That ceremony was so disturbing, I could never watch the whole thing. And yet it's also really stupid because it's just SO awful and over-the-top just to open up a damn tunnel. Why couldn't they cut a red ribbon and drink champagne, like normal humans?
These are great questions without simple answers. Like messages in our mass media, sometimes these things are unbeknownst to the artist themselves. Collective unconscious manifesting in a sense. I mean, if I had any artistic talent at all, I'm pretty sure my stuff would end up paralleling some of these themes and I don't know a damn thing!
Basically, it's a big world and I think you can find many artists out there to complete a work that fits with the themes you're trying to convey without having to give the artist a brief history of the occulted world. The question as always is, who is the "you" I'm talking about? This is probably more important than the "why" but also possibly more unknowable.
Has anyone else noticed the bird in the glass box is labeled Quetzalcoatl in the child nwo murals featuring the coffins of the African girl and German Jewish/Christian Greta... what does that mean in reference to the Aztec/Mayans and feathered serpent
Has anyone else noticed the bird in the glass box is labeled Quetzalcoatl in the child nwo murals featuring the coffins of the African girl and German Jewish/Christian Greta... what does that mean in reference to the Aztec/Mayans and feathered serpent
Bird snake is what that is. Feathered serpent that flies.
Sort of represents Kundalini or psychic powers manifesting. Like the uraeus on the brow of the pharaoh.
The death of magic. Imagination or vision in a BOX. TELEVISION.
Just extrapolating.
It's just quetzal, btw. Which might parallel the Phoenix. But it's in the process of being boxed up.
Has anyone else noticed the bird in the glass box is labeled Quetzalcoatl in the child nwo murals featuring the coffins of the African girl and German Jewish/Christian Greta... what does that mean in reference to the Aztec/Mayans and feathered serpent
Quetzalcoatl, or Kukulkan (same meaning in Mayan) is ancient MesoAmerican Jesus (born to a virgin who dreamt of god, reforged mankind). The Aztecs mistook colonist Cortes for the second coming of Quetzal - actually pretty similar to the story with the Incan Viracocha - Quetzal/Kulkulkan/Vira were all bringers of learning of the stars and agriculture and music and architecture, long-bearded, white-skinned men who rode the waves to shore and travelled those lands teaching. Eventually, they leave those peoples, but promise to return. There is reason to believe the myths surrounding the different culture hero deities of these races all describe the same person or group of people "raising up" the mesoamericans to a state of high civilization by revealing secrets and guiding them. The parallels of the Viracocha story to the concerns of SH are many: the first generation of humans he created were "stupid giants"; he orchestrated flood resets; I am sure there is more.
As with all colonist accounts, it is difficult to say if this is real, or heavily interleaved with Christian bias and intentional propaganda. But the inclusion of the iconic bird-symbol of one of the great and totally demolished civilizations in the art installation is pretty gruesome. It suggests that the thing which once brought knowledge and learning to people in the Americas has been imprisoned or stuffed, never to alight again. It is mere memory, decoration now - fully concluded - while we are still waiting for the funeral to bury the dead people beneath it.
i looks like braille but something's up with it,.... not all the letters are the same configuration as regular braille... i tried to translate the top line "ADEV_ AIT_NAL"
the "_" representing a backwards braille "Q" without any other letter denomination
it must be encoded braille... very odd.. doesn't read in either direction (or upside down..)
"Great Auk, Extinct: 1844", "Passenger Pigeon, Extinct: 1914", "Quetzal, Extinct: ?" the quetzal is an amazonian bird, strong reference to the destruction of amazon... (still so relevant )
Disconnect your emotions from the subject to find truth. The purpose of this art is multifold. It is intended to convince you that your next new rulers are divine and will, in the future, have brought a better world. It isn't telling you what else it intends to bring with this next new world.
So you're not wrong, but you are allowing your humanity to attach your own ego (the self) to the narrative of the art, and you don't want to do that. I know it's not easy because the art is designed to do this. It is not accidental artwork. You're right in that it is speaking directly to us. It is a statement of the the obvious; a need to change our values as human beings. Not too many people would disagree and the powers that be know that, after all they are ones to blame and they sure do not want you blaming them for what is happening right now, let alone what else they have planned for you.
dead people represent Africa (slavery/ general murdering), Native America (murdering) and European innocents (WW2 mudering), the 3 girls, 3 boys is equality, maybe the artist needed 3 skin colours for equality also....
pretty sure that picture is simply showing the devastation caused by us and the need for change!
Here I agree with you. I think you nailed the true representations all round. If I disagree at all it's with the idea that we humans caused this when it was instead a tiny handful of humans just like it always has been. Little people do not control global events at any level.
"ADEV_ AIT_NAL"
10 letter anagram for adevaitnalge is galavanted or galivanted
So the theme is to galvante; to create a group consensus.
the large wall murals are 2 sets of 2 paintings each (1 smaller painting followed by a large one!) View attachment 31482
one shows environmental destruction and human death, then the seed of life and the animals are happy
the other artwork shows war/oppression/darkness, then peace/armistice/no war
Has anyone else noticed the bird in the glass box is labeled Quetzalcoatl in the child nwo murals featuring the coffins of the African girl and German Jewish/Christian Greta... what does that mean in reference to the Aztec/Mayans and feathered serpent
I sense this is a reference to the narrative that's been established by Correy Goode about the Blue Avian Aliens, and that our next self proclaimed royal blue bloods will say they and their clan have descended from the feathered sky God, and they will then claim they are superior beings who have a right to rule over humanity for a variety of reasons; saying for example that they brought about an end to war, because that's the next thing coming, and that they have the powers to restore the destroyed environment because they are soooo much more intelligent.
Notice the sword style of the pig faced soldier with the AK. This is going to be a war with the Arabic world which is coming.
I was thinking about the murals at the Denver Airport and the reset/catastrophe/mudflood this summer. I went to the Denver Airport website to see if I could get some good images of the murals to look over and I found some other things that are more startling to me than the murals.
