effect had just been reduced from ten doses of LSD to a strong dose of marijuana. If I am not mistaken, all the old circular altar complexes were outside and located on mounds, not inside temples. With the transition to classical antiquity, we now get temples built around cellae inhabited by gods and maintained by priests. Sacrificial activity, however, occurs outside the temple. This is also the layout of the Temple of Jerusalem (and Shinto shrines, as we saw above).
We might even tentatively suggest four periods:
First period (before the 10th century collapse?): circular stone altars with phallic pillars in the center. Regular seasonal ball plasmoid activity. Sacrifice and fertility rituals. “Paganism”. From the Wikipedia article about Greek temples:
The earliest Greek sanctuaries probably did not contain temple buildings, though our knowledge of these is limited since many of these were destroyed, and the subject is controversial. A typical early sanctuary seems to have consisted of a temenos, often around a sacred grove, cave or spring, and perhaps defined only by marker stones at intervals, with an altar for offerings. Many rural sanctuaries probably stayed in this style, but the more popular were gradually able to afford a building to house a cult image, especially in cities. This process was certainly under way by the 9th century BCE, and probably started earlier.
Second period (between the 10th century collapse and the 14th century collapse?): ball plasmoids are somehow trapped in Ark-idols which are then moved inside the cellae of temples. Meyl argues that temples were constructed with precise harmonic dimensions to function as radio transmitters (see the long citation below). I think we have accumulated enough clues over the last few posts to pose an alternate hypothesis. I think it is more likely that the temples were built to these dimensions to catch frequencies that nourished the god inside the cella. Different frequencies were probably pleasing to different entities. Was it at this time that biological entities figured out how to incorporate coherent matter into their physiology (or vice versa)? Did these hybrid creatures realize that the aether was weakening? Did they teach humans how to build arks/temples/sarcophagi in which they could take refuge, only to incarnate occasionally from then on? Is this the type of Ark Noah built? A box into which he and his family could cohere and wait out the Flood? Is this why it was called an "Ark" and not a "ship"? Remember, Noah was born with shining skin and eyes that actually emitted light, which is also something that is commonly reported in Bigfoot sightings, indicating that he possessed a physiology including functioning coherent matter organs. I would like to add that this perspective fills in a serious gap in Julian Jaynes’ theory of the bicameral mind. Apparently the ancient “Sumerians” et al. used to carry their god-statues around and even leave meals out for them. He cites this as evidence that the ancient people were collectively hallucinating. Well, maybe they weren’t. Maybe the early idols were early Arks in which the “gods” were able to rest in their cohered state. In this state they could still communicate psychically with the humans via the coherent matter in their own brains. When the humans put the statues back in their cellae, they were able to decohere into their physical bodies, which were probably hideous, and eat the food. Meyl remarks that the cellae were under electrical tension at all times, and dangerous. Well, it would make sense then that the humans would have to evacuate before the god could decohere. Maybe these resonant cellae were the only places the gods could safely decohere, linking their power directly with the temple. Following this logic, the hideous god-monsters we see depicted in Tibetan or Mayan art are probably accurate representations of what these entities looked like in their decohered state. This also allows us to keep some of the research of people like Bramley and Sitchin, who insist that Yahweh came down on a physical flying vessel and showed himself to Moses and the Israelites on Mount Horeb. Was the vessel in question an airborne Ark that was flown in bearing Yahweh? This also explains a few things. Yahweh does not actually show himself to the Hebrew people until they arrive at Mount Horeb. Was he flown in from Phoenicia and then transferred to the box the Hebrews had been ordered to construct via Moses, who possessed some telecommunication technology? Or was he simply “living” on Mount Horeb already with the Melchizedek priesthood that was established there?
Regarding the chronology, I am thinking here of Jef Demolder’s assertion that Christianity was invented and launched from Avignon in the 14th century, which also corresponds with the Black Plague. Suddenly the pillar of fire that appeared over the Palace of the Popes in 1348, witnessed by Guy de Chauliac, makes more sense.
