Note: This post was recovered from the Sh.org archive.
Username: Timeshifter
Date: 2019-11-05 20:53:15
Reaction Score: 1
Yes, but that is all info we already have.there is all sorts in there.
THE EXTERIORThe position occupied by this building is one of the most commanding in Liverpool. It is built upon a platform, erected on the edge of a sharp declivity towards the port, which is to the westward. As is well known the heath which formerly constituted the site of Lime Street, of Victoria Place, and of this edifice, was the vantage ground from which the town was besieged in the civil war. Could the cavaliers and roundheads note the changes which have ensued since their departure, they would doubtless be much astonished as well as much gratified.
The point from which the best view of the exterior can be obtained is the top of Elliott St [in Lime St], from which the south portico, surmounting a lofty flight of steps, and the long facade, agreeably diversified by an intermixture of circular and square columns, the whole crowned by the lofty double attic, have a noble appearance, and present a combination of light and shade which is highly agreeable.
It is from this point that the stranger should make his first acquaintance with this great national work, for such it is, though it has been erected from the resources of a provincial corporation, from the purposes to which it is applied, and the manner in which they are provided for.
The south portico is pseudo-octostylar dipteral, that is the columns are disposed eight in the front rank and four in the second. The floor of the portico is at a considerable elevation above the ground at the south of the building, which gives it dignity. The colonnade is surmounted by a pediment, the tympanum of which is filled with allegorical sculpture, designed by Mr COCKERELL which may be thus interpreted :- In the centre is Britannia enthroned, in her left hand she offers the olive branch to the four quarters of the globe, with her right hand she protects her native industry, the arts and agriculture. On here right are Ceres and Apollo in a car. Domestic happiness is represented by a labourer, who holds a plough, and his wife with her distaff, his child stands at the man's knee. The manufacturers, especially metallurgy, are indicated by labourers at the anvil, who have been fabricating arms, an anchor etc. To the left of Britannia, Mercury, representing commerce, presents Europe, Asia and America, and lastly Africa, on her bended knee, and leading a young boy, acknowledges the liberty she owes to Britannia. Peace lends her benignant presence, and commercial industry, arduously employed on bales and goods of various kinds completes the group. The background is filled with barges, a hive, vases, and emblems of various kinds. The sculpture is executed in Caen stone, and the estimated cost was 3500 pounds. On the entablature beneath the pediment is the following inscription. "Artibus, Legibus, Consiliis, Locum, Municipes, Constituerunt. Anno Domini M,DCCCXLI ["The municipality have provided this place for counsel, art, and laws."]
The facade to Lime Street is the principal front of the edifice, and though the western side presents a more commanding position, and by some persons is considered the proper aspect for the principal front, it must be remembered that the railway station is the great approach into the town, and that it would be objectionable to turn the back of the building upon the numerous strangers who would thus gain a very undesirable first impression. The facade consists of a poly-stylar-pseudo-dipteral colonnade in the centre, that is, with the depth of two columniations, but with only a single rank of 16 columns, flanked be recesses, having an advanced screen of detached antis, or square columns in antis, the spaces between the columns are built up to about one-third of their height. The colonnade is the length of the great hall, the remainder of the front consists of the screens, each terminated by narrow projections, prepared for being slightly relieved by sculpture at some future time. Over the great hall is the double attic before spoken of, which is built to conceal the roof of the hall, but when it is relieved by the addition of statues on the centre of the lower attic, the effect of the whole edifice will be greatly improved. The lower attic is continued all round the building.
At the north end, that fronting Shaw's Brow there are eight columns in antis disposed in a semicircle, the inter-calumniations being built up the entire height, to form the north vestibule. The entrances, three in number, are on the level of the street, and are formed in a screen wall advanced beyond the main wall, the intermediate space being covered in to form loggie to the steps leading up to the vestibule.
The west front, that to St Johns churchyard, consists of a screen of 12 detached antis in the centre, the spaces between which are built up to form the walls of the library and sheriffs and vice-chancellors courts. The flanks are nearly astylar [or columnless], except pilasters at the angles of projections, and quite plain, with preparation for sculpture.
The exterior taken as a whole is, Grecian Anglicised, that is, the Grecian type is to some extent adapted to the exigencies of this climate, and the requirements of the present age. In the eastern and southern fronts the treatment is more severely classical than in the northern and western, windows are almost entirely excluded, the rooms on that side chiefly used as ante-rooms, being lighted from above, the only exceptions are two, four light windows in the east portico, but these are so treated that they entirely harmonise with the prevailing sentiment. I am aware that the isolated antis, or square columns are exceptional with rigid classicalists, but there use in this instant seems justified by their position in the line of the wall. And by the contrast they represent to the fluted circular columns of the porticos. In the other parts windows are freely introduced wherever they are requisite, so that there is an agreeable variety in the composition of the whole, no two views of the building being similar. Mr HUGGINS has made some excellent remarks upon the increased effect this edifice will gain by the liberal introduction of sculpture. The spaces on the screen wall between the antis are appropriate positions for single figures, while the wall space gives scope for bassi-relievi. For many years to come Liverpool may apply portions of her surplus income to commemorate her most worthy sons, or scenes from her own or Englands history
THE CONTRACTORS FOR THE WORK
It would be unjust towards those by whom this important building has been erected, if they should be entirely unnoticed. I believe the following is a correct list of the several contractors :-
The carcase, Mr John TOMKINSON
After the carcase was completed the brickwork and joiner's work was carried out by Messers FURNISS and KILPIN, the mason's work by Messers NUTTALL and HARGREAVES
Plumbing, Mr W. EDWARDSON
Plastering Mr Thomas JONES
Painting Messers TROUTBRECK and WANNOP
Interior ironwork, Messers WEBBER and Co
Exterior ironwork, COALBROOKDALE Company
The exterior carving, Mr KELSEY Snr, deceased.
All the polished granite has been supplied by Messers MACDONALD and LESLIE of Aberdeen
All the internal ornaments have been modelled by Mr C. S. KELSEY. Mr W. H. WORDLEY, resident architect, and Mr HUGHES, for many years clerk of the works.
Iam seeking actual evidence of construction taking place. All of those descriptions could be given by walking into an already existing or completed building.
Bear in mind we are right in the golden age of photography here. No photos, etchings, descriptions of daily, weekly, monthly progress, problems, accidents, deaths....
We have masses of info on how it will be made, and how it looks completed, but nothing to fill the gap.