This is just half of the art installation by artist David Griggs. We have sand, we have huge wave structures getting ready to crash to the earth. The shading of the continents is interesting as well. Here is the whole installation:
Obviously an important piece as they located it in the central core of the Airport concourse.
Official artistic explanation:
“Dual Meridian” reaches up into the volume of the space with a 66’ titanium arch. The arch connects the two sides of the concourse, describing a line drawn in space and suggesting an orbit over evolving modes of transportation. The installation celebrates travel and embraces transportation technology. It expresses the multiple dimensions of travel by embodying the evolution of transportation.
While one side of the artwork uses recycled rail and indigenous Colorado stone to reflect an iron-age sensibility about travel, the other side presents a tiled world mosaic and futuristic fiberglass forms to reveal the space-age spectacle of flight. Bridging these sensibilities is the titanium arch; a distant orbit from some future mode of transportation. Upon this arch is attached a brilliant red “kite”, a vehicle from the future; an artful signifier for the romance of travel and the dream of flight.
So a kite is a vehicle for the future? When I first saw this part of the installation I thought rocket, meteor, the sun doing crazy things, but a kite? The kite is obviously headed somewhere on that 66 foot arch (33 feet on each side of it is a coincidence too!) It's destination:
More sand, and those pipes sticking up remind me of impact debris shooting up and the lines radiating from that spot re-enforce that visual. The twisted tracks remind me of all those civil war photos with messed up ties.
Did you guys catch why they named it "Dual Meridian" of all things? If you can figure it out, let me know.
Coming back after summer break with a full-on tinfoil hat wearing look at some art. Wait! There is more.
Colorado River
This piece by artist Wopo Holup is an aerial map of the Colorado River. Gold Lichtenberg figures!! Were these formed in whatever catastrophe befell Western North America, made the Grand Canyon, and changed all of the maps?
Created by artist Steve Gardner located on the west side of the fire station that services the airport. According to the artist, a symbolic beam of light and energy is projected outward and over neighborhood and airport streets, symbolizing the firefighters’ vigilance and protection of the communities they serve. The piece also includes glass cast reliefs of the equipment and tools that the firefighters use.
Maltese cross and what looks like the sun flaring or producing a micro nova? At the fire station? Check out the equipment around the center disc some of the equipment is recognizable some of it is not. Again with the name. Beacon for what?
"Deep Time / Deep Space, A Subterranean Journey" is a mile-long light and sculpture installation sited in the inbound train tunnel. The work is inspired by Colorado's industrial and social history and transforms the tunnel with images drawn from related environments including a mineshaft, a cave and deep space. Train riders experience animated sculptural forms from miners' pickaxes to hovering satellites. Made of more than 5,000 feet of conduit, strips of reflective sheeting, construction materials, steel shapes and light, the highly sophisticated sequence of lighting effects is controlled by an industrial computer and sensor system traditionally used to automate factory assembly lines.
Is anyone else imagining Willie Wonka in the boat tunnel? Gene Wilder should be the voice on these trains.
What do you suppose this is really about? Lots of these images fit some of our themes, war of the gods, patterns all over the place that make no sense.
I always thought these were what TPTB had in store for us but maybe it's what has already happened. Notice the buildings look like the damage in the burned American Cities like Chicago and San Francisco. The refugees are mostly children like on the Orphan Train videos. Notice the children given to the soldier are sleeping and healthy.
On this one, I see the new world order push. Or maybe these are the rivalries they set up during the last reset to keep us busy. The broken statue of the soldier reminds me of the Civil War statues coming down a few years ago in a Political Correct push to erase history. Lots of kids and no adults again.
Lots of kids again. Were these races created in an Ancient Genetics factory from the three empires that were destroyed and represented in the coffins below. What seed are they planting?
Here we have more orphans, fires, something crazy happening to the city in the distance. We finally see a couple of adults in coffins. I believe they represent the cultures that were destroyed and possibly used to create more races. We see a representative from the high African Culture and a Native American. The third coffin holds a Germanic/Slavic looking child, representing ???. Is she younger because they are a younger civilization. I don't think it is a coincidence they are on the same painting with endangered species.
I lived in this area for a while and also worked with older Contractors that were hired to build the airport.
Here is some weirdness that I was told by the guys that worked there:
The project was compartmentalized and done in many different phases and a contractor was only allowed to do one phase before they were let go and another company was brought in. (standard practice in the defense industry).
The Airport was finished and then buried and another airport built over the top. The reason being is the builders "didnt like how it turned out". (complete bs)
Some of the workers told me that they would get on the underground tram and travel for 45 minutes before reaching the area that they were working on. The tram has a top speed of 79 mph.
Quetzalcoatl, or Kukulkan (same meaning in Mayan) is ancient MesoAmerican Jesus (born to a virgin who dreamt of god, reforged mankind). The Aztecs mistook colonist Cortes for the second coming of Quetzal - actually pretty similar to the story with the Incan Viracocha - Quetzal/Kulkulkan/Vira were all bringers of learning of the stars and agriculture and music and architecture, long-bearded, white-skinned men who rode the waves to shore and travelled those lands teaching. Eventually, they leave those peoples, but promise to return. There is reason to believe the myths surrounding the different culture hero deities of these races all describe the same person or group of people "raising up" the mesoamericans to a state of high civilization by revealing secrets and guiding them. The parallels of the Viracocha story to the concerns of SH are many: the first generation of humans he created were "stupid giants"; he orchestrated flood resets; I am sure there is more.
As with all colonist accounts, it is difficult to say if this is real, or heavily interleaved with Christian bias and intentional propaganda. But the inclusion of the iconic bird-symbol of one of the great and totally demolished civilizations in the art installation is pretty gruesome. It suggests that the thing which once brought knowledge and learning to people in the Americas has been imprisoned or stuffed, never to alight again. It is mere memory, decoration now - fully concluded - while we are still waiting for the funeral to bury the dead people beneath it.