Which brings us to the third period (between the 14th century collapse and the early 17th century collapse?): after some celestial upheaval, the gods disappear completely, or rather, they are forced to abandon the material realm almost completely, taking refuge in some coherent matter counterspace. The priest class somehow figures out that the old temples can now be used as radio stations. The cellae are now used as storerooms for riches and function as the first banks. Birth of the parasitic human(ish) elite. Sacrifice to the plasma gods turns into the kind of cannibalism and human harvesting Usselo describes. The entities in control are semi-human giant creatures whose DNA harkens back to the ball plasmoid period. They have less coherent matter than their ancestors. Surprisingly, this would appear to lend credence to the wacky David Icke theory that the elites of today are reptilian shape-shifters. I always assumed Icke was controlled opposition put out there to make us look stupid, but maybe I have to read one of his books now. Maybe that video of David de Rothschild’s eyes suddenly changing to serpent eyes is actually real and not some CGI prank being played on the conspiracy theorists…
Fourth period: the catastrophes of the early 17th century described above sound like isolated Great Carrington Event-type phenomena in which the centuries-dormant ball plasmoid phenomenon was suddenly and briefly reactivated in the larger context of the general deregulation and weakening of the aether. The churches, which had been built over the old altars, suddenly “worked” again, to the shock of a population who had never witnessed the full power of the ball lightning phenomenon. This would explain why churches were “targeted” in these storms: they were simply located in geoactive power areas. It is also possible that the old gods, who had their first opportunity to materialize in centuries, were not happy to see, upon waking up, that their bastard great-great-great-great-grandchildren had usurped their positions and now spoke in their names for purely selfish gain. Why not explode a few heads before being forced back into counterspatial hibernation? Afterwards, the aether becomes so weak that even the radio function stops working reliably. Judeo-Christianity as we know it today emerges as an ethical, political, and economic system adapted to a world in which aether technology no longer works. The old entities die off or are killed.
Obviously my "dating" is approximative in the extreme. I am more interested in deriving a sequence of events from the nature of the technology than I am in establishing any kind of absolute dates. The more I read, the more I get the impression that fiddling around with precise numbers is incredibly dangerous. The history of physics in the 20th century is the history of autistic German/Jewish mathematicians taking over the field and transforming it into gematria. Einstein himself said, “since the mathematicians have invaded the theory of relativity, I do not understand it myself anymore.” The irony here being that Einstein himself is the one who opened the door to this deviation, only to be outdone by people even more autistic than he was. Mathematics is a kind of religious practice in which the symbolic system itself (numbers and letters) has the strange property of generating coincidences and isomorphies that lure the practitioner into believing that he has discovered isomorphies in reality. No: it is precisely at this point, when the isomorphies begin to “speak” in response to the mathematician’s act of faith, that he has decisively left reality behind and allowed himself to be sucked into the self-referential system he has created. There is a reason that these genius mathematicians, logicians, chess players, etc. are all paranoid psychotics who have fusional relationships with mothers or mother-substitutes in their personal life. I am thinking of Kurt Gödel as well as Grigori Perelman, the latter of whom quit mathematics in 2006 (after being awarded the Fields Medal) to devote his life to crawling back into his mother’s uterus. I believe that an overly narrow focus on absolute chronology exerts a similarly corrupting fascination on the mind. The chronologist begins to hunt for correspondences and when he finds them, the purely abstract numerical edifice begins to “speak” to him. At this point he is in great danger of slipping into a kind of chronological paranoia in which everything fits together. Where numbers are concerned, everything can always be made to fit together by an autistically brilliant enough mind. This is why I prefer to look for more intuitive correspondences. I think you can probably figure out more just by standing in the presence of an ancient artifact and allowing yourself to be subtly impregnated by its aura than you can by geeking out on eclipse dates, king lists, codes hidden in the dimensions of monuments, star alignments, whatever. Which is of course not to discount the importance of these documents…
This brings me naturally to Joseph Farrell. I first read about Konstantin Meyl in Farrell’s excellent Babylon’s Banksters. Joseph Farrell is the perfect conspiracy theorist. He is a brilliant polymath with a PhD from Oxford. He is an expert in theology, mathematics, physics, music theory, history, linguistics, and finance. When he digs into a subject, he always takes it to the next level. He’s an engaging writer with a gift for pulling all sorts of data sets together. Every time I read one of his books I find myself buying at least five of the books he cites in his bibliography. Anything being discussed here has probably already been dealt with in great detail by Dr. Farrell.