The similarities in deities and myths of all ancient cultures are all far too similar to ignore especially when you consider the ziggurats, step pyramids, egyptian pyramids, burial mounds, buried crimean pyramids as well as the covered up pyramids found in china. Norse ruins which seem to be similar to cuneiform or Phoenician lettering as well as there experience in sailing that can be attributed to stellar navigation and the astrotheology associated with the subject lead me to believe that giant red haired norse/north european/hyperborean/aryan people are the bag carriers in all the stone depictions found all around the globe. Plus viking boats that have been dug up from burial sites are very similar to the Egyptian pharaoh ships that have been buried in a similar manner... Also the burial mounds in america where red haired giant bones have been supposedly found follow the same pattern.
Disconnect your emotions from the subject to find truth. The purpose of this art is multifold. It is intended to convince you that your next new rulers are divine and will, in the future, have brought a better world. It isn't telling you what else it intends to bring with this next new world.
So you're not wrong, but you are allowing your humanity to attach your own ego (the self) to the narrative of the art, and you don't want to do that. I know it's not easy because the art is designed to do this. It is not accidental artwork. You're right in that it is speaking directly to us. It is a statement of the the obvious; a need to change our values as human beings. Not too many people would disagree and the powers that be know that, after all they are ones to blame and they sure do not want you blaming them for what is happening right now, let alone what else they have planned for you.
Here I agree with you. I think you nailed the true representations all round. If I disagree at all it's with the idea that we humans caused this when it was instead a tiny handful of humans just like it always has been. Little people do not control global events at any level.
"ADEV_ AIT_NAL"
10 letter anagram for adevaitnalge is galavanted or galivanted
So the theme is to galvante; to create a group consensus.
I sense this is a reference to the narrative that's been established by Correy Goode about the Blue Avian Aliens, and that our next self proclaimed royal blue bloods will say they and their clan have descended from the feathered sky God, and they will then claim they are superior beings who have a right to rule over humanity for a variety of reasons; saying for example that they brought about an end to war, because that's the next thing coming, and that they have the powers to restore the destroyed environment because they are soooo much more intelligent.
Notice the sword style of the pig faced soldier with the AK. This is going to be a war with the Arabic world which is coming.
I don't buy in the Corey Goode story but I also don't necessarily discount it... I think there is a clear scientific understanding of how gravity works and how the physical universe works which has been suppressed and guarded and that most if not all of the UFO sightings are actually top secret anti-gravity propulsion systems which may deal with zero point energy... Modern quantum theories of the universe deal with concepts that shatter the dogmatic materialistic approach that science has solely focused on in its existence... Tesla demonstrated his knowledge of electromagnetic spectrum and the nature of reality in regards to frequency, vibration and resonance... What we know of Teslas accomplishments in regards to alternating current, wireless transmission, florescent light, X-rays and the thousands of patients he held thru out his life prove that he was a clear genius. What I find interesting is all of the things I just mentioned where things that Tesla worked on in the first half of his life. The death ray, weather manipulation, space travel and free energy all fall into the realm of fantasy, yet it is clearly obvious to anyone who can grasp the most basic concepts of his work can see the technologies in operation today... Haarp which charges the earths ionsphere is an example of a technology that Tesla said was capable of controlling the weather, charging the ionosphere to a plasma state to guard against missile strikes as well as offensively sending destructive power to select areas of the globe... I know that Haarp most likely has something to do with geoenginnering especially since the harp was used to manipulate the weather in greek mythology. The same tech for free energy and wireless energy transmission can be found in texas, which employs and is run by current and former military bureaucrats and the companies website doesn't even hide that the tower which clearly looks like the Tesla Wardenclif tower is for transmission of energy/electricity wirelessly among other things. Tesla's science and his obsession with the numbers 3, 6 and 9 have been linked to the golden ratio and the number sequence involved in a flux energy field. Anyway after research what I could on anti gravity and magnetism i came across this video which makes me think just about anything is possible and all conspiracies might actually be true... Then again they might not because some of the theories involve the observer and the laws of attraction and manifestation create another dynamic in that your beliefs and thoughts affect reality...
So this airport on land that is about a mile above sea level and yet it has immense underground workings underneath it so presumably all in reality above sea level as it is today. Feels nonsensical to me.
Not when you think there is going to be a pole reversal... Supposedly if Antartica ice melt its estimated sea level will rise by 2-300 feet... The amount of ice on antarctica is unfathomable and totally supports the cyclical cataclysm hypothesis of previous civilizations that Herodotus learned about while in eygpt as well as the flood myths found in ever culture around the globe. If I was worried about sea levels rising as well as cosmic radiation and supersonic wind that moves with a force more powerful than atomic blast I would want to be high-up underground. Shit look at Machu Pechu in Peru that place was probably where survivors of the last cataclysm went or ended up after the last time the poles reversed... The annunaki/bringers of civilization/ the bearded handbag men we see all over the world could be survivors of the last pole shift... If that were the case then Antartica might have been in the northern hemisphere or at least in a different temperate zone free of ice... All religions and myths globally are based on astronomic observation and phenomena from a northern hemisphere perspective, the aryan/hyperborean/tartarian legends of advanced giant race can be found all around the globe. Its hard to prove things to be true if the answers are buried under the ocean, ice caps or under the sahara desert...
Interesting take you have on the unknown. The image we are sold is there is a biblical flood of unknown yet immense proportions that comes from an unknown location does its work and then buggers off again to an equally unknown place. What if a chasm in the ocean floor opens and the water drains away or the atmosphere ruptures?
Far more catastrophic than a flood to me, always to me, life ending most likely. And honestly who would want to survive either catastrophic event?
A supersonic wind would tear everything, plants, people, buildings, animals, power plantes, refineries, hangars, roads, dust, dirt, sand rocks etc, etc (not to mention the amount of water it would shift, imagine a supersonic waterspout how much that vortex could move and there'd be how many of them let alone supersonic tornadoes and hurricanes/typhoons) off of the face of the earth and stack them and smash them into the nearest immovable object, say a mountain which has just had its airport destroyed or ram it all the into valleys or over the glaciers (wonder what would happen to them in a supersonic wind?) or at east drop it all as the wind dies down in massive piles or fine dust over everything unmovable say an 'airborne' mixture of organic and inorganic detritus smothering life itself with the fines going up into the atmosphere we are told is finite and blacking out the sun for god knows how long and creating rain and lightening for as long as the dust stays in aerosol form until all the water vapour has been exhausted as it would be because there are no trees to create 'normal rain' from water vapour nor a sun to evaporate the sea.
Apologies if this is too fa off topic, it became longer than I realised, but as weird as this airport and its location appears to be we are not privy to anything connected to it and first hand accounts from builders, employees, contractors, the military appear to be absent so all there is is supposition which may be the point.
Interesting take you have on the unknown. The image we are sold is there is a biblical flood of unknown yet immense proportions that comes from an unknown location does its work and then buggers off again to an equally unknown place. What if a chasm in the ocean floor opens and the water drains away or the atmosphere ruptures?
Far more catastrophic than a flood to me, always to me, life ending most likely. And honestly who would want to survive either catastrophic event?
A supersonic wind would tear everything, plants, people, buildings, animals, power plantes, refineries, hangars, roads, dust, dirt, sand rocks etc, etc (not to mention the amount of water it would shift, imagine a supersonic waterspout how much that vortex could move and there'd be how many of them let alone supersonic tornadoes and hurricanes/typhoons) off of the face of the earth and stack them and smash them into the nearest immovable object, say a mountain which has just had its airport destroyed or ram it all the into valleys or over the glaciers (wonder what would happen to them in a supersonic wind?) or at east drop it all as the wind dies down in massive piles or fine dust over everything unmovable say an 'airborne' mixture of organic and inorganic detritus smothering life itself with the fines going up into the atmosphere we are told is finite and blacking out the sun for god knows how long and creating rain and lightening for as long as the dust stays in aerosol form until all the water vapour has been exhausted as it would be because there are no trees to create 'normal rain' from water vapour nor a sun to evaporate the sea.
Apologies if this is too fa off topic, it became longer than I realised, but as weird as this airport and its location appears to be we are not privy to anything connected to it and first hand accounts from builders, employees, contractors, the military appear to be absent so all there is is supposition which may be the point.
The catastrophe I was referring too was me referencing “The Adam and Eve Story” which was sanitized and had pages censored by the cia which was written by someone who worked for the CIA... Before joining this forum I was watching videos about the great pyramid of Giza and it’s complexities that illustrate knowledge and building techniques far more complex then what historians acknowledge... I was intrigued and this was when I was considering the new age theory of angels actually being higher dimensional peladian beings or Noridic aliens... I also read the ancient alien annunaki theory and Zachary Steichen’s translation of cuneiform which says the annunaki were responsible for the great flood... then after I couldn’t learn anything new I would move to other ancient ruins and the history which was known and there gods... after a while a clear pattern started to develop... every ancient culture had tales of giants, some knowledge of kundalini type energy and an origin myth involving two brothers fighting and a great flood... I came across bright insights 3 part analysis of Mauritania’s Eye of The Sahara which matches Plato’s description of Atlantis minus the water, vegetation and life... Plus the satellite images form the ocean to the structure look scared as if a massive wave hit the area which would describe all the sand in the Sahara that scientists say is from ocean sediment... Not to mention it was placed in the same spot on Herodotus map... Plus the younger dryas theory started gaining traction after finding a huge crator buried in ice in .... Iceland... So know I’m convinced that there was a cataclysmic event and there have been efforts to hide this knowledge... Especially when there are so Atlantis documentaries on tv and Netflix that don’t even remotely fit the specific criteria that Plato gave in his account... Measuring the rings from space and converting to stadia the Eye of the Sahara fit Plato’s descriptions not to mention the Atlas Mountains to the north that looked like it has dried up rivers flowing down it matching the description ... Plus they are named the Atlas Mountains and Atlantis is named after king atlas... So we have megolithic ruins globally, sunken cities and buried ruins like gobeki tepe... Sounds like the ice caps F**king melted at some point and sea level got a lot higher... Plus there are stories of giants globally and in America during the 1800s when settlers excavated some of the burial mounds they found red haired giants... I started to find that there was some truth to just about everything we were told wasn’t true or a myth... What I find amazing is how globally there are so many similarities in the Astrotheology and creation myths... Plus all ruins are set up to create some kind of significant effect signifying the solstices... Plus pyramid structures and towns of the Mayans mirror the constellations in the sky just like Egyptian cities plus China has giant pyramids and so do parts of Europe, East Asia and Russia which are buried and sometimes so old they look like hills... But I definitely believe there was a great flood there is actually overwhelming evidence of it... if you look at Petra In Jordan and areas of the Middle East or the western United States where it’s mainly desert yet there exists odd rock formations that would look normal under water.... Plus scientist just said there is a whole other continent under New Zealand and part of the cataclysm myth is that land had been pushed out of the ocean while other land like Atlanta’s and the MU fell in the ocean... The vastness of the Pacific Ocean tells me there has to be something hiding under it... Anyway after learning all these things on my own and also understanding that this knowledge is suppressed for specific reasons I started questioning everything and figured out an easy way to tell if a source was creditable... Which is if someone insults your intellegence or sanity they are probably trying to shame you into ignorance when they clearly don’t know anything about the subject
Interesting take you have on the unknown. The image we are sold is there is a biblical flood of unknown yet immense proportions that comes from an unknown location does its work and then buggers off again to an equally unknown place. What if a chasm in the ocean floor opens and the water drains away or the atmosphere ruptures?
Far more catastrophic than a flood to me, always to me, life ending most likely. And honestly who would want to survive either catastrophic event?