There is one problem, however. He is an old-school conspiracy theorist who is more likely to expand timelines than contract them. In The Cosmic War he speculates about planets being destroyed with scalar superweapons in alien wars that took place 65 million years ago, the record of which made it down to us in the form of Sumerian legends. Hmmm. Even more bizarrely, he seems to believe the Moon Landings actually happened. To my knowledge the two subjects Farrell generally refuses to engage with are recentism and hoaxery, which are at the heart of the Stolen History project. These two insights – first, that much of history has simply been forged, indeed continues to be forged in real time, and second, that our chronology has been artificially expanded as part of the forgery operation – are precisely the discoveries that reawakened my mind a couple of years ago and made me curious about history and science again. The simple fact that my brain magically turned back on after encountering these ideas, nearly against my will, is to my mind evidence that there is truth there. Like Plato I believe that true ideas resonate directly with the intellect and false ones shut it down.
I can see why some people might accuse Farrell of being a spook. I think it’s more probable that he is occasionally a victim of his own ability to fit data sets together by hook or by crook. If the simple equations don’t balance out he is smart enough to invent complicated equations that do, just like the autistic mathematicians. Still, the good stuff in his books outweighs the bad by a ratio of at least four to one, and when he’s on, no one does it better. I would here like to include a longish excerpt from Genes, Giants, Monster and Men that includes a valuable citation from Konstantin Meyl. Please pardon the book photos; the excerpt is too long to transcribe:
One last passage:
Attachments
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No. That is my own idea - calling it 'Masculine' and 'Feminine' electricity. The feminine, which has been concealed from us, is the nurturing force, that creates life. Tesla experimented with this force. The masculine type is what we have in our domestic electricity supplies, it will kill you if you touch it. A friend of mine says it's like Shiva and Shakti. I should mention that nearly everything I know about this subject comes from reading Meyl's books, which I first heard about on this thread.
Yes. Meyl's work shows that the scalar waves directly affect the DNA. Or you might say they maintain the fixation of the assemblage point at a certain position if you like Castaneda's way of thinking.
My Mexican teachers tell me this is the basis of the Toltec knowledge. I'm a bit out of my depth here, but I can say with certainty
Toltec means literally those who figured it all out
Tolli = the knowledge that makes you a Toltec.
In order to experience the Tolli, you spin around (standing up) for 18 minutes, then you allow yourself to come to a halt. In the moment that you stop spinning, you feel like the whole universe is spinning around you, and you are said to experience the Tolli in that moment.
In fact the ancient (and some modern) Mexicans used this technique to rejuvenate their bodies and also to preserve fruit, etc - by spinning it around. There are written reports from hundreds of years ago of the Europeans laughing at them. However I have used these techniques to rejuvenate my own body. I am 58 and I am finding that wounds which would have taken two months to heal during my 40s are now healing in 2 weeks, like when I was in my 20s.
EDIT - I should mention one of Meyl's most important theories is that the Scalar Waves behave like vortices. He has written many books on this subject, which I have not yet read. To go back to the masculine and feminine analogy, the feminine energy is made up of spinning vortices. Tesla said that atoms are created when the Etheric energy spins into infinitesimally small vortices.
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It's not just the Mexicans. The Sufis ("whirling dervishes") do it too. I bet if you dig you'll find that it was a common practice in the ancient world. I wonder why eighteen minutes is the target?
Sufi whirling - Wikipedia
Sufi whirling - Wikipedia
Eighteen minutes comes from the sacred geometry of the Toltecs, of which I have much more than a passing understanding since I apply it in my daily life. I spent a few hours writing about it yesterday and that all seems to have been deleted now!
I feel like a huge veil is being lifted from my eyes. Yesterday I made a connection between the work of Prof Meyl and the ancient Toltec knowledge - everything is spinning. Meyl says the scalar waves (which are life force) are essentially vortices; the ancient Toltecs said everything was in motion. In fact the 'Tolli,' the knowledge possessed by the ancient Toltecs is experienced directly by spinning around for 18 minutes (don't ask!) and in the moment you stop spinning, the entire universe seems to be spinning around you and in that moment you are said to experience the Tolli. I was taught about this 8 or 9 years ago, and I've always wondered why an entire system of knowledge should be based on something so apparently trivial. Well now I'm starting to see!