A supersonic wind would tear everything, plants, people, buildings, animals, power plantes, refineries, hangars, roads, dust, dirt, sand rocks etc, etc (not to mention the amount of water it would shift, imagine a supersonic waterspout how much that vortex could move and there'd be how many of them let alone supersonic tornadoes and hurricanes/typhoons) off of the face of the earth and stack them and smash them into the nearest immovable object, say a mountain which has just had its airport destroyed or ram it all the into valleys or over the glaciers (wonder what would happen to them in a supersonic wind?) or at east drop it all as the wind dies down in massive piles or fine dust over everything unmovable say an 'airborne' mixture of organic and inorganic detritus smothering life itself with the fines going up into the atmosphere we are told is finite and blacking out the sun for god knows how long and creating rain and lightening for as long as the dust stays in aerosol form until all the water vapour has been exhausted as it would be because there are no trees to create 'normal rain' from water vapour nor a sun to evaporate the sea.
Apologies if this is too fa off topic, it became longer than I realised, but as weird as this airport and its location appears to be we are not privy to anything connected to it and first hand accounts from builders, employees, contractors, the military appear to be absent so all there is is supposition which may be the point.
Also to your destruction of earth statement, life will go on... not everything will be destroyed and water will fertilize the land and seeds are survivors.
That ceremony was so disturbing, I could never watch the whole thing. And yet it's also really stupid because it's just SO awful and over-the-top just to open up a damn tunnel. Why couldn't they cut a red ribbon and drink champagne, like normal humans?
I compare it to neo-pagan pseudo shamanic ceremonies, like British Stonehenge worshippers do. Not everything an occult organisation does needs to have a deeper meaning - as long as you are impressed and tremble in fear ...
Especially if one considers that those celebrating the tunnel opening in this strange way are surely related to the group suspected to falsify human history. Inserting themselves at the top with violence, fake credentials, and fake rituals.
So the great flood, source unknown but possibly the entire volume of water locked in ice on Antarctica, comes in at 300 feet tops above current sea level according to the theory, yet this airport is almost 5280 above current sea level. Would the people up there pay any attention to water that is now, after the flood, is 4920 feet below?
And again all this digging down and tunnels, which no-one seems to know how deep any of them are and yet its clear the further down they go the closer they get to the flood 'high tide' point. It doesn't make sense, to me always to me.
The art in the airport is weird and its placement within the airport is equally weird. It all seems to push the same good vs evil as far as I can tell within man. The message is 'we' have it within us to be demon or saint and demons destroy saints build. A familiar message to anyone who has any religious teachings pushed onto them, me included.
After looking and pondering the double headed eagle thread and some pages of text and images the search engines gave me about that symbol it feels that the whole of this 'reality' we experience is one controlled by images of man being split from itself.
The double headed eagle has the backs of its heads facing each other and the eyes never see the other head even though they share the same body. This art is all split.
The other thing is an artist paid to produce work creates an agreeable version of whatever their client is paying for. An artist working for no financial, or otherwise, recompense produces what they want to create. Seems obvious but this is overlooked with this airport art. Who exactly commissioned the work?
I know I bang on about it with the old maps but it applies here. With the maps there appears to be a Jesuit or Roman Catholic 'connection' I wonder if this airports art or indeed the airports location decision has the same 'connection'.
After looking and pondering the double headed eagle thread and some pages of text and images the search engines gave me about that symbol it feels that the whole of this 'reality' we experience is one controlled by images of man being split from itself.
The double headed eagle has the backs of its heads facing each other and the eyes never see the other head even though they share the same body. This art is all split.
There may be other examples, but the coat of arms of the city of Rijeka in Croatia is a double headed eagle with both eagles looking in the same direction. This eagle was recently proudly reinstalled on the main city tower after commies took it down.
There may be other examples, but the coat of arms of the city of Rijeka in Croatia is a double headed eagle with both eagles looking in the same direction. This eagle was recently proudly reinstalled on the main city tower after commies took it down.
True. Overwhelmingly though they look away from each other. Could just be its easier to draw them 'head side on' if you will, seems doubtful but entirely possible. Is that the water of life pouring out of that amphora?
Is there such an amphora in any of the Denver airport art?
True. Overwhelmingly though they look away from each other. Could just be its easier to draw them 'head side on' if you will, seems doubtful but entirely possible. Is that the water of life pouring out of that amphora?
Is there such an amphora in any of the Denver airport art?
Bird snake is what that is. Feathered serpent that flies.
Sort of represents Kundalini or psychic powers manifesting. Like the uraeus on the brow of the pharaoh.
The death of magic. Imagination or vision in a BOX. TELEVISION.
Just extrapolating.
It's just quetzal, btw. Which might parallel the Phoenix. But it's in the process of being boxed up.
Hi, first post so apologies for formatting and protocol gaffes. Feedback welcome.
Another possibility is that quetzal and/or quetzalcoatl may be metaphors for 'comet'. If so, we can reframe how we interpret concepts and questions in the murals like: boxing up Quetzal[coatl] and is it extinct?
I say this because EP Grondine examines how serpents and birds can be interpreted as metaphors for comets (in three suspected impact events) in his book 'Man and Impact in the Americas'.
The book includes many native north and south American observations of local and distant impacts as well as their effects (fire, flood, mass deaths), and their expected reoccurence.
Victor Clube and Bill Napier described a possible cause of historic impacts and airbursts in 'The Cosmic Winter', attributing them to clusters of larger material in the Taurid debris field. Clube then seems to have written a 1994 report on cometary airbursts and spattered impacts for various high-ups. It touched on the destabilising social results obtained by authorities who had denied or mis-explained previous impacts to survivors and descendents of survivors. That the report was commissioned and well-funded by the USAF suggests there had been conversations before its 1994 publication.
There may be other examples, but the coat of arms of the city of Rijeka in Croatia is a double headed eagle with both eagles looking in the same direction. This eagle was recently proudly reinstalled on the main city tower after commies took it down.
double headed chicken or eagle is every where and use to symbolize the holy roman empire but is much older and actually Trump's family crest has a double headed eagle. I think Russias coat of arms does too.
double headed chicken or eagle is every where and use to symbolize the holy roman empire but is much older and actually Trump's family crest has a double headed eagle. I think Russias coat of arms does too.