There are two types of electricity, which I call masculine and feminine. Both these types were well known in the 1800s, the feminine has been removed from our science books and the masculine type is all we have now. The masculine type will kill you if you put your finger into an electrical socket. The feminine type nurtures and supports life. Tesla did a lot of work with the feminine type, work which has been replicated by Meyl in the last 30 years.
I'm in the process of reading Meyl's books for the second time and taking notes, with the intention of posting some new threads here going into more detail on specific aspects. Here are some bullet points -
1) It appears from my limited understanding that you automatically create both masculine and feminine electricity / radio waves/ whatever all the time. However our present day technology is set up to reject the feminine component, which appears as noise. Also this means useful power is being wasted and we are burning hydrocarbons for no reason.
2) All of our present-day radio antennae are phallic symbols. There's another way to create a radio antenna by using a tuned cavity - a womb-like device. Tesla used coils, which are a yonic symbol.
3) Two tuned cavities will resonate together if they are built to the same proportions. Hence temples built to identical proportions in different locations will act like a pair of antennae. If the temples are built on Earth energy spots/leylines, so much the better. One of the key takeaways from Teslas work on transmitting unlimited amounts of power wirelessly (with coils) was that the Earth connection is essential.
4) The Golden ratio PHI (1.61) is important to this process. I don't fully understand this yet, but Meyl writes about it, and I have also seen it referred to in the literature of a plasma healing 'Medbed' device I am in negotiations to purchase. My limited understanding is that the scalar (feminine) and conventional Maxwellian / vector (masculine) waves are produced in the ratio of Phi. An alternative reading of one of the authoritative sources referenced above indicates that you may have to set the systems up with the Golden ratio in order to produce the maximum amount of scalar waves. When I was at school in the 70s, every math handbook had Phi listed as a fundamental constant along with Pi, c, and so on, but no one could explain to me what it meant or what it was used for.
5) There are certain radio frequencies known to modern science that propagate effortlessly over long distances. You could call these the Goldilocks frequencies, not too hot and not too cold. Some radio frequencies tend to get sucked up into the atmosphere, some get pulled down into the Earth. There's a narrow band of frequencies that just seem to stick to the surface of the Earth and propagate over very long distances. Meyl devotes the best part of the original book which is the primary focus of this thread to analysing old temples, and proves that they are all built to dimensions that resonate with these highly-propagating radio frequencies. This constitutes one of the strongest proofs that the temples were indeed functioning radio transmitters.
6) Meyl says that the ancient gods of Greece and Rome were metaphors for different radio channels. Meyl does not say this, but it is implied that people gathering in a temple to watch a sacrifice and hear the voices of the 'Gods' might have been listening to the voice of a human transmitting from a remote destination. Or the temples might equally well have been used as private communication systems with the general public excluded and only the high priests present.
7) Meyl advances detailed hypotheses about the evolution of this technology, which I would need to read again to understand better. Basically he's saying the ancient gods were all competing organisations, using one to many transmission as a means of control. Then the Phoenicians came along and did something different - they used many to one transmission instead, so they had many agents transmitting information back to a central receiving station that consequently was able to know what was happening everywhere in the world at the same time, and thus gained a decisive advantage. He also suggests the Phoenicians used a phonetic alphabet system like Morse code, which increased the efficiency of their transmissions. This also enabled coding, so there could be different classes of priests, one encoding the messages, one doing the transmission and so on, so only the people at the top knew what was going on.
8) Meyl implies that the introduction of 'One God' was really a takeover of all the radio channels. Previously, the temple systems of the various ancient gods had been able to communicate with very limited bandwidth. With one god, all available bandwidth was used by a single channel, enabling voice transmission. Meyl suggests the domed construction is a way of transmitting voice directly.
9) Meyl also mentions that a suitable receiver for this would be many buildings that were identical, but different from the transmitter. Meyl doesn't say this, but that looks a lot like St Peter's in Rome transmitting and all the European churches receiving.
10) Meyl also goes into more detailed arguments about the design and proportions of the side chambers in places like St Peter's, and demonstrates that those side chambers are precisely designed to improve the voice modulation characteristics. I'm an experienced engineer, so I can see that his arguments are sound. However it would take a lot of work to try and explain these arguments to a layman.
Finally Meyl has clearly studied his history, and makes the case that a lot of our ancient myths and legends are actually metaphors for the creation, destruction and evolution of various communication and control grids. It would be great if some people more well versed in these subjects could pick apart Meyl's historical hypotheses.
I feel like a huge veil is being lifted from my eyes. Yesterday I made a connection between the work of Prof Meyl and the ancient Toltec knowledge - everything is spinning. Meyl says the scalar waves (which are life force) are essentially vortices; the ancient Toltecs said everything was in motion. In fact the 'Tolli,' the knowledge possessed by the ancient Toltecs is experienced directly by spinning around for 18 minutes (don't ask!) and in the moment you stop spinning, the entire universe seems to be spinning around you and in that moment you are said to experience the Tolli. I was taught about this 8 or 9 years ago, and I've always wondered why an entire system of knowledge should be based on something so apparently trivial. Well now I'm starting to see!
There are two types of electricity, which I call masculine and feminine. Both these types were well known in the 1800s, the feminine has been removed from our science books and the masculine type is all we have now. The masculine type will kill you if you put your finger into an electrical socket. The feminine type nurtures and supports life. Tesla did a lot of work with the feminine type, work which has been replicated by Meyl in the last 30 years.
I'm in the process of reading Meyl's books for the second time and taking notes, with the intention of posting some new threads here going into more detail on specific aspects. Here are some bullet points -
1) It appears from my limited understanding that you automatically create both masculine and feminine electricity / radio waves/ whatever all the time. However our present day technology is set up to reject the feminine component, which appears as noise. Also this means useful power is being wasted and we are burning hydrocarbons for no reason.
2) All of our present-day radio antennae are phallic symbols. There's another way to create a radio antenna by using a tuned cavity - a womb-like device. Tesla used coils, which are a yonic symbol.
3) Two tuned cavities will resonate together if they are built to the same proportions. Hence temples built to identical proportions in different locations will act like a pair of antennae. If the temples are built on Earth energy spots/leylines, so much the better. One of the key takeaways from Teslas work on transmitting unlimited amounts of power wirelessly (with coils) was that the Earth connection is essential.
4) The Golden ratio PHI (1.61) is important to this process. I don't fully understand this yet, but Meyl writes about it, and I have also seen it referred to in the literature of a plasma healing 'Medbed' device I am in negotiations to purchase. My limited understanding is that the scalar (feminine) and conventional Maxwellian / vector (masculine) waves are produced in the ratio of Phi. An alternative reading of one of the authoritative sources referenced above indicates that you may have to set the systems up with the Golden ratio in order to produce the maximum amount of scalar waves. When I was at school in the 70s, every math handbook had Phi listed as a fundamental constant along with Pi, c, and so on, but no one could explain to me what it meant or what it was used for.
5) There are certain radio frequencies known to modern science that propagate effortlessly over long distances. You could call these the Goldilocks frequencies, not too hot and not too cold. Some radio frequencies tend to get sucked up into the atmosphere, some get pulled down into the Earth. There's a narrow band of frequencies that just seem to stick to the surface of the Earth and propagate over very long distances. Meyl devotes the best part of the original book which is the primary focus of this thread to analysing old temples, and proves that they are all built to dimensions that resonate with these highly-propagating radio frequencies. This constitutes one of the strongest proofs that the temples were indeed functioning radio transmitters.
6) Meyl says that the ancient gods of Greece and Rome were metaphors for different radio channels. Meyl does not say this, but it is implied that people gathering in a temple to watch a sacrifice and hear the voices of the 'Gods' might have been listening to the voice of a human transmitting from a remote destination. Or the temples might equally well have been used as private communication systems with the general public excluded and only the high priests present.
7) Meyl advances detailed hypotheses about the evolution of this technology, which I would need to read again to understand better. Basically he's saying the ancient gods were all competing organisations, using one to many transmission as a means of control. Then the Phoenicians came along and did something different - they used many to one transmission instead, so they had many agents transmitting information back to a central receiving station that consequently was able to know what was happening everywhere in the world at the same time, and thus gained a decisive advantage. He also suggests the Phoenicians used a phonetic alphabet system like Morse code, which increased the efficiency of their transmissions. This also enabled coding, so there could be different classes of priests, one encoding the messages, one doing the transmission and so on, so only the people at the top knew what was going on.