Quetzalcoatl, or Kukulkan (same meaning in Mayan) is ancient MesoAmerican Jesus (born to a virgin who dreamt of god, reforged mankind). The Aztecs mistook colonist Cortes for the second coming of Quetzal - actually pretty similar to the story with the Incan Viracocha - Quetzal/Kulkulkan/Vira were all bringers of learning of the stars and agriculture and music and architecture, long-bearded, white-skinned men who rode the waves to shore and travelled those lands teaching. Eventually, they leave those peoples, but promise to return. There is reason to believe the myths surrounding the different culture hero deities of these races all describe the same person or group of people "raising up" the mesoamericans to a state of high civilization by revealing secrets and guiding them. The parallels of the Viracocha story to the concerns of SH are many: the first generation of humans he created were "stupid giants"; he orchestrated flood resets; I am sure there is more.
As with all colonist accounts, it is difficult to say if this is real, or heavily interleaved with Christian bias and intentional propaganda. But the inclusion of the iconic bird-symbol of one of the great and totally demolished civilizations in the art installation is pretty gruesome. It suggests that the thing which once brought knowledge and learning to people in the Americas has been imprisoned or stuffed, never to alight again. It is mere memory, decoration now - fully concluded - while we are still waiting for the funeral to bury the dead people beneath it.
A lot of North American Tribes have legends similar to this, about a great white brother that they separated from during the migration to North America.
Does this airport act as a bunker to protect an elite from a global cataclysm? And are there underground tunnels that lead to other locations? Well, I would really like to survive to witness what would happen after this destruction.
Does this airport act as a bunker to protect an elite from a global cataclysm? And are there underground tunnels that lead to other locations? Well, I would really like to survive to witness what would happen after this destruction.
To address KB's concerns my intent is to pass on straight forward basics which form the backbone of police science. We are all investigators by nature and we all will develop a hypothesis. The trick is to understand how to test your hypothesis: This is a brief on how to apply the detectives credo to a hypothesis.
To somebody like KB, a strict interpreter of facts, one has to present a logical case. You cannot go into a court room without either having undeniable proofs in the form of physical evidences, or without enough supportive material that a rational human would agree with your presentation of the case.
A detective (good ones) who know what they are doing, and this also applies to almost all other sciences, most of whom are clueless, will apply the "Null Hypothesis Theorem" to a conjectured theory (called a hypothesis). In other words, you develop a theory about something, and once you do that you then try to destroy it, and you do this because this is exactly what the defense will do in a courtroom. In a nutshell this is the scientific methodology used in criminal investigation by real detectives.
You cannot go to a prosecutor with a crackpot scheme you yourself cannot demonstrate to the prosecutor. No, you have to have shown to your own self that this hair brained theory, however unlikely, is the true truth: OK? So there's a way to go about doing that and it's by applying destructive testing to your own hair brained crackpot theories, because you only have a theory if you cannot destroy your own hypothesis, or, and this is equally important, or if no other hypothetical explanation weighed upon the scales of the preponderance of evidence is greater.
This is what will determine where the scales of justice tilt towards.
In any detective case you have to form a hypothesize on the case, but there's a methodology to to criminal investigation, it is not a haphazard affair. This is something which is understood but rarely taught in a formalized way. Most detectives and investigators learn this methodology by chance. Only refined Universities and colleges, mostly law related, teach this stuff. So some skilled in the art and tasked with countering the work of independent investigators invented the terms like conspiracy theory. I read that the CIA had actually invented the term conspiracy theory to counter the independent investigators such as JosiahThompson, who for example who wrote; "Six Seconds in Dallas." An investigator whose worked on well over 100 murder cases.
Today's law and order shows are not about law and order. They specifically do not teach anything about how to apply the scientific methodology which the law is supposedly founded on to the viewers, but in the real world there's reasons that seasoned detectives ask the questions they do. It's not for no reason that attorneys tell you not to talk to the police. A policeman, detective, and or investigator goes about this with a sort of play book in hand, which is a set of questions with the over arching question supposedly being of what the case really about? Naturally this is the mystery that the investigator is trying to solve, unless of course they already know the answer and are trying to bend you over the table.
When we look at the Denver Airport we should first ask ourselves whether or not a crime has been committed? In other words, is it telling us a story and are we receiving a confession? If we think it's a confession then we have to test the confession against the facts. Naturally this confession will be our own interpretation of what we think that these so called works of art are telling us.
In layman's terms generally speaking the state supposedly must show these four elements before you can be charged with a crime; you have to have committed the crime. You have to have the intent to do the crime. You had to have had a reason (motive) for doing the crime. You have to have had the intent to cause harm.
Any crime has four basic elements that must be proven before someone can be charged. The elements are 1.) Actus Reus (physical act), 2.) Mens Rea (mental state), 3.) Causation, and 4.) Social Harm. What are the basic elements of a crime? |
I think that it is very clear the Art is talking. Art is meant to talk. That's what art does. Art is a form of communication and this art is on an epic scale. It's clearly depicting an epic events, it's also clearly telling a story, and it clearly was intened to be global in it's scope, and therefore obviously there is/are/were power backing this project and it clearly is very specific about what the story is about, who it is about, and where it will lead.
The official explanations for the art, as explained by the artists themselves are manifestly lies, and no detective or investigator with a plug nickle would swallow those. This is not that unusual. If you have an eyewitness who denies the obvious then you have someone who either is, A, involved in the commission of crime, or, B, is in fear they may become involved or are fearful because of threats. In either case they clearly know more than they are willing to tell. Again, this is basic everyday stuff for any flatfoot.
The Denver Airport consists of art throughout the entire and in all art forms. So we should ask whose interests are served with these art works. Now this isn't that easy but the entire is a monument. It's a monument to a vision of a reborn world. In destruction there is creation. Do you understand that concept? To have new the old must die. Now I find it very interesting that two primary things have already been noticed so far. The backbone and pelvis in the architectural design; thus, the back bone which gives birth through the pelvis. Then the observation of the other fictional Bible known as; "Atlas Shrugged." I would suggest you pay close attention to the title itself for it is not by accident.
Ok, well not to drone on, so obviously I am telling you that this is a story about the people who are remaking our world and what their intentions are, and that, yes, there's criminal activity involved of the highest order and that, yes, it is a confession.
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Now to present a real case I'd need a while, like say a couple months and some serious cash along with several paid experienced staff, but that's not happening: Right?
The Bible of the people who created the Denver Airport is "Atlas Shrugged." This text is again another fictional religious work, though you may not yet see that right at the moment, but like the Bible it has a mission, one of which is dedicated to convincing the unwitting that the rulers deserve the right to rule. So it's a clever and deceitful retelling of the divine rights of kings.
There's only one reason anyone even knows about Ayn Rand and the next new bible she wrote and that's because it's taught and required reading in many high schools today. Which is not accidental either and the people it's dedicated to making look Christ like are of course those whose names presently begin with B for Billionaire. None of you are John Gault, so get that through your head right now, no you are instead the pigs, the cattle, the thieves that seal from your masters. The ungrateful and unworthy. That's who they see you as being. Make no mistake about that part.
Plan B is to remake the world. That requires a lot of death and dieing on your part and those of your kids so remember where you fit into Bloombergs plan B, because remember these are the people who are running the government and all information reported is done by their propaganda stations, and they also now have total control over all social media. So for most cattle, the brainless and undeserving, all knowledge comes from the voice of their next new Gods. Don't become delusional either. You're never going to be in that club.
Here's where we are right now. This is the beginning of the destruction phase. This is "Now" our present time. Each of these images are just stuffed full of iconography. Three birds; a penguin in a glass box (extinct), an unidentified bird in another box, and the bird of paradise in a semi enclosed box, so maybe not extinct yet. Whale bleeding from the mouth (dead whales everywhere). The sea turtle (The Fabian Society) and always figures in anything like this, usually with the owl. Now it looks like there's three dead races are forecast: African, First Peoples of South and North America, and interestingly European White. Three females, three males, three birds. Lots of three's huh? Really need to go deep with these. View attachment 31470
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Thanks much, this answers the Bison head in the first image I re-posted then. I had no idea the connection was that directly related.
PS: Just realized the Bison has a ring around it's neck. The Ring....it's a biggy... Home Security, Movies, Cartoons, and even Porn. Like cattle, like the Bison, ring around your necks; ah, for your own safety of course. Reminds me disturbingly of another Atlas. Cloud Atlas the movie. If you've seen that film you might recall what they do to remove the collar of the slaves.
And yet something else I find odd about the Denver International Airport is the constant construction.
1. The South Terminal Redevelopment Project completed in 2016 at a cost of $544 million, which included a new hotel and light rail expansion.
2. The gate expansion project, which will add 39 gates. It was approved in November 2017 with a budget of $1.5 billion, work began in May 2018, and it is supposed to be completed in spring 2021.
3. Remodeling of the Great Hall to move the security checkpoints. The cost is either $770 million or $1.8 billion. The article mentions both numbers without explaining the discrepancy. The airport fired the general contractor who had already spent $200 million and left the place a mess (see attached photo). One of the reasons for the cost overrun: "weak concrete in the original construction of the building in the ‘90s". Now construction won't be completed until 2025.
So, who cares about cost overrides on a construction project, which is not unusual. My point is that there is much more going on than moving the security checkpoints from one floor to the next. They are going deep underground and replacing concrete and who knows, maybe building more tunnels. The project has spun out of control, nobody is in charge, and the project already has a budget in the billions. And the airport marketing department, instead of clearly explaining what is going on, is fanning the conspiratorial flames with the DENFiles.
The similarities in deities and myths of all ancient cultures are all far too similar to ignore especially when you consider the ziggurats, step pyramids, egyptian pyramids, burial mounds, buried crimean pyramids as well as the covered up pyramids found in china. Norse ruins which seem to be similar to cuneiform or Phoenician lettering as well as there experience in sailing that can be attributed to stellar navigation and the astrotheology associated with the subject lead me to believe that giant red haired norse/north european/hyperborean/aryan people are the bag carriers in all the stone depictions found all around the globe. Plus viking boats that have been dug up from burial sites are very similar to the Egyptian pharaoh ships that have been buried in a similar manner... Also the burial mounds in america where red haired giant bones have been supposedly found follow the same pattern.
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I don't buy in the Corey Goode story but I also don't necessarily discount it... I think there is a clear scientific understanding of how gravity works and how the physical universe works which has been suppressed and guarded and that most if not all of the UFO sightings are actually top secret anti-gravity propulsion systems which may deal with zero point energy... Modern quantum theories of the universe deal with concepts that shatter the dogmatic materialistic approach that science has solely focused on in its existence... Tesla demonstrated his knowledge of electromagnetic spectrum and the nature of reality in regards to frequency, vibration and resonance... What we know of Teslas accomplishments in regards to alternating current, wireless transmission, florescent light, X-rays and the thousands of patients he held thru out his life prove that he was a clear genius. What I find interesting is all of the things I just mentioned where things that Tesla worked on in the first half of his life. The death ray, weather manipulation, space travel and free energy all fall into the realm of fantasy, yet it is clearly obvious to anyone who can grasp the most basic concepts of his work can see the technologies in operation today... Haarp which charges the earths ionsphere is an example of a technology that Tesla said was capable of controlling the weather, charging the ionosphere to a plasma state to guard against missile strikes as well as offensively sending destructive power to select areas of the globe... I know that Haarp most likely has something to do with geoenginnering especially since the harp was used to manipulate the weather in greek mythology. The same tech for free energy and wireless energy transmission can be found in texas, which employs and is run by current and former military bureaucrats and the companies website doesn't even hide that the tower which clearly looks like the Tesla Wardenclif tower is for transmission of energy/electricity wirelessly among other things. Tesla's science and his obsession with the numbers 3, 6 and 9 have been linked to the golden ratio and the number sequence involved in a flux energy field. Anyway after research what I could on anti gravity and magnetism i came across this video which makes me think just about anything is possible and all conspiracies might actually be true... Then again they might not because some of the theories involve the observer and the laws of attraction and manifestation create another dynamic in that your beliefs and thoughts affect reality...