8) Meyl implies that the introduction of 'One God' was really a takeover of all the radio channels. Previously, the temple systems of the various ancient gods had been able to communicate with very limited bandwidth. With one god, all available bandwidth was used by a single channel, enabling voice transmission. Meyl suggests the domed construction is a way of transmitting voice directly.
9) Meyl also mentions that a suitable receiver for this would be many buildings that were identical, but different from the transmitter. Meyl doesn't say this, but that looks a lot like St Peter's in Rome transmitting and all the European churches receiving.
10) Meyl also goes into more detailed arguments about the design and proportions of the side chambers in places like St Peter's, and demonstrates that those side chambers are precisely designed to improve the voice modulation characteristics. I'm an experienced engineer, so I can see that his arguments are sound. However it would take a lot of work to try and explain these arguments to a layman.
Finally Meyl has clearly studied his history, and makes the case that a lot of our ancient myths and legends are actually metaphors for the creation, destruction and evolution of various communication and control grids. It would be great if some people more well versed in these subjects could pick apart Meyl's historical hypotheses.
Really great thread. Your writing style is very enjoyable and fits well with my learning style. Several times during the read I have felt that wonderful feeling when a truth is spoken and a piece of the big puzzle slides into place. Thank you.
I'm way behind everyone else on reading this thread, sorry. I must have been researching Mormons or something. I'm only at the plasma balls so far, will comment on them separately. Please forgive me if what I say ends up being a repeat of things I hadn't gotten to yet on the thread.
--------
Around the same time Frostychud originated this thread, I was thinking hard about cathedrals as cathodes and star forts as anodes. I feel there are relationships between the buildings and the forts. I happened to rewatch a video about cymatic patterns in the water and realized that the cymatic patterns matched the rose windows. Here's what I was thinking:
- The patterns progress in number of lobes at the tones change, for example a five-lobed shape, a six-lobed shape, a seven lobed shape, etc.
- The rose windows at the cathedrals (cathodes) appear to match the shapes of each of the cymatic structures, so it would show the public which frequency that cathedral transmitted at, and which starfort city received it. The frequency was focused on that single tone, and energy was being carried on the frequency.
- The star fort shapes match up with the shapes of the cathedral rose windows and the cymatic frequency patterns. So they would be paired together. The star fort may have been the power source for the cathedral, and the cathedral sent back refined energy on the same frequency/note. I like to think this refined energy would have been healing or life-giving in some way.
Now that I have read the first part of this thread, it makes more sense that it was a radio signal being transmitted instead of energy being transmitted.
If the radio signal was telegraphic and used the phonetic alphabet to send intermittent tones it could still fit with my understanding I had of the relationship between the cathedral and the starfort. Meaning that the tone would be the paticular note that creates the particular cymatic pattern that is on the rose window and also corresponds to the layout of the starfort city.
In the thread it is mentioned that complete radio broadcasts with words were not possible until the advent of domes. In my experience, the kinds of churches with rose windows are more "Gothic" and don't originally have domes. This works with a tone based telegraph transmission. I will be looking at more rose window churches for domes and starforts for correlations to nearby cathedrals, when time permits.
The cathedral was probably transmitting to a larger surrounding area. But it may have been entrained to the starfort city in a deeper way. Maybe mind control transmissions, in addition to the radio transmissions that could be heard at an extended distance. (I'm following your lead on that thought. Hmmm, is that also a form of thought control? Oh crap, I need to rethink the entire process of learning...)
----------
I agree with your thought about churches becoming more gilded and baroque over time, and how this would have boosted fading signals. I thought of the robes and headgear worn by priests, especially the Roman Catholics. The Catholics have, among others:
- The papal mitre worn by the pope which is like a crown with gold embroidery and two long strips hanging down the back.
- A galero is a broad brimmed hat with long tassels worn by cardinals and lesser clergy. The cardinals were gifted a red galero at the time of initiation to the rank. Upon their death the galero would be hung over their grave until it 'returned to dust'.
Here's some examples:
Here's the Urkranian Greek Catholic version:
Merriam Webster says galero is from Latin galerus, meaning 'cap of skin'. My stomach turned when I read that. I immediately thought of the red leather shoes worn by popes and pedophiles, said to be made of childrens' skin, or kidskin. I wonder if these hats were also traditionally made from kidskin? Did the homosexual priests wear matching hats and shoes?