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Not when you think there is going to be a pole reversal... Supposedly if Antartica ice melt its estimated sea level will rise by 2-300 feet... The amount of ice on antarctica is unfathomable and totally supports the cyclical cataclysm hypothesis of previous civilizations that Herodotus learned about while in eygpt as well as the flood myths found in ever culture around the globe. If I was worried about sea levels rising as well as cosmic radiation and supersonic wind that moves with a force more powerful than atomic blast I would want to be high-up underground. Shit look at Machu Pechu in Peru that place was probably where survivors of the last cataclysm went or ended up after the last time the poles reversed... The annunaki/bringers of civilization/ the bearded handbag men we see all over the world could be survivors of the last pole shift... If that were the case then Antartica might have been in the northern hemisphere or at least in a different temperate zone free of ice... All religions and myths globally are based on astronomic observation and phenomena from a northern hemisphere perspective, the aryan/hyperborean/tartarian legends of advanced giant race can be found all around the globe. Its hard to prove things to be true if the answers are buried under the ocean, ice caps or under the sahara desert...
So sorry for the slow response. I knew I should have come back sooner. Now it might not be obvious to others but this all does actually tie in to the Denver Airport because it's about a planned history, a history which is unfolding by schedule as we live our lives, mostly oblivious to the reality that the narrative told in the airport's so-called art work is, in fact, a planed future history for most of humanity. For others there is quite another future and those special few already have the means to cross the galaxy and know whether or not aliens exist right now.
How Corey Goode worked in to this is beyond me. He is certainly not anyone I know a lot about, or care about either, other than he's a probable stooge of the TPB. Reason being is there are no aliens: None, we are alone in the galaxy, Wernher Von Braun said as much. If anyone would have known it would have been him. However that's neither here nor there really. Not right at the moment but in the planned future these fake aliens are already diecast as part of the planned future and which is being told through the artwork in that cursed airport.
Thanks for the video, I appreciate your thoughtfulness in this, but frankly I know for a fact that those ideas are based on corrupted knowledge. I know how logical it sounds. It's well meaning and it's certainly better than most others but it's wrong. Gravity is a magneto-electrical effect caused by induction of counterspatial energies. In short gravity is simply magnetism.
Gravity can be thought of as simply in-coherent magnetism. All matter has a magnetic field. Even so called diamagnetic matter has a magnetic field. An incoherent field is not a coherent field, it is a light bulb compared to a laser light, where dirt is demonstrating incoherent magnetism and a magnet is demonstrating a coherent form of magnetic field lines of dielectric energy, and what these forms of energy can do are wildly different as a result, however any two pieces of matter will attract towards each other. This is the incoherent magnetic field generated by both pieces of matter perturbing the flow of counterspatial energy. It's counterspatial because energy is not by nature a three dimensional object and is generally invisible, thus it's not in our realm so to speak and yet again it's all around us, everywhere in every place, and at all times. This is really what a magnet demonstrates.
Therefore there are only two dimensions: Ours and that of counterspace. Counterspace is the dielectric field where energy resides and it's all round us everywhere all the time. Just like Tesla said it was. The idea of counterspace was called radiant energy by Tesla, Nick Pope called it Zero Point, but Charles Proteus Steinmetz gave it the term of counterspace.
I think anyone who really wants the truth and who is interested in such things needs to do their own study. That's how you really lean anyways. Here Ken Wheeler is the man to listen to. Wheeler is the Tesla of our time, he is the Steinmetz of our age, he is the guy who is telling the truth. Many others are liars and highly paid ones at that. I've dealt with more than one personally.
I've spent many years on this topic, which in itself means nothing if I cannot show some sort of useful outcome, and thus I think I have; I believe we now have a fairly good understanding of base concepts which must be understood before it is possible to understand UFO's, and while the system has continued to lie and deny, this technology has been in their hands for over 80 years. That is my ultimate conclusion. I think it's understandable and that the only person who has explained it correctly and entirely is Ken Wheeler. Regardless, as for the Denver Airport, it's a narrative of the new world that this so-called "breakaway civilization" intends to create and it's telling us the future through the art. The enabling technology which is creating this future is tightly linked to another understanding of physics, the ones used by the Nazi's to create the first repulsine vehicles, and by repulsine I am not referring to Victor's Repulsines.
Alexey Chekurkov's flying contraption for example has bamboozled many, including experts, and attracted a horde of deniers. However I explained how his machine works and so far this explanation seems accurate. Time will tell. I don't imagine I have this correct but so far the explanation I created has been supported by others I regard as truther's. People who want us to be out in the galaxy and not enslaved to billionaires and a corrupted educational system still teaching lies and garbage physics.
Bird snake is what that is. Feathered serpent that flies.
Sort of represents Kundalini or psychic powers manifesting. Like the uraeus on the brow of the pharaoh.
The death of magic. Imagination or vision in a BOX. TELEVISION.
Just extrapolating.
It's just quetzal, btw. Which might parallel the Phoenix. But it's in the process of being boxed up.
Great insight there with the death of magic, though I would say that the death of magic is really the death of imagination. IMHO this is signifying the death of imagination. Ya see, the reason public education was created in the first place was specifically to destroy the creativity in children. Yes, believe it, because that creativity is what was blamed on an unwillingness to mindlessly die on order by self proclaimed authority, and because it was reasoned creativity caused the mind to run wild, which lead to soldiers tossing down their weapons and running away, or refusing to follow logical orders of their superiors, and thus a system was was created whose primary mission was and remains to destroy the creativity in children, and it instill automatic reflex to ingrained authority. Like the goats that collapse at the sound of a clapped hand the whole idea behind education is rooted in mind control.
John Taylor Gatto has a great set of interviews on youtube where this covered. It's called "The Ultimate History Lesson." A weekend with John Taylor Gatto.
IMHO the murals depict a fascist future. I think that I can see that many youth of our time are embracing this idea of group rule, which is of course anything but that, however most will remain clueless to the true purpose for the group efforts. Giovanni Gentile - Wikipedia