The Pope's Clothes, and What They Mean
Galero - Wikipedia
Also, your ideas about Jewish hats (and hair in general) are strong. Some hats were worn to block the signals. Maybe the Jewish yarmulkes were blocking the Roman Catholic signals.
Hats/head coverings in public were pretty expected since Biblical times, for both men and women. But you have to take them off in church. Was this to enhance the feeling you would get during church services and make it more special? Make more of a contrast between church and outdoor life? Or was it just a way to control people so they could only hear God with the priests' intervention?
---------
From your post:
"Hieronymous Bosch painted a trepanation in 1494. The painting is called Cutting the Stone.
Note that the doctor is wearing a metallic funnel hat, presumably to better channel the radio signal. Next to him, a tonsured monk watches with approval (more on the tonsure later). Next to the monk, a woman with a book on her head watches. Wikipedia suggests that the book represents a tefillin, which I discussed in a previous post. The inscription reads, “Master, cut the stone out, fast / My name is Lubbert Das”, with Lubbert Das being a legendary Flemish fool. Question: is an imaginary “stone of madness” being removed, or is it just being changed? Was the original implant botched? Or are we already in the post-implant cargo cult period in which trepanation had degenerated into pure superstition? Is Bosch mocking these freaks?"
I believe he was visually representing the four methods he was aware of that people at the time thought would work to enhance reception of transmissions. Tefillin (possibly covering a trepanning hole), tonsure (could mean a healed trepan or a cargo cult leftover from monks who heard the voices), amplification of the signal using a metal funnel (including crowns, helmets, hats with gold or other metal brocade, wizard caps and tinfoil), and trepanning itself. The fool inscription may have been added later, or it could be Bosch's sense of humor.
I noticed a few things in the painting. The doctor has a badge on his chest - a shield with a crown. It could mean he was a physician to a king. Or it could be a guild badge with the crown representing headgear used to receive transmissions.
The monk is holding a pitcher which is letting forth fumes that drift past his face and make questionable shapes in the sky. We must assume that he is catching a buzz off these fumes, and that this altered state makes him more sensitive to the transmissions.
The nun with the book/box on her head (over her hole) has flowers in front of her. I haven't identified them yet, but they probably induce visions or heighten sensitivity.
The man receiving the trepanning has his shoes removed. It seems he needs to be grounded during the procedure.
---------
I got a real kick out of your use of the word 'transubstantiation'. I used it in a report back in college and the teacher wrote on the paper "Is this even a word?" She wasn't born into Catholicism like I was, and I'm guessing you were.
----------
I'll get caught up with the rest of you before too long. Thanks again for the stimulating thread.
I'm way behind everyone else on reading this thread, sorry. I must have been researching Mormons or something. I'm only at the plasma balls so far, will comment on them separately. Please forgive me if what I say ends up being a repeat of things I hadn't gotten to yet on the thread.
--------
Around the same time Frostychud originated this thread, I was thinking hard about cathedrals as cathodes and star forts as anodes. I feel there are relationships between the buildings and the forts. I happened to rewatch a video about cymatic patterns in the water and realized that the cymatic patterns matched the rose windows. Here's what I was thinking:
- The patterns progress in number of lobes at the tones change, for example a five-lobed shape, a six-lobed shape, a seven lobed shape, etc.
- The rose windows at the cathedrals (cathodes) appear to match the shapes of each of the cymatic structures, so it would show the public which frequency that cathedral transmitted at, and which starfort city received it. The frequency was focused on that single tone, and energy was being carried on the frequency.
- The star fort shapes match up with the shapes of the cathedral rose windows and the cymatic frequency patterns. So they would be paired together. The star fort may have been the power source for the cathedral, and the cathedral sent back refined energy on the same frequency/note. I like to think this refined energy would have been healing or life-giving in some way.
Now that I have read the first part of this thread, it makes more sense that it was a radio signal being transmitted instead of energy being transmitted.
If the radio signal was telegraphic and used the phonetic alphabet to send intermittent tones it could still fit with my understanding I had of the relationship between the cathedral and the starfort. Meaning that the tone would be the paticular note that creates the particular cymatic pattern that is on the rose window and also corresponds to the layout of the starfort city.
In the thread it is mentioned that complete radio broadcasts with words were not possible until the advent of domes. In my experience, the kinds of churches with rose windows are more "Gothic" and don't originally have domes. This works with a tone based telegraph transmission. I will be looking at more rose window churches for domes and starforts for correlations to nearby cathedrals, when time permits.
The cathedral was probably transmitting to a larger surrounding area. But it may have been entrained to the starfort city in a deeper way. Maybe mind control transmissions, in addition to the radio transmissions that could be heard at an extended distance. (I'm following your lead on that thought. Hmmm, is that also a form of thought control? Oh crap, I need to rethink the entire process of learning...)
----------
I agree with your thought about churches becoming more gilded and baroque over time, and how this would have boosted fading signals. I thought of the robes and headgear worn by priests, especially the Roman Catholics. The Catholics have, among others:
- The papal mitre worn by the pope which is like a crown with gold embroidery and two long strips hanging down the back.
- A galero is a broad brimmed hat with long tassels worn by cardinals and lesser clergy. The cardinals were gifted a red galero at the time of initiation to the rank. Upon their death the galero would be hung over their grave until it 'returned to dust'.
Here's some examples:
Here's the Urkranian Greek Catholic version:
Merriam Webster says galero is from Latin galerus, meaning 'cap of skin'. My stomach turned when I read that. I immediately thought of the red leather shoes worn by popes and pedophiles, said to be made of childrens' skin, or kidskin. I wonder if these hats were also traditionally made from kidskin? Did the homosexual priests wear matching hats and shoes?
The Pope's Clothes, and What They Mean
Galero - Wikipedia
Also, your ideas about Jewish hats (and hair in general) are strong. Some hats were worn to block the signals. Maybe the Jewish yarmulkes were blocking the Roman Catholic signals.
Hats/head coverings in public were pretty expected since Biblical times, for both men and women. But you have to take them off in church. Was this to enhance the feeling you would get during church services and make it more special? Make more of a contrast between church and outdoor life? Or was it just a way to control people so they could only hear God with the priests' intervention?
---------
From your post:
"Hieronymous Bosch painted a trepanation in 1494. The painting is called Cutting the Stone.
Note that the doctor is wearing a metallic funnel hat, presumably to better channel the radio signal. Next to him, a tonsured monk watches with approval (more on the tonsure later). Next to the monk, a woman with a book on her head watches. Wikipedia suggests that the book represents a tefillin, which I discussed in a previous post. The inscription reads, “Master, cut the stone out, fast / My name is Lubbert Das”, with Lubbert Das being a legendary Flemish fool. Question: is an imaginary “stone of madness” being removed, or is it just being changed? Was the original implant botched? Or are we already in the post-implant cargo cult period in which trepanation had degenerated into pure superstition? Is Bosch mocking these freaks?"
I believe he was visually representing the four methods he was aware of that people at the time thought would work to enhance reception of transmissions. Tefillin (possibly covering a trepanning hole), tonsure (could mean a healed trepan or a cargo cult leftover from monks who heard the voices), amplification of the signal using a metal funnel (including crowns, helmets, hats with gold or other metal brocade, wizard caps and tinfoil), and trepanning itself. The fool inscription may have been added later, or it could be Bosch's sense of humor.
I noticed a few things in the painting. The doctor has a badge on his chest - a shield with a crown. It could mean he was a physician to a king. Or it could be a guild badge with the crown representing headgear used to receive transmissions.
The monk is holding a pitcher which is letting forth fumes that drift past his face and make questionable shapes in the sky. We must assume that he is catching a buzz off these fumes, and that this altered state makes him more sensitive to the transmissions.
The nun with the book/box on her head (over her hole) has flowers in front of her. I haven't identified them yet, but they probably induce visions or heighten sensitivity.
The man receiving the trepanning has his shoes removed. It seems he needs to be grounded during the procedure.
---------
I got a real kick out of your use of the word 'transubstantiation'. I used it in a report back in college and the teacher wrote on the paper "Is this even a word?" She wasn't born into Catholicism like I was, and I'm guessing you were.
----------
I'll get caught up with the rest of you before too long. Thanks again for the stimulating thread.
Last edited:
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